Chalkhills Digest, Volume 2, Number 29 Monday, 13 November 1995 Today's Topics: Thomas Dolby's Post RE: Chalkhills Digest #2-28 lyric identify "although I don't agree with the lyrics. . ." *that* again Dear Rod More XTC covers Two things... Love/XTC Sam Cooke Re: Chalkhills Digest #2-27 My Weapon (& other things) Re: Chalkhills Digest #2-28 Everything you could possibly imagine Re: Chalkhills Digest #2-28 A Visit to THE ACTUAL CHALK-HILL ITSELF! Administrivia: * Subject lines should be used very carefully. Try to make sure the subject of your message reflects the content. If you are replying to a posting in the digest, try not to use the default subject, which seems to be "Re: Chalkhills Digest #2-28". Rather, change the subject of your posting to refer to the original subject, for example, "Re: The Big Express Sucks!". To UNSUBSCRIBE from the Chalkhills mailing list, send a message to <chalkhills-request@chalkhills.org> with the following command: unsubscribe chalkhills For all other administrative issues, send a message to: <chalkhills-request@chalkhills.org> World Wide Web: "http://reality.sgi.com/employees/relph/chalkhills/" The views expressed herein are those of the individual authors. Animals beware / Knives and forks that glare.
---------------------------------------------------------------------- From: "Dave White" <DWHITE@king.kingsedge.windsor.ns.ca> Date: Fri, 10 Nov 1995 15:39:28 AST/ADT Subject: Thomas Dolby's Post After reading this I wish that more artists would get on line. I have e-mailed Dolby to ask why, since he is such a fan, he was not on TD. I'll let you know if he responds. David White
------------------------------ From: Bob Thomas <BobT@cait.wustl.edu> Subject: RE: Chalkhills Digest #2-28 Date: Fri, 10 Nov 95 14:57:00 CST Hello Chalkhillbillies! I've just done a six-pack or so of Chalkhills Digest #2-2Xs so I may be a little woozy. I have lurked here for years (months?), and I have never seen anything like what I am reading from contributors in recent days. I do not intend to add to that discussion -- except to say that I have enjoyed it, er, most of it. Questions: Am I mistaken, or has the frequency of "Hi! I'm new here," type posting gone down dramatically? I don't recall a recent note about how someone was introduced to XTC, how much they love the music, or how they introduced someone else to the band. I have seen a couple of newbies declaring their departure from the list due to disappointment in its content. AND What's all this about Andy P. not believing in John Relph? Carry on. Bob
------------------------------ Date: Fri, 10 Nov 1995 16:24:17 -0500 (EST) From: James Poulakos <engjcp@gsusgi2.gsu.edu> Subject: lyric identify The 1st is "England's glory...." The 2nd is "A striking beauty!..." ...I think. *------------------------------------------------------------------- My home page is now at http://www.gsu.edu/~engjcp/zero.html +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ James Poulakos
------------------------------ Date: Fri, 10 Nov 1995 15:33:51 -0600 (CST) From: "LaShawn M. Taylor" <shonniet@interaccess.com> Subject: "although I don't agree with the lyrics. . ." Oh dear, this entire God debate is my fault, isn't it? I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry. . . I was going to send in my list of TDII artists, but I decided against that. Who knows what debates can stem from "Respectable Street" done by the Rolling Stones? Or Pearl Jam doing "This is Pop"? LaShawn M. Taylor ****************** I hate being wrong but I do it so well. . . ******************
------------------------------ Date: Fri, 10 Nov 1995 16:21:43 -0600 (CST) From: "Jeffrey with 2 f's Jeffrey" <jenor@csd.uwm.edu> Subject: *that* again I'd refrained from posting on this subject, but the person who suggested "what if Andy wrote a song saying 'I hate Jews, kill all the niggers'" or whatever--the comparison is grotesquely invalid. First, "Dear God" most definitely does not propose hating or killing anyone--in fact, it argues against those things. Secondly, even if the song does seem to hate God, or hate Christianity, that's not the same thing as hating actual people, actual Christians (this is, I think, the converse of "hate the sin, love the sinner"). God, if he exists in the form Christians believe, can surely deal with hatred--I don't think he's going to get depressed and sulk and not eat for days. Basically, the religious people complaining about the fact that someone might question their faith seem to have rather flimsy faith in the first place: whowever posted the bit about their friend/relative who's a priest had the right idea. If you can't question your faith, it isn't real--you're lying to yourself, out of wishful thinking or fear. That last 'graph got more flamey than I wanted it to--but I think it gets my point across, so I'll leave it. So--anyone care to post the chords (accurately!) to both guitar parts of "Roads Girdle the Globe"? Now there's a challenge! --Jeff "I saw Jimi Hendrix at the Isle of Wight Festival and he died a couple of days Jeffrey J. Norman later. He was really good, but I Dept. of English & Comp. Lit. didn't know he was going to die. University of Wisconsin-Milwaukee He would have been 10 times better e-mail: jenor@csd.uwm.edu if I had." --Robyn Hitchcock
------------------------------ Date: Fri, 10 Nov 1995 23:08:29 +0000 (GMT) From: William HamBevan <whambeva@jesus.ox.ac.uk> Subject: Dear Rod One potential interpretation of 'Dear God' (sic) has not yet been broached; that it is a typographical error on the lyric sheet, and is in fact supposed to be 'Dear Rod'. Rod Stewart is responsible for many of the evils in the modern world, and I believe that Andy, for one, was shrewd enough to realise this. Listen to it carefully; I have to be right. Will Ham Bevan Rhesus College, Oxford.
------------------------------ Date: Fri, 10 Nov 95 18:47 EST From: Jeffrey Langr <0005392548@mcimail.com> Subject: More XTC covers Just for the heck of it, more things I think XTC should cover: * Madonna, "Into the Groove" * Buzzcocks, "What Do I Get", "Orgasm Addict" * Kinks, "Sleepwalker" * anything by Syd Barrett * B****les, "Octopus Garden" (couldn't resist) * Nirvana, "Lithium" * Big Black, "Deep Six" * Wire, "Drill" * Queen, "Seven Seas of Rye" (from Queen II not I) * Sweet, "Love is Like Oxygen" * He Said, anything from *Hail* * Hunters & Collectors, "Tow Truck" * CCR, "Bad Moon Rising" * Marginal Man, "Identity" * Meatmen, "Wine Wenches & Wheels" I've *still* got *lots* more... Jeff L, psychopath
------------------------------ From: AngryYngMn@aol.com Date: Fri, 10 Nov 1995 19:15:01 -0500 Subject: Two things... Two things: 1) Hey everyone! Grow up! I pride myself on being an adult. Why doesn't everyone else just try it? 2) Thank you Earl. injecting a new thread into things like a nice Java jolt! > So, I put forward an idea for a new thread, especially in light of the > Mayor of Simplton muzak notice: Where is the strangest place you've heard > XTC playing. Hmmm...I work for a bank and I was going between two branches and I was travelling the lovely Palisades Parkway in New York. I left the branch I was in, got in my car, put on thr radio (WNEW), and "Senses Working Overtime" was kjust starting. then as it finished, "Towers of London," and then "Mayor of Simpleton" and I was so HAPPY! I got to my intended destination, and "Peter Pumpkinhead" had just started, so I sat in my car for 4 minutes to listen to the rest of it. People thought I was wierd bouncing around my car, but if they only knew...they would have appreciated it. :) ^ ^ ^^ ^ ^ = = = = = = = = = = = = = = = = = = = = = = = = = = = = = ^ ^ ^^ ^ /~~~~~~~~~~~3\\\ | J A V A | || * Coffee: breakfast of champions! * | |// AngryYngMn@aol.com !_________!
------------------------------ Date: Fri, 10 Nov 1995 16:29:05 -0800 From: Neil Goldstein <ngold@teleport.com> Subject: Love/XTC Thanks for the tip on the Love dbl CD. Where can I get it? Their name came up about a year ago in a thread about the Dukes' influences. In the line "It's not You..." from Mole in the Ministry, that is a direct melodic hit from "Sitting on a Hillside" (or whatever its called) from Forever Changes. You think XTC are unsung, Love were a cult band on a much smaller level. As a longtime musician from LA, I saw Love perform several times in the late 60's. The same things I appreciated in them are seen in XTC, especially the use of original and interesting (some may say "non-musical") chord changes and forms, and lyrics that are more poetic than most (though many of Arthur Lee's lyrics are more psychotropically induced than AP's methinks). Interestingly, their Forever Changes album sold much better in England than the states. _/ _/ _/_/_/ _/ _/ _/_/ _/ _/ _/ _/ _/ _/ _/ _/_/ _/ _/ _/ _/_/ _/ _/ _/ _/ _/ _/_/_/ _/ _/_/_/ Neil Goldstein ngold@teleport.com Portland, Oregon USA voice: (503) 293-1356 fax: (503) 293-0312
------------------------------ From: ToddT8@aol.com Date: Fri, 10 Nov 1995 20:11:04 -0500 Subject: Sam Cooke In a message dated 95-11-09 15:31:36 EST, Vzzzbx <h8hc035@wilbur.mbark.swin.oz.au> writes: >(part 2!) Next time I'll leave replying till I've done some more >thinking.... There was an old song by someone like Al Green (I've looked it >up, it was Johnny Nash...) called "(what a) Wonderful World" which had >lyrics like: "Don't know much about geography/never read too much of >history...." and generally heads off sounding like the singer was a former >mayor of Simpleton... The song was a Sam Cooke hit later covered by Simon, Garfunkel and someone else who I can't remember, maybe James Taylor. Peace, Todd
------------------------------ From: ToddT8@aol.com Date: Fri, 10 Nov 1995 21:09:21 -0500 Subject: Re: Chalkhills Digest #2-27 In a message dated 95-11-09 22:22:07 EST, Tracy writes: > I am sick and tired of reading all these anti-Christianity >pro-atheist messages that keep showing up. I really love this Dear God debate stuff. It's too bad when people want to take their ball and go home, but that's okay. I would like to add a couple of points to this very interesting topic. Although I am an agnostic, I too have a hard time with athiest rhetoric. For anyone to say that God does not exist, it is taking a leap of faith at least as large as saying God does exist. For we cannot prove that God doesn't exist anymore than we can prove that she does. What I (and agnostics like me) say is that based on the evidence available, a rational conclusion is to question the existence of God. Now, does Dear God offend me? No, however I think that Andy is as guilty of religious rhetoric as those who he is railing against. The other point I want to make is that although many people want to separate the artist from the art, they are strongly linked. But that doesn't mean that you have to agree with the artist to appreciate the art. Just realize that although you may not see it, the things you don't agree with, or even violently oppose are a part of every work of that artist. Wagner was an anti-semite, yet his music is enjoyed by many Jews. His anti-semitism is a part of all of his music, because that is how he defined himself. But listening to his music does not make the listener an anti-semite or imply an agreement with his views. If you listen to Andy's music, you must acknowledge his anti-organized religioness which permeates even the most obviously non religious songs. So what?? The stuff you can groove on, listen to, and the other stuff skip. But just acknowledge that part of the artist. Understand? I'm not sure I do, but I had fun doing it! Peace, Todd
------------------------------ From: 7IHd <ee92pmh@brunel.ac.uk> Subject: My Weapon (& other things) Date: Sat, 11 Nov 1995 03:50:32 +0000 (GMT) # From: Brookes McKenzie <RMCKENZI@smith.smith.edu> # Subject: dear god. my weapon. # this deeply disturbs me, as it is almost exactly the way i feel about barry # andrews' "my weapon". even leaving aside the question of whether barry is # as brilliant of a songwriter as andy (i personally don't think that he is), # AND the question of whether barry was being ironic (it doesn't seem like it # to me, but he _might_ have been, i suppose), i really don't like listening # to "my weapon" because i find it so offensive, Taking the questions in reverse order: I asked Barry about his days in XTC when I conned him into helping to check the Shriekback discography, and we got to discussing _Go2_. What he said, paraphrased, was that when the LP came out the reviewers loved it all, _except_ for 'My Weapon' ('what's this sexist crap?' was how he described the response, generally). Barry was very hurt by this, because they had all completely missed the point of the song, which _was_ intended to be ironic, Barry actually described it to me as 'a pro-feminist song'. So there you have it. My personal view is that the irony is way overdone if it's still confusing people 17 years later, but listen to it again now you know what the writer meant to say and it all makes sense - especially when you listen to 'Super-Tuff' as well. Now, as to whether Barry is as good a songwriter as Andy, you're not really comparing like with like, but I'd say he was at least comparable. 'Super- Tuff' is far and away my favourite track on _Go2_, and Shriekback at their best are as good as anyone. Songs like 'Faded Flowers', or more recently tracks like 'Beatles Zebra Crossing?' (from _Sacred City_)... "This was the holy land when they were more popular than God Upon this bridge of black and white their sacred naked feet have trod..." Now, I don't wish to start a God vs. Beatles debate here, that would just be too much, but a finer song about a zebra crossing I have yet to find. :-) Plus you can still go to a gig and see Barry singing his songs live, which is more than you can say for Mr Partridge, much as we love him. # From: BObannon@aol.com # Subject: Double standard # # Wow, what a great point, and very well put. Thank you. There is a # heightened sensitivity today to racial issues, sexism and sexual # preferences, but a heightened DEsensitivity to the interests of # Christians. A person speaking out against racism is regarded as noble, but # a Christian speaking out against immorality or atheism is seen as # intolerant. Andy Partridge is merely utilizing his free speech in "Dear # God," but a Christian's critique of the song is called narrow-minded. These # are all major double standards, and they seem to most often come from the # so-called progressive artistic community. My absolutely last word on the topic. I thought the debate had been just about everywhere, but this is just getting ridiculous. Religion is about faith. This can only come from within, it can't be 'given to' or 'taken from' other people. All you can do is present the arguments, but in order for people to truly establish their beliefs (whichever way those may lie), you must present a balanced set of arguments for _and_ against. 'Dear God' is a part of this process. Racism/Sexism/Sexuality are entirely different issues, they are all concerned with equality between the various diverse groups of people on this earth, most notably physical traits about which they can do nothing. Religion is not like this, nobody is challenging anybody's basic right to partake in a particular religion (oppresive regimes and suicide-pact cults excepted), we may challenge your beliefs but we don't challenge your right to hold them. However, when you (not addressed to anyone specific) try to force your views onto other people (be they religious views or otherwise), consider that if you meet with a frosty response, it may just be that the people being addressed have examined the issues in as much detail as you have and reached different conclusions. There can be no 'right' and 'wrong' answers when it comes to something based entirely on faith. Please don't lose sight of this. # From: Martin_Monkman@fincc04.fin.gov.bc.ca # Subject: God and Gregory Subject line raises an important point: Dear God = DG = Dave Gregory. I think what Andy's _really_ saying is 'Hey Dave, it's all your fault!', but he was just too nice to admit to it in the interviews... :-) _ |_)|_ *| | | )|| http://http2.brunel.ac.uk:8080/~ee92pmh/ ========
------------------------------ From: 7IHd <ee92pmh@brunel.ac.uk> Subject: Re: Chalkhills Digest #2-28 Date: Sat, 11 Nov 1995 03:58:39 +0000 (GMT) # From: vanvalnc@is2.nyu.edu (Chris Van Valen) # An aside to "Upside Down Phil": whenever I used the initials "TD" I was # refering to Testimonial Dinner", not Mr. Dolby. I don't know about anyone # else. Sorry to be confusing. I'll try to spell everything out in the # future. I wasn't being confused, I just felt like making a silly comment and trying to lighten things up a bit. Sorry if this injection of attempted wit confused you. :-) _ |_)|_ *| | | )|| http://http2.brunel.ac.uk:8080/~ee92pmh/ ========
------------------------------ Date: Sat, 11 Nov 1995 14:04:40 +1000 (GMT+1000) From: Vzzzbx <h8hc035@wilbur.mbark.swin.oz.au> Subject: Everything you could possibly imagine This is a massive post, so please bear with me. It's not all religious guff... :) #> From: COUNTESS CHOCULA <PALM1624@splava.cc.plattsburgh.edu> #> I am sick and tired of reading all these anti-Christianity #> pro-atheist messages that keep showing up. [a] I haven't yet seen anything that flames christians _or_ atheists as a group. Logical, thoughtful, rational discussion is all I've seen. [b] This discussion is keeping Chalkhills going. I'm getting more than one digest per day now, and I'm enjoying it thoroughly. [c] If you don't like it, skip it. There's plenty of XTC-related discussion happening here, there's no reason why the religious thread should stop you reading that. #> From: jd.mack@neteast.com (JD MACK) #> Imagine an unthinkable for a moment: Andy #> Partridge composes a song with a great chord progression, catchy #> melody, and fantastic arrangement, but the lyrics go "I hate the #> Niggers. Kill All the Jews." And imagine for a moment that he #> was serious. I don't think many people out there would consider #> themselves "Closed-minded" for skipping this song each time it #> came on. I'm sorry, but I fail to see what 'Kill all the Jews' has to do with 'I don't believe in god'. Your hypothetical has a songwriter wanting to abolish entire races and/or religions, but Andy Partridge [subjectively, I might add] questions a faith system and its roots, and expresses his disgust at the wars that have arisen as a result. The most aggressive Dear God's lyrics get is 'the babes you drown' toward the end, but this is a stage in the song where the singer appears to become irrational. Just an expression of his building anger, IMHO. Having said that, I appreciate you explaining the reason you can't listen to the song. Thankyou. :) #> What are the barely-audible words spoken after the #> line "but to me there very very beautiful," and also after the #> next "beautiful?" It's very very beautiful [England's glory!] Beautiful [A striking beauty!] #> From: "Wynne, Steve" <Steve.Wynne@orbit.net> #> XTC like many #> decent British and American bands don't have much of a following #> over here. The main problem, I think is the language. It upsets me deeply that so many thousands of brilliant musicians are ignored in English-speaking countries because they don't sing in the same language. The closest we get in Australia is Atomic Swing, but they sing in English. #> From: RandyXpher@aol.com #> Folks, it's been almost ten years since DG was unleashed. #> Shouldn't we all have come to terms with it by now? Andy would be thrilled if he knew his religious views were still being discussed after almost a decade. To me that's the sign of a marvellous songwriter -- one that can spark feelings in people for such a long time. I'm willing to bet that Chalkhills in 2010 [!] will still have the occasional Dear God thread. :) #> From: BObannon@aol.com #> A person speaking out against racism is regarded as noble, but #> a Christian speaking out against immorality or atheism is seen as #> intolerant. I wholly agree with you, with the addition that an atheist speaking out against christianity is also seen as intolerant. As I said recently, I'm a complete atheist who has no religious or theological beliefs whatsoever, but I still respect the rights of those who follow religion. I have many close religious friends, and we talk about religion but never get shirty about it. There's ONE religious person I won't talk to, but that's because he's actively trying to segregate gays from the rest of the community, and I've seen him on a tyrade against Asians. Who could blame me? :) #> From: Martin_Monkman@fincc04.fin.gov.bc.ca #> From whose guitar are all the oranges and lemons spilling? Is there #> a hidden meaning? Of course! The other two chaps may write all #> the songs, but without Mr. Gregory, there would be no oranges and #> lemons. Did you notice that Colin is tucked away behind Andy and Dave? He doesn't look terribly happy either... #> From: Big Earl Sellar <splitred@freenet.edmonton.ab.ca> #> I move that the good Mr. Relph terminate this round of the DEAR #> GOD discussion, to save us all bandwidth I enjoy getting this much Chalkhills every day. I need something to get my mind off exams at the moment, and this is the perfect release. Is it worth splitting the theological stuff off into a separate mailing list? Or is that a silly idea? #> Where is the strangest place you've heard XTC playing. I heard the _entire_ Nonsvch album play in a local pancake restaurant recently. I actually forced my friends to stay until the album finished. They didn't mind, they knew half of the songs but they couldn't place where they'd heard them before. :) That's it. Thanks for listening to my never ending diatribe. :) -- h8hc035@wilbur.mbark.swin.oz.au 'The music business is a hammer to keep you pegs in your holes, but please don't listen to me. I've already been poisoned by this industry!' -- Andy Partridge
------------------------------ Date: Sat, 11 Nov 1995 18:37:16 -0800 From: jmarsh@ix.netcom.com (Joel G. Marsh ) Subject: Re: Chalkhills Digest #2-28 ENOUGH ALREADY, FOLKS!! Don't we have better things to discuss? Andy said it best - how can the subject of religion and one's belief in G-d be condensed into a 3 1/2 minute song? It's the hugest, most personal set of beliefs anyone can own. I would respect this forum a great deal more if it alluded to other biblically-themed songs to make their points (i.e. "Jason and The Argonauts," "Paper & Iron," "Season Cycle" to name a few). It's one song out of hundreds. In my opinion, it's not even one of their best. Can we move beyond this trivial discussion and simply agree that one can respect another's point of view without necessarily agreeing with it? New topic: Why haven't "the boys" gotten the financial and critical recognition they deserve, even after all this time? Why, for example, can a band like Pearl Jam make more $$ its first record than all of XTC's combined? Is there no justice in the world? Oh no, here we go again.........
------------------------------ Date: Sat, 11 Nov 1995 21:36:31 -0600 From: jh3@ns.cencom.net (JH3 Unlimited, Ltd.) Subject: A Visit to THE ACTUAL CHALK-HILL ITSELF! One way to get rid of pesky, unreadable threads (such as the one relating to "Dear You-Know-Who" which has caused me tremendous pinky-finger-pain from hitting the PageDown key constantly) is to start completely new threads. Here's a possibility: How many non-English XTC fans have actually been to Swindon to have a look at the band's hometown? Or even English ones? I was there in 1987 on my honeymoon. We were doing the whole silly anglophile bit, checking out York, Edinburgh, Portmeirion Village, all the Arthurian sites in the West Country, etc. We'd just done Stonehenge, and I managed to convince my wife that we absolutely HAD to go just a bit north and spend the night in Uffington, within a kilometer or two of the fabulous Chalk Horse Hill! We got there, stayed at a one-room B&B that was essentially the spare room of somebody's house, and ate at the White Horse Inn (Tavern? I forget), which I strongly recommend, if only because the horse on the sign outside will be so familiar to all of you. So the next morning, we got in the car and drove over to the ACTUAL HILL ITSELF. Back in those days you could park only a few hundred yards from the carving. The problem, of course, is that to see the thing in it's full glory you have to be in a helicopter, but it was the tail-end of the trip and we'd already blown most of our cash on -- well, why shouldn't I admit it -- records. So we were walking around it on foot, and we got separated somehow... There's a ruin of an old fortress or something on the next hill over that's basically a flat plateau, where shepherds like to bring their flocks, so there was a whole herd of sheep nearby. Apparently somebody had let their dog, a German Shepherd, loose in the vicinity, and this dog attacked one of the sheep! I think it actually KILLED the poor thing! All of this was happening less than a hundred yards away! This sent the herd of sheep into a panic, and they started to STAMPEDE IN MY GENERAL DIRECTION! There were HUNDREDS of them! I was thinking "boy this is going to look good in my obituary," and that maybe the side trip wasn't such a hot idea after all, but luckily I was wearing my running shoes and managed to get the hell out of the way. But it wasn't over yet; I still had to convince the guy with the sheep that it wasn't my dog! Luckily, he believed my thick American accent to be completely genuine... Later I finally managed to find my wife, who'd gone around the other side of the hill to "check out the scenery." She didn't believe a word of what happened! NEXT TIME: The Terrifying Swindon Contraflow Roundabout! - John "JH3" Hedges *----------------------------------------------------- "Signature files? What the hell are signature files?" --Socrates *-----------------------------------------------------
------------------------------ End of Chalkhills Digest #2-29 ******************************
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