Chalkhills Digest Volume 2, Issue 15
Date: Monday, 23 October 1995
Chalkhills Digest, Volume 2, Number 15
Monday, 23 October 1995
Today's Topics:
A Satisfying Feast and ...
Caveat Emptor: The new Jules Verne CD
the Disappointed
It's XTC--have no fear
Blue Beret by touch-tone phone
TD in Australia [and other guff]
whatever happened to Limelight etc
The Good Things
Where is he now?
Extatic Demos / Alibi Records
Generous With My C's
Testy Moan-ial Dinner
"Worst Track?" C'mon!!
Re: P.Hux
watney's red barrel
The Verve Pipe
Bland Dinner
Divers
The XTC Video Tree
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---------------------------------------------------------------------- From: d.zemel@genie.geis.com Date: Sat, 21 Oct 95 02:54:00 UTC Subject: A Satisfying Feast and ... First, a belated (for me) note of thanks to John for the resumption of Chalkhills, the best digest I've seen. I subscribe to a few and they range from awful to great but too damnned long (Elephant Talk). Second, a response to Steve (Mr. Obsessed With Music) Reule's review of Testimonial Dinner: I'm listening to the Testimonial Dinner CD as I type (for the second time) and I don't think that there is a dog among the covers. Each version is enjoyable, some fairly faithful to the original and some less so. I basically agree with everything you wrote, except for the following: I disagree with your assessment of Brad Roberts as a singer and I think that the CTD' version of All You Pretty Girls would've benefitted from giving him the lead (as was the case with their cover of Peter Pumpkinhead). Because of his voice, anything he sings becomes more distinctive. I just love Sarah McLachlan's version of Dear God for the same reason you do. It builds so nicely and there is some great guitar and emotions that surface as the song goes on. I completely disagree with your review of Ruben Blades version of Man Who Sailed Around His Soul. On headphones, the song is bongo heaven. I don't find it a completely salsa version to the loss of the James Bond feel. I still get that spy thriller feeling and find this version exhilarating. Makes me want to get up and dance more than the original does. I don't find TMBG' version of 25 O'Clock to be a parody of a parody. It's a parody simply redone in their own image and very psychedelic. No one's going to convince me that it isn't XTC doing The Good Thing here. (The CD booklet admits it as such by referring to the original song as "an alternate version" or something like that.) I think it's absolutely exquisite. I'd love to get a whole album of XTC doing their own remakes if this is any indication of what they could do. WOW! Joe Jackson really puts his personal stamp on Statue of Liberty. It almost makes it sound like it was XTC who did a cover of a Joe Jackson song. All in all, a great and enjoyable CD. Finally, to Nick Brown---I think that Prefab Sprout is a fabulous band with Jordan: The Comeback being one of the very great albums made (and which was produced by Thomas Dolby, by the way). Alas, since that album, I've only seen a compilation CD and wonder if they've disbanded. Even if they have, what has become of their leader, singer and songwriter Paddy McAloon? Well, it's great to be back, isn't it? Now all we need is for XTC to be back (with a new album)! Dean
------------------------------ Date: Fri, 20 Oct 1995 20:00:36 -0700 (PDT) From: A Sattler <ahs@nevada.edu> Subject: Caveat Emptor: The new Jules Verne CD A few notes on the new CD of "Jule Verne's Sketchbook" from Extatic: "When We Get to England" has been inexplicably ommitted (pity, as it's one of Andy's loveliest songs, IMHO). The version of "Young Cleopatra" is the full band demo (considerably faster in tempo), not the demo which appeared on the original cassette. So, in other words, this is not an exact copy of the original JVS cassette. (Is it worth it to hear the rest of the material? -- absolutely!) The sound quality is pretty much as it was on the cassette, no vast improvement (at least to my ears), but no worse -- and yes, there is some background hiss. The original cover art and notes were not used :( (Check out the great notes in the Chalkhills archives with the lyrics for the cassette). On the plus side, the CD contains very early outtakes "Let's Have Fun" and "Fireball XL-5". for now, Annie S.
------------------------------ From: m.mccormick2@genie.geis.com Date: Sat, 21 Oct 95 04:15:00 UTC Subject: the Disappointed From: "Chris Savage" <csavage@sojourn.com>: :Then came the disappointment: the tour was cancelled. Supposedly, :Andy Partridge had had a "nervous breakdown" on tour and was told :by his doctors that he should not tour again! I was forced to redeem :my ticket for the $$$. Aauggghh!!! : :Anyone else share this horrible experience? Yes, it's like deja vu all over again. I had tickets for the same tour -- mine were for the student union theater in Madison Wisconsin. The UW students had a group called Students for Progressive Radio that worked very hard to lure XTC to Madtown. It would have been an intimate gig in a small theater with good acoustics. Then Andy short circuited. I feel like a celibate who *almost* lost his virginity once years ago, and now I'll never know what it's like except from books and videos. ;-) Mike
------------------------------ From: Gene_Yoon@brown.edu Date: Fri, 20 Oct 1995 23:57:01 -0500 Subject: It's XTC--have no fear >My theory is that >this is a Colin Moulding solo project. This theory allows that David >Yazbek and Andy were not lying when they said that this was NOT an XTC >track, yet accounts for the other facts mentioned previously. Try listening a little more carefully and you'll distinctly hear Andy's vocals harmonizing or echoing, and in places like "You ain't missing anything" it's Andy alone. I even hear Dave in closing bars of the song: "Let me tell you..." And what exactly isn't "polished" about the instrumentation? A more interesting question would be, what role, if any, Terry Chambers had on the album, since he's given special thanks (but only *after* our very own Mr John Relph). Barry Andrews isn't mentioned, but Terry is. Who's this Chris Sharrock? I wonder.... nah. Glanced over at the very vivid Verve Pipe home page (my, they're well connected, aren't they? and an *800* number??? my oh my). From reading their bios and newsclips, singer/songwriter Brian Vander Ark seems like an Andy Partridge protoge, prima donna and all. <"Everybody knows it's important that I get time alone to write," says Vander Ark.> Drummer Donny Brown takes the back seat in composition a la Moulding. They look like a band on the edge of something really big.... And I'm ordering Blue Beret >from the web page (boy, this World Wide Web thing is really paying off, say the band). Their new album is being produced by Jerry Harrison (the hot producer of the moment) of Talking Heads, now just called Heads since contractually they'd need David Byrne to be Talking. Deborah Harry is the vocalist on the new Heads song 'No Talking--Just Heads'. Harrison has his hands full, what with having Andy Partridge in his band and in the next studio producing a band full of diehard XTC fans. As a sometimes Talking Heads-o-phile, I can't wait to hear Andy's Head talk. Gene
------------------------------ Date: Sat, 21 Oct 95 02:09:38 EDT From: st004422@brown.edu (Gene "Sp00n" Yoon) Subject: Blue Beret by touch-tone phone Quick addendum: I just called the 'Verve Pipeline' 800 number (it's almost embarrassing to admit, though I'm not exactly sure why). If you press option 4# you can hear three one-minute portions of Verve Pipe songs--two of which are their XTC covers! Even through the low fidelity sound of my telephone I was thoroughly impressed by their version of Blue Beret, of which I only heard XTC's live acoustic version before. If you're curious, give a call at (800)951-7473. The answering system is rather inane, as you can only choose one option per call, or else redial. Then again, why does this group need an 800 number? They must have one helluva marketing committee.
------------------------------ Date: Sat, 21 Oct 1995 20:57:21 +1000 (GMT+1000) From: Vzzzbx <h8hc035@wilbur.mbark.swin.oz.au> Subject: TD in Australia [and other guff] All this talk about Testimonial Dinner has me jealous. Does anyone know when it'll be released in Australia? We normally get these sort of releases soon after their initial release abroad, but I don't even know if this one will _have_ a local release. Every other XTC product has been released here, but that was Virgin... #> From: ZITTEL@aol.com #> Andy says they are "inches" away from getting out of #> their Virgin contract and that he is hoping that their next album #> will be a double album! Oooh, this would be nice. The three/four year wait would be well justified by a walloping great 70+ minutes of XTC. And, given the time span, all the material should be first class. One good thing about a new label -- there's a chance they'll market XTC at a level they deserve. Who knows, they might even <gasp> become popular! I saw a UK pop collection the other day, on the Dino Music label. It's got a heap of '70s and '80s music on it, including 'Generals And Majors'. The compilation was in the 'best buys' section of a local music store. If only I could remember the name of it. Its front cover was set out like a newspaper, and XTC gets its own article in the bottom right corner. Anyway, just thought that'd be of interest to someone. :) Adam -- In the CD player: - XTC -- 'Mummer' - Enya -- 'Shepherd Moons' - Beatles -- 'Magical Mystery Tour'
------------------------------ Date: Sat, 21 Oct 1995 11:11:24 +0000 From: fisher@easynet.co.uk (Mark Fisher) Subject: whatever happened to Limelight etc Just to let anyone who cares know that I'm now on-line and deeply apologetic for not producing an edition of Limelight for several decades. And not answering anyone's mail for even longer. The defunct address given on the Chalkhills FAQ is very defunct, although my parents still live there, so don't bother writing to it. Fatherhood and a busy job have meant I just don't have the time to be producing fanzines for fun. Sorry. I haven't noticed anyone referring to the recent book publihsed (in the UK) by Picador at 12.99 [pounds Sterling] written by Giles Smith called Lost in Music: A Pop Odyssey. It's a kind of autobiography told via his record collection - and XTC references crop up throughout. He was in the Cleaners from Venus with Martin Newell whose album The Greatest Living Englishman was recorded and produced by Andy Partridge in his back-garden studio. Before he started writing for The Independent and Q, Smith contributed to Limelight - so remember where you read him first. An entertaining read. Mark Fisher (fisher@easynet.co,uk)
------------------------------
Date: Sat, 21 Oct 1995 09:41:37 -0700
From: Neil Goldstein <ngold@teleport.com>
Subject: The Good Things
Have to disagree about the negative reviews on Terry & the Lovemen's tune on
'Dinner.
This song is a gift! Pretty tune, nice arrangement and important message.
The band is loving us here, friends. That's no joke. If it is only Terry's
solo project, he sure has picked up well on the use of polychordal guitar
tracks from the rest of the band.
BTW, where do you submit chords for the WWW site? I worked out Ballet for a
Rainy Day, which I'm gonna do for Skylacking.
_/ _/ _/_/_/ _/ _/
_/_/ _/ _/ _/ _/
_/ _/ _/ _/_/ _/ _/
_/ _/_/ _/ _/ _/
_/ _/ _/_/_/ _/ _/_/_/
Neil Goldstein
ngold@teleport.com Portland, Oregon USA
voice: (503) 293-1356 fax: (503) 293-0312
------------------------------ From: JohnL16506@aol.com Date: Sat, 21 Oct 1995 21:08:25 -0400 Subject: Where is he now? relph (John Relph) writes: >David Yazbek had >worked with Andy Partridge in the past; they had written some songs >together and Andy had produced a couple of tracks for a never-released >album. So David asked XTC to contribute something. They said yes, >went to New York, recorded it, and there ya go! (Actually, Andy may >have been living in NYC during that time.) Does he still live in New York? Did he return to England? Why did he move to NYC in the first place (Divorce, etc.)? John L.
------------------------------ From: vertigo@well.com (Giancarlo Cairella) Subject: Extatic Demos / Alibi Records Date: Sun, 22 Oct 1995 01:48:35 GMT Organization: L'Agora' Srl On Wed, 4 Oct 1995 11:28:18 -0700, you wrote: A Sattler <ahs@nevada.edu> wrote: > the new mail order flyer from Alibi Records lists the latest >in the series of Extatic demo CDs as being available at $24.99 each (call >them about postage and tax). In the flyer No. 6 is called "Skylarking >and More" and No. 7 is "Jules Verne's Sketchbook" (!) > They still show Demos no. 1-5 as being available as well (look at >the Chalkhills discographies for more info). They will reserve items if >you call. A couple of weeks ago I called Alibi and ordered the whole set of demos 1-7. They said they'd keep them on hold and told me to mail a check, which I did. Three days ago I received a package in the mail from them, including all demo CD except number six, with no letter/explanation from Alibi; I had asked for a catalog too, but the package only included the CD's. I just hope it's only a mistake on their part and that they'll be able to send me the missing CD (I'll call them on monday to ask about it), but it sure casts a bad shadow on their "reservation" policy: I reserved (and paid in advance for) all seven CD's and now I'm one short :-(. BTW, as expected, the demo CD's are great from a historic/musical point of view, but their sound quality ranges from mediocre to horrible. I've heard better bootlegs made on a walkman tape recorder! I'd recommend them only to _real_ die-hard XTC completists. Ciao, G.C. -- <c> 1995 by Giancarlo Cairella, Internet User Computer Magazine URL: <http://www.well.com/user/vertigo>
------------------------------ Date: Sat, 21 Oct 95 20:50:28 EST From: "John Christensen" <christej@vrinet.com> Subject: Generous With My C's My apologies to David Yazbek -- and his entire bloodline -- for misspelling his name four (4) times in one post. Yazbek is a fine name and certainly stands on its own without my extraneous consonant. Anyway, I will gladly take back the "C" . . . Hristensen was so very hard to pronounce. Please excuse me now as I (blushingly) disappear back into my favorite lurking chair . . . What WAS I thinking to have left those comfy contour cushions????? And thank goodness I've got my new spellcheck program installed . . . Now back to our regularly scheduled programming where the rest of you discuss our favorite lads: Anby Putridge, Colon Molding and Dive Groggily. Jasper C. "There is no language is our lungs, to hide the fact that we can't spell"
------------------------------ Subject: Testy Moan-ial Dinner From: jd.mack@neteast.com (JD MACK) Date: Sat, 21 Oct 95 23:05:00 -0400 Organization: Online Technologies, Inc. - Modem: 301-738-0000 Hey, I wanna throw my review out into the group as well! I'l start by saying something nice. "Another Sattelite" is the only song on the album that actually betters the original! The only thing that keeps the song from being perfect is the part after the first chorus where the drums drop out. A great amount of the momentum is lost. But the hard driving beat really suits this song! Why isn't radio playing this!? Now for the downers. "Senses Working Overtime" is, IMHO, an embarassment (did I spell that right?). I simply find that voice to be very annoying. Skip by that one! The music for "Earn Enough For Us" is great, but Freedy Johnston seems to have a real breathing problem. He takes breaths all over the place, even in the middle of words (it [breath] self). Pardon me if this seems nit-picky, but I notice these things. "Wake Up" is my favorite Colin song, mainly because it takes syncopation to the extreme. The Verve Pipe seemed determined to remove as much syncopation from the song as possible. Great vocals though. Ah, one last positive note. I think I may be alone on this, but I actually like the CTD song. Unlike "Ballad of P. P.," this time they tried to create their own unique version of the song, and I give it a thumbs up. I'll end with a couple of questions. All of the bands on this CD are supposed to be die-hard XTC fans. Does this apply to Ruben Blades? Somehow I have trouble imagining this one! If XTC hadn't recorded "The Man Who Sailed ..." the way they did, which XTC song would Ruben have covered?
------------------------------ From: GusMach@aol.com Date: Sun, 22 Oct 1995 00:02:20 -0400 Subject: "Worst Track?" C'mon!! In a message dated 95-10-19 19:28:41 EDT, some "critic" wrote: >Ruben Blades "Man Who Sailed Around His Soul" - I love Andy's > vocal on the original and the arrangement but this salsa version > is somewhat of a letdown for me. I've never really had much like > for this salsa stuff and this doesn't even strike me as that well > done. The vocals seem adequate at best and the arrangement > bordering on hokey. I sure miss the James Bond feel on the > original. I know Costello worked a little with Blades but this > is first I know of him. It doesn't make me want to hear more. > The worst track on the album, easily. I'm sorry. Give me a break. Listen up. Don't go against what you don't know. The fact that there's a salsa cover of a XTC song at all, and done by one of the most intelligent singers/songwriters in the world doesn't deserve such slight judgement. Please, don't say you choose the Rembrandts over Ruben Blades. Please. Listen again, and then write a better opinion. That's the way salsa is meant to be played. If you miss the "James Bond" arrangement, then go listen to Skylarking. Geez. --Gustavo
------------------------------ Date: Sun, 22 Oct 1995 10:34:52 -0400 (EDT) From: "Christopher R. Coolidge" <ccoolidg@moose.uvm.edu> Subject: Re: P.Hux Regarding P.Hux(Parthenon Huxley), in addition to his work with E, he put out a wonderful guitar-pop songwriter album of his own; I saw the video from it, "Double Our Numbers" on MTV once back in '89 and it was one of the few good things EmptyV was playing at the time(aside from "The Mayor Of Simple- ton," of course)and rushed out and brought the album. I had never heard of him before or since until I picked up E's first album in one of the local stores here in the dollar cassette bin(amazing the things you find in there), and there Hux was in the credits. His album is one of the best pure-pop song- writing efforts of the late 80's- get it if you can find it! I think Elvis Costello was on Ruben Blades' English album of the late '80's Nothing But The Truth. Whoever liked the idea of them collaborating may al- ready have his wish. At the very least he wrote a song on the album, even if he didn't actually perform. I remember it being mentioned in Christgau's con- sumer guide. He has some interesting things to say about XTC, BTW.
------------------------------ Date: Sun, 22 Oct 1995 19:25:14 +0100 From: morrish@dircon.co.uk (John Morrish) Subject: watney's red barrel >Just sitting here enjoying a Watneys (Curse You Red Barrel!!)... hmm... I >wonder if that might be Andy's favorite beer... anyone know? This is my Chalkhills debut, but I couldn't let that one go. Watney's Red Barrel, which no longer exists, is a long-standing British laughing-stock on account of its soft-drink quality. It was always said that it could be legally sold as lemonade since it contained so little alcohol (being low in alcohol, it also attracted very low duty, which made it extremely profitable for the brewers). To quote a joke of that era:Q: "What's the difference between making love in a punt and Watney's Red Barrel?" A: "Nothing. They're both f***ing close to water". Ho ho ho. Later they changed the name to Watney's Red and had an advertising campaign that went on about Joining The Red Army. V.tasteful in c1968. Anyway, I didn't think Partridge drank... John
------------------------------ From: BARBER@emuvax.emich.edu Date: Mon, 23 Oct 1995 11:05:27 -0400 (EDT) Subject: The Verve Pipe Alright, I guess I'll fill you all in on TVP (as ,much as I can). I have been a musician on the local scene (live in Ypsilanti, MI) for a few years and (as a necessity in the business) studied up on local music in the Ann Arbor, and East Lansing areas. I first heard of TVP when a fellow musician dragged me to the release party for POPSMEAR, their second album. I became an instant fan and have been lucky to have seen them about a half dozen times at The Blind Pig in Ann Arbor. TVP live act is one of the best I have ever experienced in my entire life at any level, right up there with Jellyfish. Their first album is called I'VE SUFFERED A HEAD INJURY and these first 2 albums will be distributed by RCA(they are definitely of worthy sound quality) . They were national winners of the YAMAHA SOUNDCHECK competition and went on to compete internationally in Japan. I have met these guys on several occassions and they seem to be real nice good guys. After numerous offers from labels, they signed with RCA and presently are finishing their national debut for RCA. Producing for them is none other than Jerry Harrison of The Talking Heads (who also produced Live's Throwing Copper album) I highly recommend that you dig into The Verve Pipe. Their brilliant songwriting and very proffessional performance is very worthy of your attention. ....and NO, I am not employed by TVP, RCA, or any other affiliated party! -John BARBER
------------------------------ Date: Mon, 23 Oct 1995 10:27:35 -0500 From: weisrot@cscoe.ac.com (Todd Weisrock - CIS) Subject: Bland Dinner My first post.... Hello! Pardon my irreverence, but I am not too thrilled with Testamonial Dinner, but then again, when are covers nearly as good as the originals? I am not really a fan of many of the artists on the album either, so I suppose that could lead to my less than enthusiastic review. The Earn Enough for Us cover was my biggest disappointment. By putting that song first on the album, I got really nervous that the rest of it would suck! On a cheerier note, I love the Dear God cover. While The Man Who Sailed Around His Soul is alright, no one can match the masters.
------------------------------ Date: Mon, 23 Oct 1995 09:17:35 -0700 From: relph (John Relph) Subject: Divers Hae007@aol.com writes: > > The medieval trope is tired. I don't suppose you asked the trope... Ben Gott <BENG@hotchkiss.pvt.k12.ct.us> asks: > >Could someone please explain to me why the first song my brother's "Go2" >record is "Beattown"? The label on the record is the same as on my CD (and on >John Relph's XTC discography; e.g. "Meccanik Dancing (Oh We Go!); Battery >Brides; etc...) Is this some *record* thing? I'm thoroughly confused... Are the remainder of the songs out of order? Or is the label for side one actually stuck to side two of the vinyl and vice versa? Drew! <apn@UDel.Edu> asks: > >So what are those plaques Andy, Colin and Dave are holding up in the >picture on the album liner? Could those be the Casby Awards? BARBER@emuvax.emich.edu > >I was recently at the record store and the Andy Partidge/Harold Budd CD was >recommended to me. However, I thought I would ask you people for your >advice on that. What XTC songs would compare to this CD? This album does not compare to XTC. It is completely different. I might compare the album to Eno's ambient albums: quiet, lacking rhythm, organized for a sense of space rather than a sense of time. -- John -- They don't call it the Net of a Million Lies for nothing.
------------------------------ Date: Mon, 23 Oct 1995 10:35:31 -0600 (CST) From: Erik Anderson <aa393@sfn.saskatoon.sk.ca> Subject: The XTC Video Tree Well, here it is...finally! A note to the branches: you are in charge of getting in touch with your leaves to make trading arrangements. Each branch will be contacted by private e-mail in the next few days to make trading arrangements. EVERYONE: please check to see that your e-mail address is correct. If there is a mistake, contact your branch, not me. Branch Johanneson@macc.wisc.edu Leaves tuftsd@cougarnet.byu.edu dabl2@nes.nlm.nih.gov petlol@ukcc.uky.edu mclaus41@wfu.edu canevit@utkux.utcc.utk.edu tec2@cornell.edu tbernhardt@aga.com mp2@waterw.com kimw@rice.edu lauraw@micom.com marty@rahal.net mmbarton@scn.org woj@remus.rutgers.edu vokes@aol.com penera@aol.com 75330.3117@compuserve.com nigelcolin@aol.com vanvalnc@is2.nyu.edu tmccullo@jaguar1.usouthal.edu nelson@nando.net review1@panix.com chrismezzo@aol.com robert.cowart@cbn.org rhardack@haverford.edu shonniet@interaccess.com jh3@cencom.net mwheeler@gladstone.uoregon.edu bdaniel@hayes.com burgessc@nela1.lighting.light.ge.com bilbo@morningstar.com sol3804@tam2000.tamu.edu alan_rubenfeld.jefferies@itginc.com af864@dayton.wright.edu mhopper@siue.edu apastula@pepperdine.edu mong@sdcc3.ucsd.edu manfredi@usc.edu markw@telepath.com shaefner@falcon.cc.ukans.edu wisner@gryphon.com chuckarc@microsoft.com dfranson@execpc.com drbeat1@aol.com pamcfadden@efanw.navfac.navy.mil joel@kenlaw.com bc263@scn.org ppetto@apk.net klburda@umich.edu angryyngmn@aol.com mikecrooker@delphi.com brian_mccloskey@dgc.ceo.dg.com davsar@panix.com ejmd@aol.com bmoxim@epi.soph.uab.edu Stewart@bigmon.boulder.co.us pinknoiz@ccnet.com gene_yoon@brown.edu hftc@oak.grove.iup.edu s.reule@genie.geis.com rrs1@ra.msstate.edu francido@lanmail.shu.edu gill@bga.com jmelton@oacis.com nmcgrath@world.std.com mallende@phoenix.kent.edu jd@mcs.com cvreekn@ns.net srfndave@lhgp.att.com beng@hotchkiss.pvt.kiz.ct.us kristanf@msn.com stander@eecs.umich.edu kdevine@ftsclant.navy.mil jrcambe@mines.utah.edu ptomek@aol.com scooobadoo@aol.com glancaster@mecn.mass.edu royaled@aol.com algae99@aol.com tobin@princeton.edu devoto@jove.acs.unt.edu philco@micron.net leach@ac.grin.edu rushton@primenet.com slutz@expersoft.com drutherf@gdc.com fld@veloce.com tmp@tmp.mv.com exitramppr@aol.com PAL BRANCH -- I'm having the conversion done in Canada. Once it is completed I will distribute to each of you in the same tree format. andre.koning@ns-nl.att.com james.dignan@stonebow.otago.ac.nz pern@eritel.se tonylong@melbpc.org.au bill_oreilly@fmi.com (would you like to act as the PAL Branch?) jenny@next.com.au dwl1@st-and.ac.uk robert@gcmac.demon.co.uk g.giusti@area.it champie@cix.compulink.co.uk galli@to.sem.it CANADIAN BRANCH cspillio@env.gov.ab.ca tmharms@library.uwaterloo.ca 76564.3670@compuserve.com csnyder@yorku.ca mmoffat@mustang.uwo.ca IF YOU SIGNED UP FOR THE VIDEO TREE AND YOUR E-MAIL ADDRESS DOES NOT APPEAR ON THIS LIST SEND A PRIVATE MESSAGE TO aa393@sfn.saskatoon.sk.ca.
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