Chalkhills, Number 135 Thursday, 28 February 1991 Today's Topics: Alternate Takes theremin? Flame Fodder Boxed Set Historical Notes
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Date: Mon, 25 Feb 91 08:23:25 PST From: "WES WILSON, PKO3-2/T12, 223-4891" <wilson@psylo.enet.dec.com> Subject: Alternate Takes This past weekend I picked up the soundtrack for "She's Having a Baby" on CD. The mix of "Happy Families" is different. Wimpier, with plucked violin strings. Still, because I'm a budding CD completist, it's a good addition. Also interesting to note on that is the version of The Smith's "You Just Haven't Earned It Yet, Baby" done by a female performer (can't recall her name right now), and produced by *Steve Lillywhite*... Also of note is the "URGGH! A Music War" soundtrack, which features XTC's "Respectable Street" live. Is this live version elsewhere on CD? I doubt it. Wes
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Date: Thu, 28 Feb 91 17:52:53 GMT From: toby <toby@computer-science.manchester.ac.uk> Subject: theremin? Do the Dukes use a theremin on Pale and Precious? Toby
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Date: Thu, 28 Feb 91 17:43:11 CST From: rhb9805@usl.edu (Bird Rendell H) Subject: Flame Fodder Dear Chalkhillians-- I am a subscriber to some of the "music-related" mailing lists which exist in NetLand. Two of my favorite lists have recently spawned some interesting discussions by picking *least* liked songs off albums. Therefore, I am ready to possibly start a flame war, by posting my own least liked XTC songs. Note: I have only the CDs to go by. If I pick "bonus cuts" it's because the songs are there. Also, my collection of XTC is not complete. THIS IS NOT A LIST OF SONGS I DISLIKE (per se), just the ones I like least. *Black Sea* Travels in Nihilon -- easily the worst XTC song I have ever heard. One of the few XTC songs I actively dislike. *English Settlement* All of a Sudden (Its Too Late) -- seems to slow the momentum of the album down. A great song, though. *Mummer* Gold -- ?Horn charts? on such an idyllic album? *Big Express* The Everyday Story of SmallTown - Another one of the few... *Skylarking* Big Day -- disturbs the ordering of the album, somehow. It just doesn't seem to fit. *Oranges and Lemons* The Loving -- too idealistic, too upbeat. The remainder of the album is wonderfully twisted. This is my favorite XTC CD. ------------------------------------------------------------------------------ *Rag and Bone Buffet* Over Rusty Water - 1.5 minutes of one chord? XTC is usually more original than that! If 'one chord' was all I wanted I would listen to more Philip Glass. :-) *Dear God EP* Mantis on Parole - just doesn't do much for me. But I like the other pieces of the Homo Safari Series (especially "Procession"). *The Compact XTC* This World Over - XTC imitates The Police on downers. Still a great song. ...And I think that is enough flame-fodder for now... Rendell H. Bird rhb@usl.edu
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Date: Fri, 1 Mar 91 13:17:39 EST From: graeme@research.canon.oz.au (Graeme Wong See) Subject: Boxed Set Greeting Chalkhillers, Yesterday I went to the "Virgin Megastore" in Sydney to see if there was anything interesting. As I was walking around I came across the boxed set section and saw a Simple Minds boxed set. Lo and behold behind Simple Minds was .... XTC. It was a Collectors Edition 3 Limited Edition Picture Discs!! Of course I immediately grabbed the XTC boxed set and bought it. It has three CDs, Go 2, Drums and Wires and Black Sea. The CDs have a portion of the front cover on the CDs. Best of all (for me anyway) was that the Drums and Wires CD had "Life Begins At The Hop" on it! Every other Drums and Wires CD I've listened to always had that track missing, even if the CD says it had it on it. However the listing of songs on the outside of the box was still incorrect as it had the song "My Weapon" from Go 2 missing, but it's on the CD. Don't understand why Virgin doesn't get it right!! Anyway I'm a happy little XTCer at the moment. My question is are there anymore picture discs available? Either singularly or in boxed sets? If there are I'll diligently seek them out!! Graeme
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Date: Thu, 28 Feb 1991 20:11:08 PST From: John M. Relph <chalkhills-request@chalkhills.org> Subject: Historical Notes Aware Paints XTC by David Dasch Aware No. 8, Winter 1981-82 [reprinted without permission] The drums assault the off beat, the music jolts one moment, races the next, the lyrics flash with playful wit, and the vocals either hop with the melody or get shot out of a cannon. This is XTC, and somehow it all works -- with a passion. XTC is one of the most distinctive bands to emerge in the last few years. On vinyl since 1977, the core of the group we know today was molded in 1973 in Swindon, England, by locals Andy Partridge (guitar, vocals), Colin Moulding (bass, vocals), and Terry Chambers (drums). They've been joined by a conveyor belt of fourth members in the past eight years, including keyboardist Barry Andrews, who played on their first releases, and guitarist Dave Gregory, who came aboard early in 1979 when Barry left after the second album had been recorded. Before he got the XTC call, Dave had been in the local Swindon bands The Alehouse, and Dean Gabber and the Gabberdines (there are tapes floating around of the latter conglomeration). In April of this year we had the opportunity to chat with XTC, and as the conversation started perking, the subject turned to the great wealth of original material composed since the band's formation. Some of the early titles suggest pure XTC, and we decided to bring all the early works to light in a discography with enough detail to satisfy even the most possessed of anal compulsives. Strange trivia of the group's recorded history is also included in this mega-discography. The band's members warmed to the exhuming of the information (even though when we walked in, at the end of another interview, Andy was holding a "Do Not Disturb" sign in front of his face), and perhaps in wading through the discography the reader will garner a hint of the fun we all had in piecing these (sometimes ridiculously) obscure facts together. X-plaining XTC (based on an interview by Steve Kolanjian & David Dasch) Compositions, 1973-1976 During the period of 1973 to 1976 the band played under the names Helium Kidz, Skyscraper, Star Park, and Snakes. Too proud to perform more than a handful of cover versions, the group was writing from the start. As Skyscraper they recorded material for Pye Records, and some of the songs on this first list might have been put down on the Pye tapes. The names Star Park and Snakes were short term affairs. "We were Star Park for a week", quipped Andy. What about Snakes? "For a day", answered Colin. Adrenaline My Baby Was A Reptile Boogie Woogie City Neon Shuffle (Metal Version) Bus Station Bully Phaser Force Cafe Real Teenager Don't Anger The Snakes Robotic Romance I Really Feel Mean With My Rock 'n Roll Road (From 1973) Leather Jacket On Something Simple, Something I'm From Outer Space -- Baby Swift Smash My Face South Side Taxi Ride I'm In Love With The Hurt Take An Elevator Just A Message To A Sleepwalker What The Hell Do You Want? Little Gold Roller Yabber Yabber Yabber "Don't Anger the Snakes" tells of the ups and downs of "a frustrated penis", recalled Andy. His "Just A Message To A Sleepwalker" was inspired by the 1919 Fritz Lang film, "The Cabinet of Dr. Caligari". Andy was to return to the subject of sleepwalking in 1979 with "The Somnambulist". The 1975 Decca Recordings by The Helium Kidz In 1975 the Helium Kidz recorded these seven songs for Decca Records: Do You Really Shark In The Pool I'm The Alligator On Your Block She Fell In Love With A It's About Time We Had Some Detective Rock And Roll Teenage Planet Saturn Boy "It's About Time We Had Some Rock And Roll" was a hard-rocker, the memory of which prompted Colin to gesticulate wildly in an attempt to recreate the song's fury. "She Fell In Love With A Detective" was originally called "Private Eye." The 1976 Sun Recordings Early in 1976 the group recorded seven songs for Sun, all but one of which later surfaced on Virgin releases. At this point, the keyboard player was Johnny Perkins, who left the band in December of that year. He went on to join Stadium Dogs, who issued records on the Audiogenic and Magnet labels. Hang On To The Night Science Friction Neon Shuffle She's So Square Quicksilver Spinning Top Refrigeration Blues "Quicksilver" remains the only unreleased song of this group. "Refrigeration Blues" was later rerecorded during the sessions for the _White Music_ LP, but was left unfinished at that time. Andy took the second version and adapted it for "Commerciality (Signal Ad)" on the _Take Away / The Lure of Salvage_ LP, released by Mr. Partridge in 1980. Sometime in 1976 the band distributed handouts describing their music as "ant music", a term coined by Andy. This tag was later picked up by Stuart Goddard, who eventually became Adam of Adam And The Ants. Andy was also responsible for naming the Talking Heads' LP _More Songs About Building And Food_. The CBS Sessions With Barry Andrews on keyboards, in January of 1977 the group recorded songs in two sessions for CBS records. The first session included: Monkey Woman Tired Of Waiting For You Science Friction The band wasn't sure in which session, the first or the second, "Science Friction" was recorded. "Tired Of Waiting For You" is the Kinks classic. The second session featured: Saturn Boy Star Park She's So Square Statue Of Liberty "Star Park" is a "spacey ballad" named for one of the group's own monikers. By the fall of 1977, the band signed with Virgin Records, and in November their first record was released. Andy had flirted with the idea of calling the band "The Dukes of Stratosphere", but by the time the first record came out, he had settled on "XTC" for its distinctive sound and high visibility.
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Thanks to Ira Rosenblatt. For all administrative issues, such as change of address, withdrawal from the list, discography requests (last update 14 February), back issues, etc., send a message to the following address: <chalkhills-request@chalkhills.org> All views expressed in Chalkhills are those of the individual contributors only. So look out.
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