Chalkhills, Number 279 Thursday, 27 May 1993 Today's Topics: Down in the Cockpit Black SEa Skylarking outtakes? Take Away Down in the cockpit HeLLo... WeaKer SeX..... Re: Chalkhills #278 Window Box
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Subject: Down in the Cockpit Date: Thu, 20 May 93 12:16:38 +0200 From: Christopher Lishka <lishka@uxuw04.cern.ch> Regarding Mike Murphy's comments about "Down in the Cockpit": I think the line "Women had the brains to act just like the weaker sex" is a comment on something that goes on a lot, especially today. Many times, the people in control are *NOT* the people who appear to be. A lot of the more intelligent folks intentionally do not go around proving that they are smarter; rather, they sit in the background and control the show without really appearing to do so. I feel that is what Andy Partridge had in mind with the line above: that women may appear to be "the weaker sex", but really they are indeed the smarter sex that is running the show. A real life modern example: I spent part of my childhood years growing up in Japan with my family. Japan was then (and probably still is) a male-dominated society. Men generally run the big businesses and political structures, while women generally stay home, raise the kids, keep the home in order, and generally support the family and especially the man. Or so it would seem. Something I have heard a lot (and that my Mother likes to tell) is that it is generally felt that women have a *lot* of control, as they tend to steer the men in ways they want them to go. For a wife to be successful, she must (a) marry a man who has the drive to go places; and (b) she must steer him in the direction *she* wants him to go. The wife must be more clever than the man, as her power is more indirect, but it is there never-the-less. Plus, the wife has more control over determining how the kids will grow up, as the husband is not around the home much at all. Another idea that is very interesting to consider is the following: for a long time in many cultures women had very little choice as to a successful and *respectable* career which they could choose. In Japan, before the great "opening up" (in the late 1800's), women basically had two "career" choices that were respected in the eyes of others: (a) they could be wives; or (b) they could be geisha. (Geisha were entertainers of men, but were NOT prostitutes. Some geisha did have intimate relationships with a selected patron, but it was *not* common for geisha to bed every man they entertained. Prostitution in Japan was one of the least respected jobs.) My Mother (who is very vocal and well-read concerning womens' issues) recently took a college course about women in western religions. Apparently, through much of European history, European women also had two choices for "respectable" careers: (a) they could be wives; or (b) they could enter the convent and be nuns. Becoming a nun was possibly the only way that most lower and possibly middle class women could get an education. Historically, women have had little choice as to what they could do and still remain successful in society. With such a limited choice, they probably had to become rather wise in the ways of interpersonal politics so they (and their children) could get where they wanted to be. Hence, one might consider women to be wiser than men, because women have had to do as much as men with more limited choices. Personally, I feel that the song "Down in the Cockpit" is a tribute to women. Throughout a lot of European, American, and Japanese history, women have been "kept in their place" far too often, which I personally feel is horrible. Women are as intelligent and capable as men and should be offered the same choices. I am all for full equality between men and women *today*. Unfortunately, this still has not been achieved completely (although it is slowly happening). So I feel the line "Women had the brains to act just like the weaker sex" is a comment on how wise and intelligent women have had to be: in order to share the same "success" as men, they have had to be a lot more cunning, steering the course of events behind the scenes. They may have appeared to be the weaker sex, but as "Down in the Cockpit" shows, they probably were the stronger. Just my long rambling two cents worth.... .oO Chris Oo. I pity the rhino Chris Lishka Down there he's becoming extinct PPE Division, CERN Killed for a love potion lishka@dxcern.cern.ch -- Crowded House VXALUW::LISHKA
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] From: kes@acpub.duke.edu (Ken Strayhorn Jr.) Subject: Black SEa Date: Thu, 20 May 1993 09:29:22 -0400 (EDT) Hey XTC fans Was interesting to see the talk about "Black Sea" and it's possibilities if released today. Nah, it would do the same now as it did then - a handfull of music fans would latch on to it and it would spread by word of mouth among musicians, music students, etc., people who care about music instead of hype and haircuts. I heard "Generals and Majors" on a college station a few times when it was released, bought the album to see what else was to be discovered. I was entranced, to say the least. The tonic changes and key shift during the guitar break on "Rocket from a Bottle" still knocks me out, not to mention the *barely* contrapontal passage that follows. These guys are walking on a real tightrope, I remember thinking. At the time I was working in the music scene as both an arranger and PR person for several bands. I took the album to the studio and made people listen to it. To a person, they all loved it, even those who weren't particulary into pop-rock. The musicians loved the writing, the studio techs were wowed by the sound. I remember one recording engineer listening to "Language in our Lungs" over and over, saying: "How did they get the drums so far forward without overpowering everything?" It's a great album. I've often written "Ten Best" lists for various publications, I always put "Black Sea" on lists that include all the usual suspects: Sgt. Pepper, Dark Side of the Moon, etc. People always write back, saying: "Who? XTC? Who's that?" I figure if I can turn one more person on, it's a good day. Cheers Ken Strayhorn Chapel Hill NC
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Subject: Skylarking outtakes? From: kevin@sys6626.bison.mb.ca (Kevin Scott) Date: Thu, 20 May 93 11:46:39 CST Organization: System 6626 BBS, Winnipeg Manitoba Canada I recall reading in a 1987 Melody Maker that there were several songs that were not included with "Skylarking" because they were deemed inappropriate by Todd Rundgren (when you think about it, 49 and half minutes IS pretty short for an XTC album, even with the inclusion of "Dear God"...they usually clock in at over an hour). Anyway, in this same article they mentioned that these songs were going to get released. I'm not sure that they ever did. They mentioned the titles, and I can't remember what they were. I know they're not the same ones that were released as B-sides on the "Dear God" CD single (The Homo Safari Series). Does anyone know if these songs ever saw the light of day and if they are available? Kevin
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Date: Thu, 20 May 93 19:13:00 CDT From: tarvetis@casbah.acns.nwu.edu (Tom Arvetis) Subject: Take Away Hey, folks. I went to a record show recently and picked up a copy of Andy Partridge's "Take Away/The Lure of Salvage" LP. It's a British import original 1980 pressing. Has anyone heard it? I'd like to know what you think. I'm not quite sure myself. I do like it but I'm not sure how much. Thanks a lot. Tom Arvetis tarvetis@casbah.acns.nwu.edu
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Date: Tue, 25 May 93 15:49:40 CDT From: Andrew Russell Mutchler <andym@owlnet.rice.edu> Subject: Down in the cockpit Mike Murphy (mhw@casbah.acns.nwu.edu) wrote about "Down in the Cockpit", claiming to enjoy the song but being puzzled by the line "Girl have the brains to act just like the weaker sex". I've wondered about that line myself. Maybe it means that when men treat women like children, the women sometimes take advantage of this to get the men to do things for them, like help them move furniture and so on. Or maybe it's just sort of satirical. On a similar note, is "Sgt. Rock (Is Going to Help Me)" meant as satire? I certainly hope so! P.S.: Count "Down in the Cockpit" as one of my favorite XTC songs. I didn't think much of the Dance Mixture on Rag & Bone Buffet, which I heard before I ever bought English Settlement. But when I heard the original, I was hooked! It's a fun song. P.P.S.: My CD of English Settlement has no lyric sheet! What gives? (I found the lyrics in a file at the ftp site, so I'm happy now. But I still feel sort of miffed.) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ -Andrew & Now let's all sing the Royal Canadian Kilted Yaksmen's Anthem! Mutchler & (to the tune of god Save The queen)
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Subject: HeLLo... Date: Thu, 27 May 93 12:36:22 -0400 From: silva@mond1.ccrc.uga.edu Nonsuchers - I'm neW to the list and I'd like to get an idea who out there might want to do some tape swapping or who's got a good line on the band's hard-to-finds (CD, whatever....) I have a taped interview (almost and hour...maybe longer) that I did with Andy last year right after the release of the album. It was a fairly decent chat covering a lot of topics. I'd be willing to trade copies for copies of: Jules Verne's Sketchbook Any decent demos Drop us a line...JoE "Even I never know where I go, when my eyes are cLoSeD..." silva@mond1.ccrc.uga.edu p.s. - When I spoke to Andy he said he was preparing a followup to the JV Sketchbook clled "The Bull With the Golden Guts" or something like that. Does anyone know if anything new has been released?
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Subject: WeaKer SeX..... Date: Thu, 27 May 93 16:01:50 -0400 From: silva@mond1.ccrc.uga.edu I guess it was Michelle who said: But why is acting like the weaker sex smart? I think what Andy might have meant is that women know when to act inferior as a tool for manipulating men in general....opening car doors for them, carrying the heavier grocery bags. It can be a great deal at times.... great song in any case.. JoE silva@mond1.ccrc.uga.edu
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Subject: Re: Chalkhills #278 Date: Thu, 27 May 93 16:03:46 -0400 From: silva@mond1.ccrc.uga.edu Andrew Stephens said: Are there any compilations of their videos? Yeah, I know of one that happens to be for rent in my local music store, but I haven't had time, $$ to get it. I'll let you know if it's any good. JoE silva@mond1.ccrc.uga.edu
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] Subject: Window Box Date: Thu, 27 May 93 16:55:15 -0400 From: silva@mond1.ccrc.uga.edu Wes said: By the way, "Window Box" came out in a limited edition, so you can no longer get it from The Little Express. You could post a note in Chalkhills and see if someone will be kind enough to tape it for you. SInce I've let me subscription to TLE slip, if anyone has this and is willing to tape it/trade, Let me know... JoE silva@mond1.ccrc.uga.edu
[][][][][][][][][][][][][][][][][][][][][][][][][][][][][] A Suzanne Vega mailing list has been created. Send mail to <undertow-request@erasure.cc.emory.edu>. Please keep signatures to four lines or less. For all administrative issues, such as change of address, withdrawal from the list, fan club addresses, discography requests (last update 24 March), back issues, FAQ list, etc., send a message to the following address: <chalkhills-request@chalkhills.org> The Chalkhills archives are available at "http://chalkhills.org/". All views expressed in Chalkhills are those of the individual contributors only. But will your love have the fire and glow?
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