Chalkhills Digest, Volume 2, Number 57 Thursday, 11 January 1996 Today's Topics: Band names and best of 95 Re: Boot Suggestions Meanings O&L production Band name... JaM at Andy's... English Puzzlement XTC Stuff Seen for Sale How's That for an XTC-Related Name? Skylacking Partners YAZBEK gigs in NYC oops Even More on an Already Tired Subject For Sale What a Christmas Present! Explode Together AWOL O&L&O&L&O&L XTC Set Sale List Available Nonsuch wars, TDII, band name Yazbek mailing list Is Dave Gregory still in Aimee Mann's band? XTCFAQ15addition Administrivia: To UNSUBSCRIBE from the Chalkhills mailing list, send a message to <chalkhills-request@chalkhills.org> with the following command: unsubscribe chalkhills For all other administrative issues, send a message to: <chalkhills-request@chalkhills.org> Please remember to send your Chalkhills postings to: <chalkhills@chalkhills.org> World Wide Web: "http://reality.sgi.com/employees/relph/chalkhills/" The views expressed herein are those of the individual authors. Deep under winter snow.
---------------------------------------------------------------------- Date: Fri, 5 Jan 1996 20:13:34 +0700 From: aosterma@students.wisc.edu (Adam J. Ostermann) Subject: Band names and best of 95 This is a reply to a query.... >From: gimhoff@bmgmusic.com >Trying to come up with a band name that includes some reference to XTC >but is not a blatant lift i.e. full song title, etc. A clever >(preferably lesser known) Andyism would be good. Thought I'd throw >this one out and see if anyone had any suggestions I always wanted to call a band "The Lower Gentry" (from Moulding's "Wonderland") . I just like it b/c it has a nice ring to it, that's all. (Although I'm certain you could turn it into a grist of politicking a la the Levellers or something like that. Hmmm....if I ever had a They Might Be Giants-like band (I've outgrown them, it's sad to say) I'd call em "Jason and the Argonauts", again, a little pre-XTC history on it.... Ummm...."Tissue Tigers", "The Ugly Underneath", "Steer Me Anna" (why do I get the notion that this group would sound like My Bloody Valentine?), hmm.... I realize three of these are direct title lifts, but I think they sound nice. And since someone offered up their best of 95, I'll join the crowd in providing my list.... 1) ERIC MATTHEWS, ^It's Heavy in Here^: If you like XTC, Beach Boys, Burt Bacharach....you probably own this album already. Baroque rock full speed ahead! 2) RADIOHEAD, ^The Bends^: Take a bow, John Leckie. 3) TINDERSTICKS, ^Tindersticks (2nd)^: The live disc is cool, too. 4) SUDDENLY TAMMY!, ^We Get There When We Do^: A Carole King for the 90s, and I'm not scared.... 5) PALACE MUSIC, ^Viva Last Blues^: Just great stuff. 6. THE HIGH LLAMAS, ^Gideon Gaye^: See Eric Matthews. Could have used a few mnore tunes, tho. 7. SUPERGRASS, ^I Should Coco^: A band that tries to be the Jam, the Beatles, and XTC all at the same time, and largely succeed. 8. CHEMICAL BROTHERS, ^Exit Planet Dust^: Taking hip-hop to new realms. 9. LOW, ^Long Division^: A study of applying minimalism to indie rock and making it stick. 10. PJ HARVEY, ^To Bring You My Love^: Yeah, yeah, I know EVERYBODY has this on their list, but hey, it's good. There. I've got a larger list for sadists...just e-mail me.... Adam J. Ostermann **************************************************************** Adam J. Ostermann UW-Madison Journalism major Walgreen's peon Future Entertainment Co-Editor of ^The Badger Herald^ Resume procrastinator Available for parties or bar mitzvahs ****************************************************************
------------------------------ Date: Fri, 5 Jan 96 19:45 CST From: Russ Omens <psychro@wwa.com> Subject: Re: Boot Suggestions Dear Chalkhillians: I'm traveling to New York next week and plan to hit the bootleg stores hard. Can anyone suggest decent-quality XTC boots and the titles of ones containing demos of new material. Your help will be muchg appreciated! Russ Omens (Psychro@wwa.com)
------------------------------ From: Ben Gott <BENG@hotchkiss.pvt.k12.ct.us> Subject: Meanings Date: Fri, 05 Jan 96 21:15:00 est I've found myself listening to XTC less and less these days, but I still value their songs and material very much. To tell you the truth, there aren't a lot of bands out there today that I like (although, thanks to all of you, I discovered Blur...) However, I think that Andy, Colin and Dave's music will be a part of my life for many years to come because it is attached to some really good memories and moods (whenever I hear "Yacht Dance," I think of my awesome Fall of 1994.) Anyway - if anyone has some ideas about different bands I could listen to, please e-mail me. I found myself comparing a lot of stuff to XTC lately, and I need to rekindle that flame. Cheers, Ben XTC SONG OF THE DAY: "Young Cleopatra" OTHER HARD-TO-GET ALBUM OF THE YEAR: Mike Oldfield: "Amarok" (****+)
------------------------------ Date: Fri, 5 Jan 1996 23:07:46 -0500 (EST) From: Brandon K Snavely <bksst6+@pitt.edu> Subject: O&L production Hi everyone, I read Chalkhills faithfully, but rarely post anything. Well, I've decided to make my first post in awhile to voice my dislike of the production on _Oranges & Lemons_ and to nominate a producer for the next XTC album. Basically, I think the mix on O&L is way to busy. Admittedly, that's what they were shooting for on tracks like "Garden of E.D." (i.e...a big, complex, noisy sounding arrangement), but I just don't think it works on tracks like "Poor Skeleton..." and "Across this Antheep." The bongo drums pounding relentlessly in each earphone annoy the heck out of me. But I do like the shimmering guitars on that album, as well as the general upbeatness of the music. I just question their desire to work with Paul Fox---there are lots of other producers out there. Big, busy, over-the-top production is my favorite type of production, but Paul Fox doesn't have a clue how to make it sound good. In my opinion, the person that they should have hired to produce that album, if they wanted the big, noisy, over-the-top production, is Trevor Horn. Horn can make that type of sound work well, without making the mix sound tacky and overly-commercial. Listen to his production on the _Seal_ albums, or on the tracks he produced for the Pet Shop Boys. He really understands what British pop music should sound like. I think Horn would be a great choice to produce an XTC comeback album sometime in the near future. Thanks for reading---feel free to reply by private email or to the list. Brandon bksst6+@pitt.edu
------------------------------ Date: Sat, 6 Jan 1996 01:52:43 -0500 From: aym@j51.com (Angry Young Man) Subject: Band name... Well, I might have a few "andyisms" for you to ponder for a name... 1) he was addicted to Valium...but if you name your band Valium people would be bored even before they listened to it. 2) People keep forgetting the Helium Kidz...you can play with that, or even call them "Zip Code" because the first iteration of that name was "Zip Code and the Helium Kidz" 3) Nervous Breakdown...need I say more? Good luck, whatever you choose. < - - - - - - - - - - - - - - - - - - - - > "He's been stabbed in the back _/_/ _/ _/ _/_/_/_/ Ira Lieman He's been misunderstood _/ _/ _/ _/ _/ _/ _/ Angry Young Man It's a comfort to know _/_/_/ _/ _/ _/ _/ aym@j51.com His intentions are good" _/ _/ _/ _/ _/ http://www.j51.com/~aym - Billy Joel
------------------------------ From: silva@pc110.ccrc.uga.edu Date: Sat, 06 Jan 96 10:18:21 Subject: JaM at Andy's... Hi aLL - Just had a brief chat wif' Adrian BeLeW and he spoke pretty fondly of Andy & Co. Apparently they met over at Peter Gabriel's studio where KC were working and Andy (in a highly social move :->) invited them up the road to Swindon. There apparently was much music discussed, etc, and some jamming in Andy's shed, but alas, none of it documented on tape. Adrian did say that he would love to do some work with Andy in the future. He wouldn't even mind being tapped as producer for the next LP should Virgin (boo hiss...) ever cut the chains that bind them. --------------------- JoE Silva Senior Contributor Consumable Online 220 Riverbend Rd Athens, GA (706) 542 - 4452 4412 (FAX)
------------------------------ Date: Sat, 6 Jan 1996 12:26:32 -0800 (PST) From: Anthony Ciarochi <ciarochi@pe.net> Subject: English Puzzlement Here's a question I've never had answered... My first experience with XTC was English Settlement, which I bought after seeing the 'Senses Working Overtime' video. I loved the LP (yes, they still had vinyl then), became a big fan, bought all their stuff, etc. etc. blah blah blah... Anyway, about a year later I was browsing through the record racks, trying to decide which XTC album to buy for my brother's birthday. I was holding a copy of English Settlement, scanning the song titles, when it suddenly occurred to me that I had NEVER HEARD OF half the songs on the album! Fly on the wall? Yacht Dance? What the hell is that? It was obvious that this was a double album, and the one I owned was a single. There was nothing to indicate any difference, except for the list of songs on the back. (It wasn't just that I was missing a platter, because the jackets were printed differently) Naturally, I bought it and kept it for myself, but I've always wondered what the story was behind that? AFC
------------------------------ From: JakeKristy@aol.com Date: Sat, 6 Jan 1996 20:40:53 -0500 Subject: XTC Stuff Seen for Sale Was All Once My Unearthed Treasure, Now Maybe It's Yours Installment two of that regular feature: "XTC Stuff Seen for Sale." No great mystery here, I just make a note of the Fab Three fare I find in the latest issue of Goldmine magazine. This is a semi-public service only, with no claims made for the accuracy of my typing or the veracity of the ads. But don't hesitate to give these sellers a call or jot them some email. I've never gotten completely shafted by a Goldmine advertiser. Except for that time those guys sold me that Spyz record. . .:7) And now, rip out the suffing. >From the January 19, 1996, issue of Goldmine: + Ballad of Peter Pumpkinhead Parts 1 and 2 Import CD Single US$10; page 161; Time Traveler CDs, phone 216-923-4408 or 800-348-6521 + Ballad Peter Pumpkinhead +, CD, England, PS, US$6.50; Dear Madam Barnum Promo, CD, US, US$3.50; p. 143, Revenge Records & Tapes, 212-674-8620. + Shriekback CD "Psycho"/"Cayenne" live US$8 XTC "Barnum" CD DJ US$8 XTC w/VA "PostModern" CD DJ US$12; page 120; Ellis Audiotics, phone 718-622-0923 + Nigel/This Is Pop (live)/Are You Receiving (live), Japan, PS, VG++, US$20; page 49; Yesterday & Today Records, phone 301-279-7007 + Drums & Wireless, import CD, US$16; Dub Experiments 78-80, import CD, US$17; page 86, Siren Disc, email = Siren@earthlink.net
------------------------------ From: JakeKristy@aol.com Date: Sat, 6 Jan 1996 20:40:55 -0500 Subject: How's That for an XTC-Related Name? Dear Editor, Recently, a Mr. "gimhoff" inquired about coming up with a band name that was full of XTC but was born of its own. I suggest you catch that title wave of a year or two back and call your band The Dookies. Sincerely, Never Was a Margaret XTOTX --Chris H.
------------------------------ Date: Sun, 07 Jan 1996 10:57:45 -0500 From: JES <xtc@mindspring.com> Subject: Skylacking Partners I'm in the Atlanta/Athens area and am interested in producing some music. I would be willing to contribute keys or guitars (and voices) to a piece for this compilation. Anyone out there wanna start a band? Email me! JES
------------------------------ Date: Sun, 7 Jan 1996 12:40:45 -0500 From: nmcgrath@world.std.com (Nancy McGrath) Subject: YAZBEK gigs in NYC Fellow Chalkhillians (especially those in the NYC area): Our own Testimonial host, David Yazbek, has another gig coming up. He'll be appearing at BROWNIE's once again, this coming Friday, January 12 at 8 pm. (Brownie's is located at 169 Avenue A between 10th & 11th Streets; the phone number is 212/420-8392.) As XTC fans, I am sure you will groove to Yazbek's sound. If you're lucky enough to have heard his album, "The Laughing Man," you already know what I mean. I caught his act back in December; in fact, I drove down from Boston for the occasion (in a blinding snowstorm... but I digress). It was a short set, but well worth the trip. This time, the gig is on a Friday night, and it looks like the weather will be more cooperative. So don't miss it -- no excuses! See you there - Nancy McGrath nmcgrath@world.std.com
------------------------------ From: 7IHd <ee92pmh@brunel.ac.uk> Subject: oops Date: Sun, 7 Jan 1996 18:35:37 +0000 (GMT) Just for the record, I missed something off my rather long-winded (sorry) best-of-95 in the last digest: Another entry at joint 2nd was The Shamen's "Axis Mutatis / Arbor Bona Arbor Mala" double-CD. If you like synth-pop you will like the 1st disc. If you like ambient stuff you will like the 2nd disc. The reason I left it out was because it came in a silly box and therefore I didn't spot it when I looked through my CDs. Back to the more important topic: I'm surprise people are lumping O&L in with Nonsvch and Skylarking as 'easily likeable albums which wear off'; it took me a long time to get into O&L, even longer than it did The Big Express, so I'd personally put it in with the more challenging XTC albums. Just goes to show how these things have different effects on different people, I suppose... _ |_)|_ *| | | )|| http://http2.brunel.ac.uk:8080/~ee92pmh/ ========
------------------------------ Date: Sun, 7 Jan 1996 20:47:40 +0000 (GMT) From: William HamBevan <whambeva@jesus.ox.ac.uk> Subject: Even More on an Already Tired Subject - My thoughts on Nonsuch, for what it may be worth: Sounds rather like another transitional album, such as 'Mummer': lacks coherence, lacks evenness, but a few gems in evidence nevertheless. 'Rook' is (in theory, at least) a great song, but the novelty of the arrangement soon wears off and Andy's voice is attempting something it could never pull off without sounding strained and hackneyed. I imagine this song would benefit from a less choppy piano part and a female vocal: what's Tori Amos doing these days? 'Wrapped in Grey', 'The Ugly Underneath', 'Omnibus': Andy writing as no other songwriter could, and as distinctively brilliant as anything the band have done. 'Bungalow' - I can't imagine why so this song has attracted so much flak: for me, it is probably the best cut on the album. It is the only example of good lyric writing from Colin on the album (some would say, on the last two albums) and the tune and the arrangement carry the words perfectly. It seems to capture perfectly the sort of British lower middle-class attitude to retirement: work like hell all one's life for the reward of retiring and stagnating in sheltered accommodation in a seaside town. Colin's lyrics work because they are simple and direct; as with 'Dying' or 'Loving Memory of a Name', the stark commonplace nature of the words is in sharp antidote to the excesses of Andy's flowery bullshit. Whenever Colin tries to write complex or political sentiments - in effect, tries to be Andy - he invariably comes unstuck (think 'War Dance', 'Smartest Monkeys'). Perhaps my admiration for 'Bungalow' stems from living in a Welsh seaside town that attracts hordes of people 'approaching the third age', as our PC friends would have it. They buy up bungalows with a nice view out to sea and quietly fade away, out of sight and out of mind. The seaside barrel organ sound on this song is a masterful touch, summoning up the tackiness and sadness of the theme at the same time. Funny how the most important episodes in most people's lives are inseperable from humdrum daily life and all its associated kitsch. Corking it in a shopping line, for instance. I think the next album - touching wood that there will be one - will consolidate the developments of O&L and N'such and be another blinder. One can hope, anyway. This is approaching the length of a small dissertation - apologies... "That's it - more news later..." (Tim Neilson, ITN) William Ham Bevan Jesus College, Oxford
------------------------------ From: "Peter Fitzpatrick" <beatle@indigo.ie> Organization: Somewhere in Ireland Date: Mon, 8 Jan 1996 10:59:16 +0000 Subject: For Sale Hi : I've been spring cleaning and found that I needed to make some room So : I'm selling a lot of records/books etc. Here is the XTC material I'm selling. (If anyone wants a list of Beatles material for sale please mail me) ============================================= Everything on this list is UK version unless otherwise stated. PS means Picture Sleeve. 1. Ball & Chain. 7" single. 10/10 2. Sgt. Rock (is going to help me). No PS. 9/10. 3. Senses working overtime. Foldout sleeve (rare). Sleeve 9/10. Disc 10/10. 4. No Thugs in Our House. Rare gatefold sleeve with cutouts (plus a 2nd set of cut-outs accidentally included). 10/10. 5. Mayor of Simpleton. (12" P/S 10/10) 6. Dukes of Stratosphear. You're A Good Man Albert Brown (12" P/S 10/10) ============================================================================= Make me a sensible offer for each item and I'll get in touch with you =Peter ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ All the way from rainy Dublin,Ireland. Visit my homepage http://ourworld.compuserve.com/homepages/beatle ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
------------------------------ Date: Mon, 08 Jan 1996 06:07:26 -0700 From: stimpy <stimpy@matrix.infomatch.com> Organization: cat heaven Subject: What a Christmas Present! I'm in shock! A friend came for a late xmas visit this year, and brought me a signed photo of xtc from about 1979-1980. Apparently, a woman he knows was in Victoria, BC (that's canada in case you're wondering) at a bar to see them back then. There wasn't much of a turnout (sheesh!), so she ended up chatting with the band, and they gave her a signed photo. She had it stuck in her attic all this time! Anyway, my friend saw it, and she let him have it, and now I've got it sitting on my desk! Whee! Just wanted to shout it to some people who would appreciate how thrilled I am... thanks! stimps!! -- )\._.,--....,'``. the cat offers itself /, _.. \ _\ (`._ ,. stimpy@infomatch.com `._.-(,_..'--(,_..'`-.;.' http://www.infomatch.com/~stimpy
------------------------------ From: Ewalther@eworld.com Date: Mon, 8 Jan 1996 13:00:01 -0800 Subject: Explode Together Just picked up 'Explode Together' which I'd not heard before. While I wouldn't recommendt it for the melody purists our there (ie you Nonsvch lovers) it's a hell of a good sound experiment and reaffirms my belief that Terry Chambers was the best drummer to play with the lads. You can hear his style evolving from straight ahead bang & crash to the beautiful tom-tom work he brought to ES and his Mummer tracks. I'm also impressed with Barry Andrews on this CD. I never thought he fit in with Andy's style but he's great here; almost reminiscent of Terry Riley's late 60's stuff. It's made me go back & listen to my older Shriekback albums which were (literally) gathering dust in the basement. Might have to go out & find more recent product. I recall that Shriekback was one of the loudest bands I'd ever seen - BOOMING rythym section. On a related note, someone here (sorry I forgot your name!) posted that the Gang of Four was out and about - is it the original line-up? That's my rave for today - be good all!!
------------------------------ From: 7IHd <ee92pmh@brunel.ac.uk> Subject: AWOL Date: Tue, 9 Jan 1996 22:14:59 +0000 (GMT) Just so people know - flipping through MelodyMaker in the shop (I never buy it, it's trash), their "AWOL" column will, next week, be featuring XTC. Before those of you not familiar with the column get all excited, it's about 1/10 of a page long, so it's not going to tell us much - but there could be an update on the record label wranglings, I suppose. -P _ |_)|_ *| | | )|| http://http2.brunel.ac.uk:8080/~ee92pmh/ ========
------------------------------ Date: Tue, 9 Jan 1996 19:19:39 -0500 (EST) From: matthew larkin mondlock <mmondloc@indiana.edu> Subject: O&L&O&L&O&L By a crazy Christmas mishap, I happen to have 2 extra copies of oranges and lemons for those of you who have either misplaced or (dog forbid) don't have it yet. If ya wanna trade something (like perhaps some rare jellyfish or xtc stuff) email me. I've been lurking for about 2 and a half months now and I finally feel worthy to post. (I read the biography over the holiday break). After reading it, my love for our band increased exponentially and I regard them as more genius than ever. Re: THE THREAD, I think these guys should make music till they die and their last two albums are my 2 favorites. That's my 2 seconds on the soapbox. Matt Mondlock mmondloc@indiana.edu "Past cathedrals filled with God's favorite guests, dirty hands feel clean, when dressed in their Sunday best." --Andy Sturmer
------------------------------ Date: 09 Jan 96 21:42:24 EST From: Tim Pacheco <74512.3073@compuserve.com> Subject: XTC Set Sale List Available Hello to all. I previously offered my sale list of XTC vinyl/Cd's, etc and have sold quite a bit, but still have much left, including "Science Friction" 7" singles from UK (no sleeve), France (PS), Germany (PS), Australia and New Zealand!! Please email me personally with your email address to get the list. 74512.3073@compuserve.com Thanks! Tim Pacheco Californa
------------------------------ Date: Wed, 10 Jan 1996 15:40:14 +0000 From: fisher@easynet.co.uk (Mark Fisher) Subject: Nonsuch wars, TDII, band name The suggestion that Nonsuch is so poor that XTC should pack it in altogether is just silly. Even if you don't particularly care for the album, you must see there's far too much stuff on it that is intriguing, surprising, unexpected - even if it was just the lyrics - to suggest the band is creatively dead (which is the only thing that would make sense of the Rolling Stones comparison). As it happens, I think Nonsuch is their best album, but this thread is already degenerating into an endless "I like it/I don't" kind of squabble, so might I suggest that what we're actually talking about is two camps of XTC fans? The general impression I've been getting is that there are those (like me) who are on a Black Sea-Big Express-Nonsuch axis, and then others who are on an English Settlement-Skylarking-Oranges and Lemons kick. Yes, I know we all like all of them really, but just for the sake of (more) argument I'd be interested to hear not just what Chalkhillians' favourite albums are, but what are their favourite chain of three (or four) to see if my theory holds water. I know the Testimonial Dinner discussion has faded into cyberspace, but I finally managed to get a copy just before Christmas (many thanks to David Rhoten) so now I know what you're all talking about. It strikes me that the best tracks are those on which the cover artists put their own stamp most firmly (McLachlan, Ruben Blades and a couple of others), and the worst are those which slavishly imitate the originals. And the best bits of the worst tracks are where they deviate from the originals - wouldn't it have been great if The Rembrandts had gone the whole hog and done a do-wop version of Making Plans for Nigel? The great thing about an album like this is that, at best, it can give you fresh insights into familiar material. In other words, you don't actually have to like the new versions, but they should alter your ideas about the originals (eg I never thought of Wake Up as such a rock song till I heard The Verve Pipe). So if anyone has the energy to do a Testimonial Dessert, wouldn't it be better for them to stipulate (or at least encourage) bands to be truer to themselves than to XTC? (And I know XTC have been slavish about Ella Guru and Strawberry Fields, but does anyone apart from XTC fans care about the level of their musical accuracy?) Finally, for the person who was looking for an XTC-flavoured band name, how about *Hey Yeah!* in reference to the opening salvo of Omnibus? Mark Fisher (fisher@easynet.co,uk)
------------------------------ From: David Yazbek <yazbek@pipeline.com> Date: Wed, 10 Jan 1996 11:02:10 -0500 Subject: Yazbek mailing list Hello Chalkhillians-- If you e-mailed me your computer address for my mailing list, and not your home address, do me a favor and e-mail me that too. I am currently using Pipeline, and it really sucks for mailing-list type of stuff. Thanks. Yazbek
------------------------------ Date: Wed, 10 Jan 1996 14:24:10 -0500 From: vanvalnc@is2.nyu.edu (Chris Van Valen) Subject: Is Dave Gregory still in Aimee Mann's band? Hi All. I noticed that Aimee Mann will be coming to NYC(Irving Plaza) on 2/1/96. Does anyone know if Dave Gregory is still playing with her band? Tix are $12.50 in advance; $15.00 at the door. Cheers, CV
------------------------------ Date: Thu, 11 Jan 1996 14:11:22 +0100 (MET) From: markus gruber <h9150394@obelix.wu-wien.ac.at> Subject: XTCFAQ15addition Hi, Klaus Bergmaier from Austria here again. There is a new XTC cover on CD: 'Ira Davies and Icehouse' from Australia covered XTC's 'Complicated Game' on their recent album, which is full of cover version representing the most progressive styles of music from the last 40 years. In the liner notes of this album (I forgot the name, but I know that it was conceived for a ballett), they mention XTC quite often. I'm sure you will find this album in the US since Icehouse are among the most famous Australian groups. Please don't mix it up with Austria/Europe where I do come from. Maybe I could help you, but I'm sure loads of other people found out before me and told you. Anyway, if you want to hear soundfiles of my band 'Big Apple', check out for BEATOWN. Sir Krkwood Duke included two samples of our recent album 'Strange Kind of Ecstasy' on his site. Best wishes and bye! Klaus Bergmaier
------------------------------ End of Chalkhills Digest #2-57 ******************************
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