Chalkhills Digest, Number 392 Wednesday, 9 November 1994 Today's Topics: Faster Farmboy?!?!? +the dreaded O-- B--- Reply... Re: Chalkhills Digest #389 Re: "...before I get old" Re: Chalkhills Digest #391 This 'n' That... Seasons in the Sun ;-) XTC Subliminal Messages Thanks, Mr. Yazbek! More on the XTC boycott XTC Miscellany personal intro blurb Re: Chalkhills Digest #391 XTC videos? The boycott covers/boycotts/drugs/etc Drunken Studio Sessions Re: What to Collect NOW? abc and xtc Experimental covers Wes Goes CD Shopping Boycott thoughts Administrivia: To unsubscribe from the list, send a message to: <chalkhills-request@chalkhills.org> For all other administrative issues, send a message to: <chalkhills-request@chalkhills.org> Chalkhills Archives not available using FTP. World Wide Web home page: "http://chalkhills.org/" The views expressed herein are those of the individual authors. When they carried you out your mouth was open wide.
---------------------------------------------------------------------- From: SPE9237@ACFcluster.NYU.EDU Date: Sat, 05 Nov 1994 03:32:37 -0400 (EDT) Subject: Faster Farmboy?!?!? +the dreaded O-- B--- Melissa wrote: <<<<<< As to covers, if anyone still cares, I always thought that "Love on a Farmboy's wages would be good speeded up (quite) a bit and done as a country/western song by, say, Dolly or somesuch. That's how I sing it in the shower, anyway. <<<< Lordy, how would you propose speeding that song up?!?!?! That has some of the fastest acoustic guitar playing I've ever heard. Perhaps one could take the melody and put a totally different arrangement behind it, get rid of the fast riff (sob) or sing the melody faster over a slowed-down version of the riff? Also, regarding that dreaded band of Danny Elfman's whose name I'd rather not say: I know very few of their songs, but has anyone noticed that their hit "Only A Lad" is a big time Andy Partridge vocal rip-off? It's an encylopedia of the elements of Andy's early vocal style (see esp. Are you Receiving Me & Strange Tails), imitated lamely, sung over an embarrassing imitation "No Thugs" -type lyric about a violent kid who the authorities are too lenient on. And then, in the bridge, they suddenly imitate Styx's "Mr. Roboto". Very odd. Very wretched, IMHO. Bye. --Steve E.
------------------------------ From: Aaron Pastula <apastula@pepperdine.edu> Subject: Reply... Date: Sat, 5 Nov 94 1:38:42 PST Greetings all... On the subject of covers, all I have to say is Tori Amos can do "Yacht Dance," "All of a Sudden," or anything off the second side of "Mummer." I could then die a happy man. And to James Kosmicki: Morphine is great. I have an address for their fan club/mailing list somewhere in my house...Feel free to email me and I'll dig it up for you. Goodnight - AAR0N.
------------------------------ From: KINDLEY@delphi.com Date: Mon, 31 Oct 1994 20:39:51 -0400 (EDT) Subject: Re: Chalkhills Digest #389 Kevin the Oingo Boingo-hater sez: "Oingo Boingo seems dark and desolate to me, XTC are often kind of optimistic." Oingo Boingo are just silly. I don't have any of their albums, but i've heard a ton of their singles, and it sounds like they're trying real hard to be XTC, or Talking Heads, or Devo, or some body besides boring, no-talent posers. Well, scratch that: I think Danny Elfman has talent (i dig his film music, or some of it), but not a great deal of savoir faire when it comes to writing engaging pop songs. And his voice is so annoying ... OK, lest this become only a trash-Oingo Boingo (hey, aren't they just Boingo now?) post, my XTC tribute wishes: David Byrne -- complicated game (in his old, nervous vocal style) Frank Black -- love at first sight Paul Westerberg -- all of a sudden (it's too late) They Might Be Giants -- pink thing Sugar -- helicopter The Jesus & Mary Chain -- are you receiving me? Billy Bragg -- another satellite - evan.
------------------------------ Date: 05 Nov 94 12:43:25 EST From: John.J.Pinto@Dartmouth.EDU (John J. Pinto) Subject: Re: "...before I get old" Jeffrey Langr wrote: The idea about a live concert is getting old, mostly because Andy P. and the other gentlemen are getting old. Not quite as bad as a fifty-year-old Mick Jagger prancing around on stage but not quite so pretty either. I'd go see them, natch, but I think their time has more or less past for that sort of thing... --- end of quoted material --- How ridiculous! I had the pleasure of seeing Muddy Waters ELECTRIFY an audience at an age much older than fifty. Partridge may not always speak to or feel the need to appear before the guitar driven masses and their cravings in this the age of Cronos eating his young, but you can be certain that the music he chooses to make in twenty years from now will ring as true to the self always. Isn't that why we are here?
------------------------------ Date: 05 Nov 1994 16:29:05 GMT From: StrawB@bitstream.mpls.mn.us (StrawB) Organization: Bitstream Underground Subject: Re: Chalkhills Digest #391 just got the new little express today. No XTC album in sight!!!!!! Contract negotiations with Virgin are going slow... good luck mates! -StrawB
------------------------------ From: d.zemel@genie.geis.com Date: Sat, 5 Nov 94 16:37:00 UTC Subject: This 'n' That... First, as to the latest Little Express, do we know if all of the issues have been mailed out yet? I still haven't received mine and am sure that there are still one or two issues left on my subscription. I signed up for the 4 issue plan and got the first of the four at the Princeton convention. This latest one would be the third, if I recall correctly. Should I write to Peter or are some issues still on the way? Secondly, I have the new Thomas Dolby CD and Andy is not listed on the performing credits. However, in the "Thank You" paragraph, "Andy and Nancy" are thanked. Would that be THE Andy? Thirdly, I just picked up Big Night Music by Shriekback on CD and, in addition to the lineup of Shriekback, a Shriekback Big Live Band is also included as performing on this album. Among the members of the Big Live Band are "Wendy & Sarah Partridge (The Sidneys)". Related to Andy or coincidence? Fourthly, I'm outta here...!
------------------------------ From: CHRIS@CRPL.CEDAR-RAPIDS.LIB.IA.US Date: Sat, 5 Nov 1994 15:53:53 -0600 (CST) Subject: Seasons in the Sun ;-) Chalkers- Last Spring I related my personal association with the album (is this an antiquated phrase? hope not) Mummer and the Spring season. Does anyone make a similar association with Autumn and any of the lad's offerings? To me, English Settlement evokes winter but this may have more to do with the time of the original release. Skylarking seems fairly summer-ish. Big Express perhaps for fall--any thoughts? XTC seems so connected at times with the world that the moods captured seem so *natural*. Also, I just don't see the desire to see NIN cover ANY XTC. Puhlease! When i need angst ridden music, I turn to Bauhaus or Joy Division or in a worst case scenario, Throbbing Gristle. Ta Ta For Now, Chris
------------------------------ Date: Sat, 5 Nov 1994 20:16:17 -0500 (EST) From: "Benjamin J. Rubin" <bjrub@conncoll.edu> Subject: XTC Subliminal Messages Hi everyone, In the song "Great Fire", I am convinced that Andy(or someone) says "fuck" under their breath right after the line "but it's never been as hot as this." I also heard the "Mike don't play with yourself" line in "Bike Ride to the Moon" after reading about it. Does anyone know of any other "subliminal" XTC messages in their songs? -Ben
------------------------------ Date: Sun, 6 Nov 1994 02:07:55 -0800 (PST) From: Steve Johnson <steve-j@teleport.com> Subject: Thanks, Mr. Yazbek! I KNEW that message would evoke a response from you! <grin> Thank you, David, for clearing up the issue over "Change My World." However, I'd still like to ask why the decision was made to not include vocal credits on that one song (or was it a mysterious oversight)?
------------------------------ Date: Sun, 6 Nov 94 10:54:19 EDT From: John_Pidgeon@eyenet.north.net (John Pidgeon) Subject: More on the XTC boycott Good day everyone, I am very encouraged by all the warm receptions to my XTC boycott until they tour idea. I never thought the response would be so positive. I am working on a few new ideas to post to everyone. Hope to talk to all soon, yours John Pidgeon
------------------------------ Date: 7 Nov 1994 11:05:44 U From: "Wesley Wilson" <Wesley_Wilson@iegate.mitre.org> Subject: XTC Miscellany I've never seen a gold CD; however, this weekend I saw Yes's "Fragile" album in its special wrapper - looks like an elaborate production, in a special wrapper and everything. (Side opinion: Too bad The Yes Album didn't get the treatment instead of Fragile.) But, all that aside, the whole package did look very tempting. Is this the sort of treatment XTC's Skylarking will get, special box and all? Let's hear from collectors of these gold things...and let's hope it includes BOTH Dear God and Mermaid Smiled, with MS in the original lineup of songs. Let's hope it includes an elaboarate booklet with photos. Let's hope it includes some bonus tracks. (Highly doubtful...) Let's hope I get my copy of The Little Express soon! I agree with John about the smoke effects on the cover of "Drums and Wireless." I like 'em. Very Salvadore Dali. By the way, I got a letter from Shigemasa Fujimoto, XTC fan *extraordinaire*, who says that XTC's relationship with Virgin is worse than ever and not to expect an album until mid-1995 or so. Sorry, fans, but I believe he's right. He also says (and this surprised me) that Andy did actually produce three Blur songs for the "Modern Life is Rubbish" album (not "Parklife"): "Sunday Sunday," "Chemical World," and another track that's not on my ba*tardized US version. Can't remember the title. (Heck, no one cares anyway that after three albums Blur's on their way to becoming one of the best bands...) My liner notes for MLIR mentions no Andy Partridge. Both songs do have some good ideas in them, though. That's all for now, space cadets.
------------------------------ Date: Mon, 7 Nov 1994 11:49:07 -0800 (PST) From: Laurel Anderson <psu00905@odin.cc.pdx.edu> Subject: personal intro blurb Hi all, This is my self introduction I was asked to write when I subscribed. I can't help but feel a little silly talking about myself. Discussion of music I can handle, intoducing myself is like pulling teeth. So here goes- my name is Laurel Anderson, I'm 20, and a student at Portland State University, Portland, Oregon. I'm currently an English major, but please don't let that be a factor in your judgement of the quality of my posts. Five years ago, I was spending time with a guy who listened to XTC exclusively. It was such an enormous part of his life he felt that I should have at least SOME idea what it was he was talking about when he made one of his numerous refernces to them. He loaned me a copy (he never would have trusted me with the original) of Black Sea, I belive it was. I listened to it all the way through a couple of times, and while it wasn't an easy listen, it was a compelling listen. The music and lyrics definitely struck a cord with me. One of my favorite aspects of the music is the almost self-depriciating sense of humor that bleeds through a lot of the time. I think it lends credibility to the band as a whole. I will not pretend that I know everything about the band and the music, my interest in XTC is just now beginning to take shape. And how lovely that this would coincide with my increasing knowlege of the internet. Talk about serendipity. Cheers, Laurel
------------------------------ Date: Mon, 7 Nov 94 10:39 EST From: Jeffrey Langr <0005392548@mcimail.com> Subject: Re: Chalkhills Digest #391 James Dignan speaks: >>As to best albums of the year: Swamp Ophelia (Indigo Girls); Sometime >>Anywhere (The Church); 54 Days at Sea (Chris Bailey)(A MUST!); Sugar Mouth >>(David Kilgour); Here (Adrian Belew); ... and coming soon (I await in >>anticipation) Vrooom (King Crimson) and Bright Red (Laurie Anderson). It's a bit soon, but... I'd pick XTC's Drums & Wireless of course somewhere on the list, but number one would have to go to Astor Piazolla: The Central Park Concert (Chesky Records). It's a great recording (from 1987 but just released) of one of the last performances by Piazolla's tango quintet ensemble. HIGHLY recommended. Also there's the Offspring's Smash (I -think- this came out in 1994). I haven't gotten the Adrian Belew album yet so I will reserve judgement until I do. If it's better than Inner Revolution then it would definitely go on my list.
------------------------------ Date: Mon, 07 Nov 94 15:11:03 EST From: Melissa <MREAVES@KENTVM.KENT.EDU> Subject: XTC videos? I was wondering whether anyone knew of a collection of XTC videos available for sale. I've never found any in any catalog--is anything available outside the US? Or does anyone out there have their own _private_ recording they'd be willing to copy for me? Also, in the last issue, Francis Owen McDonnell <fmcdonne@reed.edu> writes: >Calling the "part that has absolutely nothing to do with the rest of the song" the bridge in Genesis songs would be false. What you are hearing _is_ the song. Early Genesis (say, pre-1980) songs in general were not pop songs, and hence did not follow your Verse/Chorus/Bridge format. their songs are exquisite compositions, not radio-friendly pop tunes. My husband says: Not every "irrelevant part" in a Genesis song is a bridge. If that were true, "Supper's Ready" would have about 7 bridges and nothing else. We were talking about more recent Genesis songs, which have clearly defined bridges that do, in fact, seem rather disembodied (e.g. "Land of Confusion"). Earlier Genesis songs do have remnants of bridges, though, since many of them are bloated pop songs or amalgams of imcomplete pop songs (as Phil Collins has pointed out). Back on the topic of XTC, though, I'd appreciate it if anyone has information (biography or discography) of Pat Mastelotto, the drummer (formerly of Mr. Mister) who appeared on "Oranges & Lemons," and who is now with King Crimson. Thanks! Ken Kreutzer So there you have it. Note that we do actually like Genesis a great deal. Sorry about the non-XTC content. 'Cause we're all dead from our necks up, now ain't we? --Melissa
------------------------------ Date: Mon, 7 Nov 1994 14:35:19 -0700 (MST) From: Paras Patel <paras@sst10a.lanl.gov> Subject: The boycott Chalkhillians, I just thought I'd introduce myself and say a few comments about everyone's favorite English punk/new wave/pop/jumpy/all around cool guys group. The first XTC song I heard was Making Plans for Nigel on the radio. I can't remember exactly when that was, but when I did I went out and bought the album. I instantly fell in love with those boys. Curiously enough, I never really followed the group until later when I bought Oranges and Lemons. I've made people listen to Making Plans long enough, so that they can get the timing of the 'ooh ooh.' just right. I hope to spread XTCdom throughout the world. <sarcastic mode on- for the literary impaired> Oh by the way, I think the idea of a consumer boycott would be great. It's about time that Andy and boys got themselves on the big stage in front of a burbling swarthy mass of fans. After all, it's not good music that everyone is after, it's the sensations of being a nobody at a concert with drunken fools who only want to hear 'Dear God' that we really want. So to any of those who want to support such a boycott, let's work out a game plan, and if this doesn't work we can always send death threats to Andy (or worse, a press release that Terry Chambers and Barry Andrews are rejoining the band.) that ought to frighten him enough. < the end. > Thanks the rambling time......... ------------------------------------------------------------------------ Paras Patel Astrophysics and Radiation Measurement. NIS-2 Los Alamos National Laboratory, New Mexico "Hey, I'd have a sense of humour. If they payed me more" ------------------------------------------------------------------------
------------------------------ From: KDUKE@UBmail.ubalt.edu Date: Mon, 07 Nov 1994 17:06:27 -0500 (EST) Subject: covers/boycotts/drugs/etc a few items: covers -- ok, enough with the covers game as is. someone last time brought up something i've been meaning to bring up: what about covers xtc has *done*. i can only think of 2 (all along the watchtower and ella guru). any others? the proposed boycott -- you've got to be kidding. (please tell me you're kidding!) drugs -- while it is silly to think xtc is named for the drug (that argument should be over by now), andy's answer that the only drug they do is caffeine seems a little too easy for me. first, lets not forget that andy was addicted to valium for a large part of his life. second, their history with alcohol is well-known (yes, i'm one of those people who feels the need to point out alcohol is a drug). third: grass, the dukes, garden of earthly delights... nobody knows(or cares) about xtc -- come on, isn't that part of the charm? do you really want them to be world-famous superstars? does it really astonish you that the hordes of silly people who buy the mainstream garbage that's out there don't buy xtc? enough ranting, kirk ----------------------------------------------- i would have made this instrumental, but the words got in the way. -----------------------------------------------
------------------------------ Date: 07 Nov 94 20:38:44 EST From: Steve Levenstein <70750.1117@compuserve.com> Subject: Drunken Studio Sessions A while ago I wrote to The Little Express, sending a few XTC-related clippings and also a photo of my 3-month-old son "wearing" and XTC T-shirt (a cheap attempt to get him into the next issue; I have no shame). I also asked June and Peter what they knew about the Drunken Studio Sessions. I got their reply, along with the latest issue of the L.E. Here's an excerpt of their letter: "The only thing I know about the "Drunken Studio Sessions" is that they were done at The Manor - Richard Branson is even on one of the tracks! I suppose they were done after a long day's recording and subsequent winding down with lots of refreshments! Maybe we can get Andy to recall the exact details when we next speak to him!" Well, won't that be interesting?! Pam Moore asked about an interview with XTC by Hugh Cornwell of The Stranglers. YES, I'm sure that I've got this in one of my very old Little Expresses. If I can find it, I'll transcribe it for all to see. The Stranglers were good, if you like them you should buy the CD "All Twelve Inches". ---> Steve
------------------------------ Date: Mon, 7 Nov 94 17:51:11 PST From: John Relph <relph@presto.ig.com> Subject: Re: What to Collect NOW? "Wesley Wilson" <Wesley_Wilson@iegate.mitre.org> asks What to Collect NOW? > >Having gotten the latest CD, "Drums and Wireless," (and really enjoying big >parts of it!) I wonder what CDs I should pursue now? >These can include CDs where members of XTC help with >production. Definitely find a copy of Cud's _Leggy Mambo_, produced by Dave Gregory. Excellent album. Even better, albeit shorter, is the _Hey!Wire_ single by CUD, three great songs, the first produced by Mr Gregory. Also, the Alice album _Il Solo Nella Pioggia_ is excellent. And of course Peter Blegvad's _The Naked Shakespeare_ and _King Strut & Other Stories_. I do like The Lilac Time's album _All for Love & Love for All_ although it is fairly low key. But other CDs I like lately? Blur's _Parklife_. Yes, I know. The Auteurs' _Now I'm a Cowboy_, The Cleaners From Venus' _Golden Cleaners_, Meat Puppets _Too High To Die_ (or _Forbidden Places), Talk Talk's _Laughing Stock_, My Bloody Valentine's _Loveless_ (power and beauty). The list goes on and on, and if you want more, send me e-mail. -- John
------------------------------ Date: Tue, 08 Nov 94 09:28:22 EST From: Ayanna Gaines <AYANNA@BROWNVM.BROWN.EDU> Subject: abc and xtc errr . . . i'm not sure if this is the correct address to which to send in randomness for the chalkhills mag, but hopefully, i'm doing this correctly, and this won't get mailed directly to all the subscribers. anyhoo, this is my second first time i've been subscribed (the first time was in 1991, but i got distracted). i've been an knowing xtc fan since 1989, when i was introduced formally to their splendor, not by a brother (i'm an only child), but by a young woman whom i had adopted as my "daughter" (this was in my senior year in high school; she was a freshman, and we met at a drama club gathering). she had _oranges and lemons_ and _skylarking_ on tape, and we'd listen to them full blast while going back and forth from drama rehersals, _the rocky horror picture show_, _the little mermaid_, late night coffee, and the like in my florescent green vw bug. however, i knew many of their songs: "dear god" (which i adored), "generals and majors," and "senses working over- time," due to the non-top 40 radio stations i listened to from age 12 on. i don't know what my fave song is. each song has particular meaning to me, and evokes different moods and memories. while i love the whimsical aspects of "season cycle" and "english roundabout," "another satellite" reminds me of a guy i unwisely lusted after (the pompous boob), and "pink thing" reminds me of watching _yellow submarine_ and discussing the divine beauty of kenneth branagh at my friend jemiah's house at 3am. with regards to the current discussion on band overlaps, other groups/musicians that i like are: tori amos, kate bush, the beatles, dukes of stratosphere (of course), miles davis, john coltrane, cheryl crow,and suzanne vega. i fear i must also admit to liking madonna and guns 'n' roses. but, on the plus side, i also like bauhaus, peter murphy, tones on tail, love and rockets, and chopin. yea, verily, an odd mix of music i have. i am sad to report that i was not able to get to swindon when i was in england thissummer, but, due to a 48 hour railway strike placed inconveniently in the middle of my trip, i spent a day in liverpool, and had the opportunity to visit the cavern, the beatles club/shop, and the beatles museum on the dock. it was gear! well, i've babbled on enough. i hope this doesn't bore one too much. just wanted to introduce myself as a reader and follower. ciao!
------------------------------ From: uschanov@cc.joensuu.fi (TP Uschanov) Subject: Experimental covers Date: Mon, 7 Nov 94 14:01:26 EET The mention of Prince produced a brief brainstorm, which I feel compelled to tell you about: how about Little Richard and "Science Friction"? Since this suggestion will always be a mere fantasy, the recording should have been done 1964 so that it could have Jimi Hendrix on guitar!
------------------------------ Date: 9 Nov 1994 12:54:48 U From: "Wesley Wilson" <Wesley_Wilson@iegate.mitre.org> Subject: Wes Goes CD Shopping Since the new XTC won't be out for a while, I went CD shopping to see what else is out there. I saw a lot of new music; a lot of "unplugged" (I'm really sick of that word) stuff. Nothing really amazing in the whole lot. Lots of repackages (e.g., another Elvis Costello "greatest hits" CD). The new Dolby album is readily available; I saw many copies at the CD store today. But there is no indication from the label that Andy (or anyone else besides Dolby) contributes anything to this album. So I guess you'd have to buy it. There are six or seven songs on the album. The titles sound very Gary Numan (e.g., Armageddon, Moon Landing). I haven't heard a thing from it but from the song titles and just a sixth sense, it seems to me that this album is probably an exercise in mediocrity. I looked for the Terry Hall CD, but didn't find it or any Specials CDs whatsoever. (The bin was empty.) Is this a UK release, I wonder? So I bought a Kinks' "Greatest Hits" CD; this one has "See My Friends" on it, which is a great track! I just got a fan club newsletter yesterday from The Ups and Downs, the fanzine of Stephen Duffy and The Lilac Time. In a reprinted 1990 interview, Stephen talks about Andy coming over to the studio and really disciplining them, and programming drum tracks for HOURS. Stephen said it was anguish being produced by Andy, but the resulting album (And Love for All) was worth it. And Love for All is sadly out of print, but if you can find it somewhere, BUY IT. Wes
------------------------------ Date: Wed, 9 Nov 94 15:03:48 EST From: patty@gdb.org (Patty Haley) Subject: Boycott thoughts To me boycotting XTC records until they tour is like a starving man refusing to eat dinner until he's served a medium well-done filet mignon. When you're starving, you gratefully accept any crumbs offered. Yeah, I'd love to see/hear them tour, but I am also glad that they at least keep releasing such wonderful records. Be grateful for very large small favors... -Patty
------------------------------ End of Chalkhills Digest #392 *****************************
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