Chalkhills Digest, Volume 5, Number 326 Friday, 3 December 1999 Today's Topics: Horse Play melt the lyrics Out in the country Andy's chorus genius Friday, Saturday, Sundry... Melting Melt the Guns Why I Love C*ntry Music Re: Cats and Dogs Living Together And I ain't got no brain... i'm a little bit country, i'm a little bit rock n roll Best of 99 Re:[2] An XTC Acappella Tune on Chalkhills... Unsolicited answers, unsolicited list in the name of the lord BE HEALED! Hottest 100 of 1999 I have lived too long Administrivia: To UNSUBSCRIBE from the Chalkhills mailing list, send a message to <chalkhills-request@chalkhills.org> with the following command: unsubscribe For all other administrative issues, send a message to: <chalkhills-request@chalkhills.org> Please remember to send your Chalkhills postings to: <chalkhills@chalkhills.org> World Wide Web: <http://chalkhills.org/> The views expressed herein are those of the individual authors. Chalkhills is compiled with Digest 3.7 (John Relph <relph@sgi.com>). Let us talk about some trivial things we like.
---------------------------------------------------------------------- Message-Id: <199912021253.NAA03025@mail.coss.nl> From: "Mark R. Strijbos" <mast@coss.nl> Date: Thu, 2 Dec 1999 13:56:49 +0100 Subject: Horse Play Dear Chalkers, Are we a bunch of raving loonies? i sincerely hope so, "normal" people are just so _boring_ > A lot of bands have played with Country sounds on at > least a song or two, but to my knowledge, XTC never > have. You're in for quite a shock! 'Wounded Horse', one of Andy's more recent works is done entirely in poor lonesome cowboy fashion. Even the rather risque lyrics are in style and sung with just a hint of a Southern drawl. The first time i heard this song i wasn't too sure about it, but after a while it grew on me. As far as i know, Wounded Horse will be included on the forthcoming Apple Venus Vol. II The ever eloquent Harrison S. remarked: > ...to continue with that No Thugs notion, Andy rhymes the mother's > lament "the one you've picked" with the policeman's "reports of > Asians who've been so badly kicked," implying an *equivalency* > between the two acts... Mmm... i think Andy picked "picked" just to rhyme it with "kicked". BTW: i suddenly realize that he could have gone for "nicked" (as in arrested) instead... Harrison also said this about the flanging guitar part in 'Jason': > So I listened with interest to the jet-plane sound created by the > flanger It occurred to me that it sounded *tuned*, as if it was > designed to fit with the G Lydian tonality that surrounds it. Well, sue me if i'm wrong but isn't the whole point of flanging to get it "in tune" and fitting, with the right overtones / harmonics? It would probably sound positively horrible if you didn't Lastly, May O'Mahoney said: > I nominate Debie Edmonds for 'Best Post of the Month'. I second that emotion, but i would also like to nominate her for the 1999 Fan of the Year award. Without her constant nagging the Dave Gregory website www.guitargonauts.com would never have materialized and i would've been able to catch some sleep... She's really special, a great friend and the best Swindon tour guide any XTC fan could wish for yours in xtc, Mark Strijbos @ The Little Lighthouse http://come.to/xtc
------------------------------ Message-ID: <41BC73C88FDBD2119D2908002BB32B3928A050@lonexchg02.getty-images.com> From: Warren Butson <Warren.Butson@getty-images.com> Subject: melt the lyrics Date: Thu, 2 Dec 1999 14:24:31 -0000 reading the thread on Melt the Guns, I just find it interesting that people can either hate or love a song based purely on the lyrics. to me melody and arrangement are just as important if not moreso. to me melt the guns has great energy and vocal pyrotechnics and great music which makes the song er great! okay maybe the lyrics are anti-freedom or whatever the hell that person was saying but it's a figuritive expression of peace. you could rip any number of songs apart for their idealism eg Imagine but it's a great song. similarly war dance gets slagged off by people but i love the feel to it and the little oboe thing in it so to me it's good. by the way isn't My Weapon actually about his penis? that's what i always thought (but it is a shit song!)
------------------------------ From: OMBEAN1@aol.com Message-ID: <0.ca79451c.2577edf7@aol.com> Date: Thu, 2 Dec 1999 10:44:55 EST Subject: Out in the country Hillies, The only true country is the old country---- Hank Williams SR. & Johnny Cash. The only country worth listening to these days is Jason & the Scorchers. They friggin' R-O-C-K!!!! Although The Mavericks "Dance the Night Away" is pretty darn good. Forget " Toy Story". Go rent " Babe ,Pig in the City". THE best movie. XTC content--Come on AV2 Adieu, Roger
------------------------------ Message-Id: <s8465432.079@OAG.STATE.TX.US> Date: Thu, 02 Dec 1999 11:12:37 -0600 From: "Steve Oleson" <Steve.Oleson@OAG.STATE.TX.US> Subject: Andy's chorus genius In C-hills 5-323. Harrison refers to the flanged swooosh leading to the chorus of Jason & the Argonauts: "I have watched the manimals go buy..." That part of that song is one of my top favorite passages in rock music. The swoosh, and all of the improvisational inversions of the 8 note figure that corresponds to the lyric "there may be no golden fleece but human riches I'll release", ABSOLUTELY TURNS MY HEAD INSIDE OUT! Get out your headphones and listen to this song! IT IS BRILLIANT! (Dig the xylophone) There are so many examples of Andy's unique approach to music from this time period. Frequently, his shift from verse to chorus is totally unexpected; they could be from different songs, yet they somehow FIT PERFECTLY together!! Examples: Rocket from a Bottle- the shift from the verse to "Now every bird and bee just fans fire for me" Train Running Low of Soul Coal- shift from bridge to "And all my servants are leaving. Imagination's gone packing..." There are a bunch more, but I dont have time to dig them out now. PLEASE SEND IN YOUR FAVORITE XTC MUSICAL MOMENTS My feeling about Andy's approach to music is this: he thinks more as a visual artist, or a dramatic artist than as a musician. Think about it. His use of dissonance, complimented by a lyrical melody, the tension created by noise, and the release of tension is very dramatic and THEATRICAL! sTEVE "CAPS LOCK" oLESON aUSTIN, tx
------------------------------ Message-Id: <s84666b8.057@tcwgroup.com> Date: Thu, 02 Dec 1999 12:31:21 -0800 From: "Dane Pereslete" <peresd@tcwgroup.com> Subject: Friday, Saturday, Sundry... Denizens of the diatomaceous, Continuing in the ever popular XTC Trainspotting theme, I have been pleasantly surprised these past two weekends in a row while dining at Islands (a hawaiian-themed "burger joint") to hear "Greenman" and "Thanks for Christmas". Evidently their music programmers have impeccable taste, as I also overheard "Mexican Radio" as well. When's the last time you can honestly declare that you've heard _Wall of Voodoo_ on a commercial Muzak system? Yeah, I thought so... Tyler Hewitt wondered aloud: >A lot of bands have played with Country sounds on at >least a song or two, but to my knowledge, XTC never >have. What would that sound like? Probably quite a bit like "Shake You Donkey Up", no? My dalliance in Country extends only as far as liking Lyle Lovett (who is undeniably eclectic), so what do I know? Tom Johnson listed: >The rest are in no apparent order, as I simply can't rank 'em (and showing >my apparently eclectic tastes): >Bill Frisell - Good Dog Happy Man I must agree with this choice! Having never owned any of his solo releases, I made this disc one of my scandalously few purchases of 1999, based on the strength of his work with the Ginger Baker Trio gigs. It is one of those discs that "grows on you" after repeated listenings. The first listen was unimpressive, but now it shares permanent rotation in my listening repertoire. This, from Dunks: >Chris, there are two kinds of freedom - freedom FROM and freedom TO. What >libertarians *really* endorse (consciously or otherwise) under the spurious >guise of "freedom from government" is in fact freedom TO - such as the >freedom to carry guns And this, from Jim Smart: >In my mind, and yes I've read the >Constitution, guns have nothing to do with freedom. I'll agree with both. And for what it is worth I've always read the Constitution as stating that guns are rightly granted when used as a part of an _Organized Militia_. Now, NRA or no, I hardly see a semblance of any "organized" people's militia in this land...That's just my take on the issue. And lastly, from Veronica: > What I don't get is that "Chris" is suppossed to >be from Australia, right? Is R&B, slow jams, and funk >popular there? I know about Aussie pop, rock, and >heavy metal, but are there really any local acts that >sound like a very vanilla Prince or Babyface? I could be wrong, but I believe the legend of Gaines says that he was fortunate to have been _born_ in Australia, only to suffer the misfortune of being _raised_ in the US ;-) That's enough bandwidth for now, Dane Q: Do aliens walk among us? A: Can't you tell? Have you been to a tractor pull lately? -Stan Ridgway, from an interview for "Anatomy"
------------------------------ From: WillJ4comm@aol.com Message-ID: <0.4d855153.257835fa@aol.com> Date: Thu, 2 Dec 1999 15:52:10 EST Subject: Melting Melt the Guns Tim wrote: <I disagree. I think that he is indeed suggesting that guns be outlawed. ("I am speaking to the Justice League of America - the US of A - hey you...") I think Andy is saying that our USA government is to blame and that our government should get rid of all the guns. The song isn't being sung (I think) to the PEOPLE of the USA, but rather to it's government.>> Interesting proposition, but as a self-professed gun teetotaler, I would never (I don't think) legislate to outlaw guns. As much as I consider them completely useless in dealing with humans or for hunting (for putting a suffering animal out of its misery they're probably just the thing -- how novel, guns existing mainly as a tool of compassion, rather than aggression), legislation is not the answer -- persuasion is the answer. I don't drink, I consider it to be a harmful and self-destructive behavior (of which of course I participated in gladly in my younger, less aware days), and I believe that the less people drink, the more the world will improve. Would I ever vote to outlaw alcohol? Never. That was tried once, remember the results? I don't do drugs, put them in the same class as alcohol (see above), yet I support full legalization of drugs with imposed usage taxes going toward awareness-building about what total crap they are for you body mind and soul. The U.S. government is not to blame, at least not solely. By the way, isn't the justice league of America an NRA-type organization? I don't think they're the government specifically, I think they're a special interest group made up of gun-loving citizens, but I could be wrong. Want to get rid of the alcohol problems? Raise awareness about the truth of the uselessness of alcohol and help people view things differently. Want to get rid of the drug problems? Raise awareness about the truth of the uselessness of drugs and help people view things differently. Want to get rid of the gun problems? You get the drill. Help people see clearly, and they'll make an intelligent decision. The government doesn't have to put the gun companies out of business, the people can do it themselves, by simply ceasing to want guns anymore, and not listening to the false, fear-based messages that keep people thinking they need a gun in their house, on their person, or in their car (or all three). Same with alcohol, same with drugs. It's already begun with tobacco, the government's involvement in which has been at times unconstitutional in my opinion (just helped to speed up the process a little, at the expense of integrity to the constitution), not to mention moronic, in some ways laughable -- teen anti-smoking ads from Phillip Morris? From Phillip Morris's own ad agencies? Please, what a useless load of crap that is, those ads probably encourage target teens to smoke more, in fact I think they've already shown that to be potentially true in focus group studies -- thanks, government, good plan. And thank you Phillip Morris, for assuming that people are total idiots, a great message to send to our children about their fellow world inhabitants, and about how low you'll stoop to keep the money coming in at the fully known expense of others well being. Government is not the answer, and guns are not the problem, nor is tobacco, drugs or alcohol -- awareness and the lack of it is the problem. Awareness, honesty, and responsiblity. That's what it's all about. The guns will melt when gun owners (the citizens and criminals alike) take their guns down to the local forge and cash them in for scrap, because they understand that it's in their own best interest not to consider using a gun on someone else, and that guns aren't necessary to use guns to get what you want out of life. Awareness, honesty, responsibility. And maybe a little patience (thanks, Axl). That's all it takes. It's all good! (meant sincerely-- my catch phrase of choice at the moment) Best, Will J
------------------------------ From: Iain.Murray.70428176@army.defence.gov.au Message-Id: <4A25683B.00807C41.00@stagemaster.army.defence.gov.au> Date: Fri, 3 Dec 1999 09:53:49 +1000 Subject: Why I Love C*ntry Music >>Subject: Joe versus Elvis... a tough one... >>From: "Diamond" <arnos@nantucket.net> >> I >>geuss the conclusion I've come to is: why compare them? Just because they >>were grouped into the same catagory deosn't mean you have to compare >>them. Zackly. They're both good in their own way, and they've both had their misfires ("Big World" comes to mind for JJ, and the woeful "Almost Blue" for Elvis), but to try to compare the two is like comparing oranges and lemons (ha, XTC content already!). Anyway, Graham Parker kicks both their arses..... >>From: Veronica Kyle Robertson <veronicakr@yahoo.com> >>Subject: Garth Brooks is our Oscar Wilde >> What I don't get is that "Chris" is suppossed to >>be from Australia, right? Is R&B, slow jams, and funk >>popular there? I know about Aussie pop, rock, and >>heavy metal, but are there really any local acts that >>sound like a very vanilla Prince or Babyface? Ummm......Savage Garden? >>From: Tomgriffin100276@aol.com >>Subject: Anagramania! A Man in Agara! >> OK - I didn't start this little anagram thread, but I did make it >>much, much worse than it could have been. I'm the one who started this thread. I apologise unreservedly - it was the medication. I didn't know what I was doing. El Diablo made me do it. >> I'm sorry (not really - this is >>better than much of what is going on around here recently). Oh! Well, in that case, I retract my previous apology. >>By the way - I wasn't aware of the anagram program. The one I've been using (which I don't think has been mentioned here) is at http://www.wordsmith.org - I haven't had a look at the others yet). >>From: "Jim Smart" <jismart@ksbe.edu> >>Subject: go >>Satan asks: Should I stay or should I go? >>You should go. Wow, someone actually had the balls to say it! >> You're just yanking our chain, pure and >>simple. ....and without even having the decency to use the WUA-isosp subject line, either! What a nerve! >>Now I've really done it. Possibly. Ah well.....at least you're not the only one..... >>From: "Tim Kendrick" <tim63@earthlink.net> >>Subject: Random Things >From: Satanas Diablo <thedevil@minister.com> >Subject: Should I stay or should I go? >I guess its best for me to leave the list >>Good ridance. >>I've never seen you try to discuss XTC. All I've seen from you >>is arguments, demands for answers to your questions, and more arguments. Well, when you've never lost a logical argument, the tendency is to stick with what you're good at, I suppose. >>From: WTDK@aol.com >>Subject: Bits and Pieces >>XTC content: >>Almost everyone (well, from my generation) had a favorite Beatle. Who is >>your favorite member of XTC and why? WARNING : PERSONAL OPINION ALERT Terry Chambers - the guy carried the group for five years. They haven't had the same heavy rhythms since he left, because there's very few drummers who could emulate his particular sound (although it would probably have been folly for anyone to try). Mind you, I read the Mojo article earlier this year, and their original vocalist (I think his name was Hutchings?) used to wear boiler suits on stage, and flash his pubic hair at the audience to impress the girls. He comes a close second. >>dan duncan asks: >>are there any other country music enthusiasts on this >>list besides me? I wouldn't say I was an enthusiast, but I love the good bits I've found. Gram Parsons, Johnny Cash and Gary Stewart are personal favourites, but there's probably a hundred more good ones I haven't heard. There's something good to be found in all sorts of music - it's just a matter of knowing where to look. ....and on that profound note, I'm outa here. Iain
------------------------------ Message-ID: <19991203004609.29357.qmail@web216.mail.yahoo.com> Date: Thu, 2 Dec 1999 16:46:09 -0800 (PST) From: pancho artecona <partecona@yahoo.com> Subject: Re: Cats and Dogs Living Together Hey Chalkhills, if i ever wondered wether the phenomenon known as fin-de-siecle existed, now I know it does. Its the only way that I can explain all this talk about, of all people, GARTH BROOKS! Cats and dogs are playing indeed. An announcement: I have an extra copy of John Linnel's 'State Songs" so if anyone wants to trade for it, please contact me privately. If all else fails I can sell it as well. Oh, and I won't bore you with my fave top ten but suffice it to say I concur with the choice of Lucinda Williams, been getting into her stuff lately and she is quite a great storyteller. Take care, Pancho XPRXTCFAN
------------------------------ Date: Thu, 02 Dec 1999 20:08:21 +0000 From: Scott Barnard <gforsche@videotron.ca> Subject: And I ain't got no brain... Message-id: <001501bf3d00$feeb6fc0$0f66c818@oemcomputer.videotron.ca> While it pains me to discuss Country music here (or anywhere else for that matter), I must take exception to Mr. Hewitt's claim (#5-324) that Our Lads have never dabbled in the Black Arts of Nashville. Have a good listen to "Scarecrow People". In particular, note Dave's slutty acoustic slide guitar, Andy's twangier-than-Chet-Atkins rhythm guitar, and, in the last chorus, what sounds like a pedal-steel guitar hovering in the background. These, and Andy's uncharacteristic diction ("For we ain't got no brains...") add up to a tune just reeking of big hair, bolo ties and boot-cut Levis. Now if they could just cover a Shania Twain song they might be onto something. S.
------------------------------ Date: Thu, 02 Dec 1999 17:36:05 -0800 Subject: i'm a little bit country, i'm a little bit rock n roll From: Daniel Duncan <dan@creditland.com> Message-ID: <B46C5E85.E2%dan@creditland.com> > For those not in the know: Garth Brooks is a > big-selling countrysinger who has invented a rock star > persona by the name of Chris Gaines, and > created an entire history for the character For those of you not in the know: Garth Brooks is some other guy (I don't remember his real name) who has invented a country singer persona by the name of Garth Brooks and created an entire history for the character. The guy is a fraud in terms of "artistic integrity" with several degrees in business and marketing who performs songs penned by professional Nashville song-writers (none of those "Young country" guys write their own songs), and tailors his act and image based on market research. It is not very different than, say, The Spice Girls; a wholesome act, a cult of personality, a certain amount of sex appeal and a music style aimed at the largest possible record-buying audience. He doesn't care if smart, trendy college students think he's cool. He's selling millions upon millions of records to housewives across the u.s. and possibly the world. I'll bet the Aussies eat that stuff up with a spoon. It is all aimed at one point: the bottom line. Chris Gaines? Sure! Bring him on! I hope he has another multi-platinum debut. Finest kind. I hope he keeps both acts running simultaneously; Garth on monday, wednesday and friday and Chris G. on Tues, Thurs and Saturday. Sundays off so Garth can go to church and Chris can wallow in his speed hangover. That way he can collect from all the suburban, middle-american family types, and, God willing, he finds a fanatical audience with the college kids who chase him in screaming droves down the street trying to shove money in his pockets. You ask me, I think he's a little old to be playing rock n roll, but who asked me? All I know is he's making country music look bad. >Country is like >rock in that fully 95% of it is pure SHIT. The other >5%, however, is wonderful. I agree with your sentiment, Tyler, but not your formula. It's more like: 95% of country music released after 1970 is pure shit. Until recently, that is. Yes, the alternative (yeah, yeah, "alternative to what?" ha ha) country/ insurgent/ no depression movement is some the freshest, most energetic, passionate, rootsy music coming out today. Fans of the Mekons will want to check out Jon Langford's Waco Brothers and almost anything released on Chicago's Bloodshot label is safe to purchase. And for those of you who "hate" country music: try again. Just give it a good try with an old Hank Williams, George Jones, or Webb Pierce album. Or go way back to old Jimmie Rodgers, Charlie Poole or the Carter Family. Learn a little about the roots of American pop. You might surprise yourself. Sorry, nothing on xtc today. Try me tomorrow. Dan "you can take my gun away when you pry it from my cold dead fingers" Duncan This post is insured by Smith & Wesson.
------------------------------ Message-Id: <3.0.5.32.19991202180024.007a0750@mail-1.ns.net> Date: Thu, 02 Dec 1999 18:00:24 -0800 From: Craig Vreeken <CVreekn@ns.net> Subject: Best of 99 Here's my best of 99 list. I couldn't keep it to just 10. Also, I think these should be limited strictly to releases from this year (either new or reissued), as opposed to just something you bought this year. Also my number one is about a mile above number 2, with the remainder stacked pretty close together below that. 1.Apple Venus vol. 1 - XTC 2. Owsley - Owsley 3. In Reverse - Matthew Sweet 4. Utopia Parkway - Fountains of Wayne 5. Independent Intavenhan - LKJ 6. Mock Tudor - Richard Thompson 7. Back on Top - Van Morrison 8. Can You Still Feel - Jason Faulkner 9. From Here To Eternity - The Clash 10. Tempermental - Everything But The Girl 11. Llego - Los Van Van 12. Box of Birds - The Church 13. Release - Afro Celt Sound System 14. So Many Roads - The Grateful Dead 15. McCoy Tyner & The Latin Jazz All Stars Honorable mention: 447 - Marshall Crenshaw; Stop Making Sense (reissue) - Talking Heads; Bluegrass Sessions vol. 2 - Bela Fleck; Live in NYC - Black 47. Craig Vreeken http://www.ns.net/~CVreekn/index.html
------------------------------ From: Chauncy14@aol.com Message-ID: <0.5823ef35.25787ebd@aol.com> Date: Thu, 2 Dec 1999 21:02:37 EST Subject: Re:[2] An XTC Acappella Tune on Chalkhills... Hey Chalkers, Just a quick note which I could not resist interjecting into the fold... * --------- <From: "Tim Kendrick" <tim63@earthlink.net> Subject: Random Things Date: Tue, 30 Nov 1999 17:34:25 -0500> < >Are there ANY Accapellas (Vocal Only without >music) from XTC songs or what? No, there aren't. Even very basic versions of the songs have always had at least one accoustic guitar.> No, in the XTC Catalogue, there are no tunes with Acappella, but, there is one in the Chalkhills' Catalogue. *Don't Ring Us,* Chalkhills' Children '97, executive produced by our own Chalkster, Richard Pedretti-Allen, has *Dear God,* by the wonderful female acappellist-chalksterette, Jennifer Geese. In fact, I think I will have to listen to it now... Cheers! John Gardner Chicago
------------------------------ From: fheaney@erols.com Message-ID: <018e01bf3d3b$93668ec0$07e07ad1@default> Subject: Unsolicited answers, unsolicited list Date: Thu, 2 Dec 1999 22:05:47 -0500 In response to nothing, here are the answers to the anagrams from a few digests ago: BENEATH CHOPIN (3 5 5)........................the piano bench CLINTON + A GIRL = DEFEAT? (2 9 7)............in flagrante delicto MADE BOY PET, SIR (*6 *7).....................Mister Peabody MA, SON BANTER (*6 *5)........................Norman Bates And it's a little early, but since it now looks like the new Aimee Mann album won't be out until January, it's probably safe to say nothing's going to get bumped off my end-of-year top 20 favorites list, so here it is. I know discussion groups fill up with these things like crazy at the end of the year, so, sorry if you're not also someone who enjoys 'em. Page on down now if you're not. 1. Midnite Vultures -- Beck 2. The Soft Bulletin -- Flaming Lips 3. The Three EPs -- The Beta Band 4. The 3-Way -- Lilys 5. Between the Bridges -- Sloan 6. Anomie and Bonhomie -- Scritti Politti 7. Apple Venus, Vol. 1 -- XTC 8. Eureka -- Jim O'Rourke 9. Stereotype A -- Cibo Matto 10. A Part and Yet Apart -- Bill Bruford's Earthworks 11. The Marshall Suite -- The Fall 12. Terror Twilight -- Pavement 13. Zooma -- John Paul Jones 14. Nightlife -- Pet Shop Boys 15. Utonian Automatic -- Isotope 217 16. A Dream in Sound -- Elf Power 17. Keep It Like a Secret -- Built to Spill 18. Arches and Aisles -- The Spinanes 19. Field Recordings from the Cook County Water Table -- Brokeback 20. Ft. Lake -- His Name is Alive Tough choices. Honorable mentions to Queen of All Ears (Lounge Lizards), In Reverse (Matthew Sweet), Prize (Arto Lindsay), Spanish Dance Troupe (Gorky's Zygotic Mynci), State Songs (John Linnell) and To Venus and Back (Tori Amos), and any of the Os Mutantes reissues. I'm sure it's probably shocking that I put XTC down at #7, but hey, it's been a good year. -- Francis Heaney "Simmer, simmer, simmer down." -- Pavement
------------------------------ Message-ID: <19991203042838.22807.qmail@web2104.mail.yahoo.com> Date: Thu, 2 Dec 1999 20:28:38 -0800 (PST) From: Tyler Hewitt <tahewitt@yahoo.com> Subject: in the name of the lord BE HEALED! Down on your knees everyone... the healing is about to commence "DEVIL COME OUT! Leave the body of this poor child Chalkhills and be cast into the fires of damnation!" now a thwack on the forhead with the palm of the minister's hand we stumble backwards and are caught in the loving arms of his assistants rising to our feet we are filled with light as we feel that the Devil has left us ...and we are healed bye bye Satanas Diablo it was real it was fun but it wasnt real fun
------------------------------ From: Iain.Murray.70428176@army.defence.gov.au Message-Id: <4A25683C.00106C38.00@stagemaster.army.defence.gov.au> Date: Fri, 3 Dec 1999 13:03:04 +1000 Subject: Hottest 100 of 1999 Voting is now underway for the Triple J Hottest 100 of 1999. Cast your vote for XTC here : http://triplej.abc.net.au Follow the links to the Hottest 100 page. There is only one XTC song on their voting list - "Greenman" - but there is space at the end of the list to place a write-in vote. You can't vote for a song more than once, but there's nothing to stop you from voting for every song on AV1! Vote early, and vote often! Iain
------------------------------ Message-ID: <19991203050743.64458.qmail@hotmail.com> From: "Duncan Kimball" <dunks58@hotmail.com> Subject: I have lived too long Date: Thu, 02 Dec 1999 21:07:42 PST I must admit Dom - you made me guffaw immderately with your last broadside against Satanas (what IS that all about anyway?). You have a gift for being hilariously offensive - or is that offensively hilarious?. BUT (and I have a BIG but) don't we think it's time to set the Satanas thread aside for good? PLEASE?? * * * >From: "rob allen" <prefab11@hotmail.com> >Subject: It's Dunktastic! > >No offence Mark, but what a stupid question. Well, stupidly phrased > >anyway. How long is a piece of string? When did you stop beating your > >wife? Next time try asking "who do you prefer?" or something like >that. > >pompous (adj); having or exhibiting self-importance. > >No offence Dunks. Thanks for gracing us with your intellect. Miaouw! Give him a bowl of milk. Rob, it was a spur of the moment reply, and could perhaps have been phrased a little more thoughtfully ... but I stand by my well-known opinion regarding the notion of ranking musicians, as implied by Mark's question. It's juvenile and meaningless. I am a longtime fan of both Joe and Elvis. They are both talented, committed musicians, wonderful songwriters and outstanding performers. I have lucky enough to see both artists several times in concert, and I would rate their concerts as among the most thrilling and memorable I have ever seen. I wish just wish Joe toured more often. Personally, I find the question "Who is better?" both silly *and* offensive. Music is not about who is better. It is, in part, about expression and feeling - and cooperation. Asking "who is better?" exemplifies the limited thinking typical of sport and business that bores me comprehensively. Why do people constantly feel the need to justify their liking for a given artist by citing his or her 'importance' realtive to another. You can just like them, you know. Yo don't have to like because they are "better" than someone else. And - dare I repeat it? - how does one define who is "better"? I prefer XTC to Boyzone, but Boyzone's last album sold more than the entire XTC catalogue since 1977. Are they 'better' because of that? I didn't mean to personally insult Mark. I really meant that it could be slightly more meaningful to ask which artist Chalkers prefer. Whilst its possible usefulness remains opaque to me, it would at least represent a poll of personal opinion, rather than a some kind of infantile ranking contest. * * * >From: "Andrew Gowans" <ratwhacker@hotmail.com> >Subject: Where too much sport is not enough. Don't you mean "When too much sport is BARELY enough" mate? This will be meaningless for anyone outside Australia. For those within, let me just say : "Thanks for the madness, Shark!" >I know it's old news, so am I by reports, but seeing Dunks comments >on >sport and people's responses I feel I must comment to, perhaps, >provide >some insight. >As I am also an Australian, and an ex-Sydneyite, I believe I can >state >quite truthfully that in the society I grew up in sport was not >a >recreational activity it was a religion. Failure to conform to >sporting >ideals was to advertise that you were not part of that >society, you were a >misfit, a wuss, a poofter, a mummy's boy.....you >get the drift. >From what I understand from talking to friends who grew up in other >countries this is fairly universal for school-agers. We all grow up >and >move on, but some things still rankle. I may be wrong as to the >cause in >Dunk's case, but I can appreciate the sentiment. >I have nothing personal against any person who plays or enjoys sport, >but >to some it was just another excuse to subdivide society into "Us >an' Dem". Well, Andrew, I too have nothing personal against anyone who plays or enjoys sport. I think it's boring, but that's my problem. I had the same expreiences Andrew has mentioned, but I have grown up and moved on. Society, it appears, has not. Sport, like religion, is utterly irrelevant to me. I just wish it would all go away so we could get on with something useful. Yet, over the course of my life, it has been elevated from schoolyard neurosis to international obsessive/compulsive disorder. Sport, religion, gambling, The Millennium - what a wonderful world. Anyone who wants another illustration of how deeply stupid our society has become need only look at what's happening here in Sydney at New Years Eve. No doubt the story is similar elsewhere. New Year's Eve in Sydney for many years has been celebrated by street parties and a major fireworks display on the harbour. Nice idea, and Sydney does a good job as a rule. It can be chaotic and sometimes dangerous, and if you've ever been silly enough to see in the hot spot New Year party areas at The Rocks or Bondi Beach, you'll know what I mean. My personal experience of one New Year's Eve at The Rocks in the early 80s was being caught up in a terrrifying crowd crush; there were so many people crammed into the main street, near the famous Orient Hotel, that the front doors of the Rocks police station (which open outwards) could not be opened because of the mass of people jammed against it; police had to use the back door. At Bondi Beach, which has become a mecca for tourists and backpackers on the night, there have been several nasty outbreaks of violence, some serious rioting, and several deaths over recent years. Each years now draws down an increasing police presence and quasi-military regulation of the event. And so to this year, when more than 2 million people are expected to descend on to Sydney Harbour foreshores to watch the fireworks. Adding to the usual headaches, this year will be made all that much more unpleasant thanks to local authorities, who have responded to the event with all the logic of a headless chicken. About 60% of the city will be cordoned off to traffic, which will also result in many major parking stations being "off limits". Taxi services will be slashed because of driver fears about road congestion and hooliganism. Ferries, buses and train services will be cut back, and cancelled altogether for part of the night, because of expected harbour and street congestion, and fears of power disruptions due to the "Y2K" bug. (And what a crock that is. A friend recently told me of a colleague doing y2K auditing who was instructed to check ceiling fans for compliance!) Hmmm - millions of excited people ... crammed into a small area ... lots of alcohol and drugs ... no transport. Gee - I wonder what might happen? But let's not forget what's happening on the other side of the counter. It's a profiteering spree that would make Rockerfeller blush. Harbourside apartments will be charging fees and demanding passes from non-residents who enter after a certain time. It's legal - just. Those courageous few willing to work in pubs, bars, restaurants, hotels and other venues over the night of December 31/January 1 can virtually name their own price. Four-figure sums are not uncommon. Pubs and bars will charge whatever they please; those cashed up enough to venture forth to the ritzier venues can expect to pay double, triple and more above usual bar prices. And what of parents desirous of spending the millennial evening together sans offspring? Besides any other costs you might encounter, you can prepare to pay complete strangers $5000 or more to "mind" your children overnight, sleeping on the floor in makeshift creches. That's the going rate in some areas. Sounds like fun, doesn't it? I'll leave you with one final example of how truly bizarre our culture has become. Yesterday there was a serious train accident in outer Sydney which resulted in at least 6 and possibly 12 deaths. Meanwhile the banner headline for Sydney's only daily tabloid proudly proclaimed this riveting front-page exclusive: "POKEMON: NEW CHARACTER REVEALED" Kill me now. Dunks
------------------------------ End of Chalkhills Digest #5-326 *******************************
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4 December 1999 / Feedback