Chalkhills Digest Volume 8, Issue 9
Date: Sunday, 27 January 2002
Chalkhills Digest, Volume 8, Number 9
Sunday, 27 January 2002
Topics:
XTC's vox humana
stew
chalkhills & children...
The Man Who
re: B52's and Ricky Wilson
When I was only three / I danced to XTC
This post goes on far too long
$28m well spent?
Re: Wasp Star faves
The Man Who Murdered Demos
Higher!
Chalkhills & Children
gilmore girls
Dear God
XTC for Toddlers
Slave to Faves
Coat of Many Cupboards
Re: the dBs
Kinks, Lips, and other musings
Really? A Reply to: Jason's (?) Post 1/19/02
Congrats!
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---------------------------------------------------------------------- Date: Thu, 24 Jan 2002 04:48:29 +0000 From: "Nathan Mulac DeHoff" <xornom@hotmail.com> Subject: XTC's vox humana Message-ID: <F60qJrfP6nmGq3MSL2p0000f605@hotmail.com> Sughosh: >For the record, the winner (and my personal choice), by the huge margin of >one vote, is 'The wheel and the maypole'. That's my favorite, too, although "We're All Light" comes close. You can count that as a vote in your poll, if you'd like. Michael Versaci: >I agree. Let us change the subject. Let us discuss the music of XTC. > >That "Dear God" is one helluva song, isn't it? Yeah! It kinda reminds me of something Phil Collins might do. (Just kidding.) Jason: >In a message dated 1/18/02 3:10:06 PM Eastern Standard Time, >someone writes: > > > You're damn right! What a nightmare!! And Big Luciano > > singing '' I'd like that '' with the complete orchestra of La Scala > > di Milano... Imagine the lyrics with the'' toasting fork '' passage... > > All that meat roasting? Arrrgh... > > But I think Andy Partridge is a great singer anyway. > >Actually, it took me months to get into almost any XTC after first hearing >the Upsy Daisy because I found Andy (and even Colin's) voice to be >difficult to listen to. But once I got used to it I of course grew very >attached. I find others have the same problem--my roommate, for example, >loves every XTC song I give him on a mix. But when I try playing an entire >XTC album, it doesn't grab, and I think that's because of too much Andy. Well, I started out my XTC collection with Upsy Daisy, and I actually liked Andy's voice (although I really didn't know which songs were his and which were Colin's; their voices are kind of similar, and there was really more Colin than I expected). After that, I bought Nonsuch, Skylarking, Chips from the Chocolate Fireball, and Oranges and Lemons, and there were no problems with the vocals there. Once I got to White Music, though, Andy's voice did bother me (as did Colin's, since he was basically imitating Andy at this point). I later got used to it, but there's really a very jarring shift in Andy's voice between the first two albums (which were not even represented on Upsy Daisy) and the later stuff. -- May the light shine upon thee, Nathan DinnerBell@tmbg.org http://www.geocities.com/fablesto/
------------------------------
Date: Wed, 23 Jan 2002 23:05:00 -0600
From: "Bob O'Bannon" <batchain@earthlink.net>
Subject: stew
Message-ID: <B874F21B.2B34%batchain@earthlink.net>
I think I first heard about the Negro Problem on this list. I have since
picked up their "Joys and Concerns" album and fell in love with it, and
lately I've been spinning Stew's solo release ("Guest Host") and have been
equally impressed. What draws me most strongly to Stew's style is how much
it reminds me of early, more adventurous, less streamlined XTC. Stew seems
to have one of the most active melodic imaginations in the biz right now.
I'd love to know anything remotely interesting about this guy and his band.
Has he ever acknowledged XTC as an influence? Why doesn't he get more press?
(could it be the potentially offensive band name?) What's his live
performance like? Educate me....
Bob
------------------------------
Date: Thu, 24 Jan 2002 01:03:41 -0500
From: Virginia Rosenberg <vmr423@earthlink.net>
Subject: chalkhills & children...
Message-ID: <B8750DED.90E%vmr423@earthlink.net>
Hi Ira-
Happy birthday to your kid- sounds like he's off to a good start in the
music dep't- does he like "Senses Working Overtime" at all? That seems like
one that would be a good choice... I'm rather fond of "Playground" & "1000
Umbrellas" myself...
Others? "Crocodile", "All You Pretty Girls" (can he whistle yet? or have fun
trying?), "Lady Bird", "Wonderland", "Shake You Donkey Up", "Snowman", "10
Feet Tall", "Life Begins at the Hop", "Statue of Liberty","Mayor of
Simpleton", "Greenman", "Poor Skeleton Steps Out", "King for a Day"...?
Probably best just to play him your own faves- enthusiasm tends to be
contagious, y'know?
It's so hard to try to predict kids- even when you've actually met them...
You can be thinking a child is amazingly cool & then it turns out they'd be
perfectly happy to sing that Barney song over and over all day long...
Bleh...
Best regards,
Virginia
My son (3 years old today) likes "Playground" (Holly's singing,
especially) and "1000 Umbrellas" -- he likes orchestration. I don't
think he's heard much of AV1, but I think he'll like that. He points
out the instruments he hears, sometimes he's even right! ("ooh, I hear
clarinets!") Maybe I'll just make "Ryan's XTC Mix" for the car based
on your opinions. That might be the best way to do things.
------------------------------ Date: Thu, 24 Jan 2002 01:26:59 -0500 From: Virginia Rosenberg <vmr423@earthlink.net> Subject: The Man Who Message-ID: <B8751363.910%vmr423@earthlink.net> Hi Paul- I'm more inclined to say "embarrassing" than "American", but at any rate, I think we're agreed that "just saying no" to the yeah would've improved things muchly. I haven't heard the alternate versions, but hope to get around to them sooner rather than later... It's frustrating when you feel that a song would've been sooo great if it hadn't been for one little thing... For me, the ending to "Wrapped in Grey" is like that- I love that song up until that damned little ending/coda thingamabob... Oh well, guess we can't have it all- where would be put it? Yours in sympathy, Virginia A bit more grist here with 'The Man Who Murdered Love'. The alternative versions are a hell of a lot better than the Wasp Star release. I hate to say it, but the chorus really bugs me. It has that (forgive me all, no offence is intended, I realise where most of you Chalkhillians are living) American sound to it (I'm saying the big fat 'yeah' sounding like commercial rock and ruining the song). What's worse is, the verses are great and the lyrics true Partridge. Why the chorus? Oh why?
------------------------------ Date: Wed, 23 Jan 2002 22:34:05 -0800 From: "Scott Betts" <scottebetts@hotmail.com> Subject: re: B52's and Ricky Wilson Message-ID: <F174A1cZU2ZZYE6oX3400016d12@hotmail.com> >From: "Christopher R. Coolidge" <cauldron@together.net> > > > Ricky Wilson was a really interesting guitarist -- kind of in that > >jangle-pop mode, but not really. I especially like his playing on > >"There's a Moon in the Sky (Called the Moon)," which has a > >punk-like energy while also being really clean and crisp. Anyone > >else a fan? After I heard Link Wray and listened again to Ricky Wilson's gee-tar playing, I came away with the distinct impression that a young Mr. Wilson had some Link Wray in the house during his formative years. Just a thought. -Scott
------------------------------ Date: Wed, 23 Jan 2002 23:19:58 -0800 (PST) From: Ryan Anthony <hamsterranch@yahoo.com> Subject: When I was only three / I danced to XTC Message-ID: <20020124071958.17325.qmail@web10106.mail.yahoo.com> Mighty sporting of you, Ira Lieman, to offer to make a "Ryan's XTC Mix" CD for me ... oh, it's for Ryan, your three-year-old son. Never mind. I tell ya, it's tough being one of the world's oldest Ryans. The actor (you know, Tatum's dad) and I are the only two members of the club who are old enough to drink. Is it every man's fantasy to hear a woman scream his name? Well, I get that all the time, except it's in the grocery store, it's followed by "Put that down!," and the sceamer isn't even looking in my direction. More power to Pops Lieman and his XTC For Tots project. I recommend "Helicopter." It might leave a three-year-old girl cold, for all I know, but it ought to make any little boy bounce right out of his shoes. It'll be several years before Ryan Lieman suffers his first broken heart and starts to pay attention to the lyrics. For now, let him rip up the rumpus room floor like a pogo stick on crack. If Chalkhills Nation will tolerate one more reference to Phil Collins, I can happily report, albeit a few years tardily, that he has been smacked good -- on *South Park*, the world-class-crass animated collage series. Rent the episode titled "Kenny 2000" at your locally-owned independent video shack. (You still have one, don't you?) Mr. Collins appears throughout, acting a right twit and lovingly cradling his Oscar. At the very close of the episode, he is hoisted into the air by an enthusiastic crowd, his pants are lowered, and the Oscar is shoved up his rectum. It's over in a blink. Any longer, and it would never have gotten past Standards and Practices. I saw it on tape, and I don't know if that scene was ever aired. You'll give your Rewind, Slow, and Pause buttons a workout. By the way, if you want to hear the song that SHOULD have won the Oscar that year, rent *That Thing You Do*. Every music-loving Baby Boomer should see it. Yes, Liv Tyler is a sexy chick (in her major film debut) and Rita Wilson is a sexy hen, but that's not why this flick is a must. Email me off-list and I'll give you my full rant. Ryan Anthony An independent Internet content provider
------------------------------ Date: Thu, 24 Jan 2002 03:00:15 EST From: WTDK@aol.com Subject: This post goes on far too long Message-ID: <14d.7b95c65.2981190f@aol.com> All right...let's try a new thread....we all know Xtc's major influences so which album (album by album) has a parallel with the band's that influenced them ( you can go a couple of ways with this, i.e., Skylarking is most like Sgt. Pepper because it's a "concept" album and is the most Beatlesque in terms of arrangement or song by song with the Dukes album, etc.) Anyhow, my top ten list (it doesn't include albums all made in 2001 as some I just purchased this year). So I did manage to come up with more than 10 with a little bit of thought. These are in no particular order: 1. Songs in Red and Grey- Suzanne Vega Seems there was a lot of disappointment over this album. I personally liked it and felt the material was pretty strong. 2. Rant - Ian Hunter Always under rated, Ian managed to turn out another gem. 3. One Nil - Neil Finn Another fine album from Neil although I preferred Try Whistling This 4. Lost Songs - David Grey Have to give Grey credit-he could have shelved this in favor of White Ladder Pt. 2 but, instead, put out one of his finest and under appreciated albums of his career. 5. Driving Rain - Paul McCartney Unusual album for Macca and, despite one or two weak tracks, a great little album. 6. Essence-Lucinda Williams I was a bit disappointed at first but it grew on me. 7. Weezer - Weezer Great stuff! 8. Mahogany Soul - Angie Stone Interesting album that is great to listen to on the road. 9. Tropical Brainstorm - Kristy MacColl She'll be missed. A great musical talent. 10. Let It Come Down - Spiritualized 11. Love & Theft - Bob Dylan 12. Zoom-Elo Some great rock'n'roll tunes and fine guest appearances by the late, great George Harrison on slide. 13. Poses -Rufus Wainwright 14. Teddy Thompson - Teddy Thompson 15. The Convincer - Nick Lowe One of the best albums from last year-loved the bonus disc with a great remake of There'll Never Be Peace (Until God Sits Down At The Table) 16. Strawberries & Oranges - The Januarys This grew on me. Reissues / Box sets 1. The entire XTC Virgin catalog (About time!) 2. Nuggets II (The perfect set to rediscover no hit wonders that mattered). 3. Buffalo Springfield (Why they didn't include the much maligned third album in its entirety is beyond me) 4. Tug of War - Paul McCartney (A Japanese reissue from late last year that I picked up this year. This isn't Macca's best but the song craft is great and the best songs are comparable to some of his Beatles stuff) 5. Crystal Days - Echo and the Bunnymen (A great collection that lacks a couple of key rare live tracks. I also could have done without the pub sing-along version of All You Need Is Love) 6. All This Useless Beauty - Elvis Costello & The Attractions (A late, great EC album and the bonus disc makes it worth picking up) 7. Tapestry - Carole King (A great album I recently rediscovered) 8. Shugie Otis - Shugie Otis (Way ahead of its time) 9. Songs of Freedom - Bob Marley (Reissued again and one of the finest box sets ever) 10. All Things Must Pass - George Harrison (Arguably, THE best Beatles solo album. Certainly none of the other fabs came close in terms of the sheer scope of this great album) 11. Milk & Honey - John Lennon & Yoko Ono (I always loved Lennon's take on Ono's Every Man Has A Women Who Loves Him) 12. The Japanese Kinks reissues of Something Else, Village Green & Arthur in original paper sleeves (Worth it for the sound quality alone although they could have added some bonus tracks) 13, McGuinn, Clark & Hillman (Not their best work but has a number of gems) 14. L & Freeze Frame - Godley & Creme (A pair of terrific art rock albums). Worst of the year: 1. Invincible - Michael Jackson (Yes, I know, an easy target--he'd make the list just for licensing The Beatles songs. His timing for the exploitation of Taxman was pretty piss poor and it was in the worst of taste given Harrison's death. That's not why he made the list, though). 2. No Doubt (I thought these folks ran out of ideas after their first album). Don't have any others because I've tried to avoid purchasing anything that was "bad". Luckily, I have family members who do that for me. Sorry for the length (could have been much, much worse) Wayne
------------------------------ Date: Thu, 24 Jan 2002 13:42:39 -0000 From: "Nicholson, Gary" <gnicholson@britannica.co.uk> Subject: $28m well spent? Message-ID: <B1C680594971D411A09800A0C9E1E8E1657520@lonexch.ebuk.eb.co.uk> The news that EMI/Virgin have had to pay Mariah Carey $28m to not make any more albums for them provoked an interesting discussion on BBC Radio 5 Live yesterday when guests were asked who they would pay to not make any more music - ever. The results from the contributors, one of whom was admittedly publicizing her book about searching for the perfect E, and was having a little syntax trouble, were: Posh Spice/Victoria Beckham, Sting (twice), Bjork, P**l C**l**s, Zucchero, Geri Halliwell and Cliff Richard. One of the contributors later revised his comment about Sting to say that he would pay him never to talk again but that he would allow him to make music... On the subject of which - I'm sooooo glad that 'Coat of Many Cupboards' will include Fireball XL5. This means that I can stop indulging in period searches in the attic for a cassette (which I'm convinced must be there somewhere) containing a John Peel session they did featuring that very song. Gary Nicholson
------------------------------ Date: Fri, 25 Jan 2002 00:47:40 +1100 (EST) From: Nick Tidey <nick_tidey@yahoo.com> Subject: Re: Wasp Star faves Message-ID: <20020124134740.67166.qmail@web12504.mail.yahoo.com> Howdy folks. First let me say g'day. I've been reading the list with interest for a while now, but this is my first post. Having missed Sughosh's earlier posts about favourite songs from Wasp Star, I thought I'd throw in my two cents worth now... "You and the Clouds Will Still Be Beautiful". An obvious choice maybe? While I'm here, let me put forth a few other faves and bits of my XTC history... First XTC album I heard: Drums and Wires (or was it Black Sea???) Some fave songs: Complicated Game, 1000 Umbrellas, The Man Who Sailed Around His Soul, Scarecrow People, The Ugly Underneath, Harvest Festival, Pink Thing, River of Orchids, etc Fave album (if I were FORCED to choose): Black Sea Oh and I prefer both Kid A and Amnesiac to Ok Computer (and occasionally to The Bends as well), seems I stand firmly in the minority too. Cheers Nick (Aussie)
------------------------------ Date: Thu, 24 Jan 2002 10:17:54 -0500 From: "Michael Versaci" <mwversaci@att.net> Subject: The Man Who Murdered Demos Message-ID: <000301c1a4ea$4cba39e0$9903a8c0@atl430nb> Folxtc, Paul from OZ stated: >A bit more grist here with 'The Man Who Murdered Love'. The alternative versions are a hell of a lot better than the Wasp Star release.< For *some* people maybe. I think that Andy is right for not wanting the demos to precede the official releases. Some people get married to them and then they can't appreciate the definitive versions when they arrive. "The Man Who Murdered Love" is for me, (along with "We're All Light," "Standing In For Joe," and "You and the Clouds Will Still Be Beautiful,") a high-point on the "Wasp Star" album. As for this: > It has that (forgive me all, no offence is intended, I realise where most of you Chalkhillians are living) American sound to it (I'm saying the big fat 'yeah' sounding like commercial rock < If only... And this: >What's worse is, the verses are great and the lyrics true Partridge. Why the chorus? Oh why?< OY! The chorus is perfect, expressing his sentiments exactly. This is truly a superb record. My only regret is that Dave didn't get to play on it, as it could have been even better. Michael Versaci
------------------------------ Date: Thu, 24 Jan 2002 07:22:54 -0800 (PST) From: Todd Bernhardt <beat_town@yahoo.com> Subject: Higher! Message-ID: <20020124152254.44525.qmail@web14608.mail.yahoo.com> Hi: Warren Butson asked > What do you think is the greatest single [XTC] never released? "Merely a Man," from O&L. And "We're All Light," from Wasp Star. -Todd
------------------------------ Date: Thu, 24 Jan 2002 10:44:48 -0500 From: "Kulak, Matt (HT-EX)" <MKulak@GI.com> Subject: Chalkhills & Children Message-ID: <B0552F533A3BA54BAA9BE6244A1E6A5D02671401@pa06xchm2.gic.gi.com> Greetings Scissor Men and Supergirls: Amazingly, as if reading my mind, Ira Lieman asked -- what other songs have people gotten thumbs up from the diaper set? (I was actually thinking of temporarily disengaging my lurker mode to recount the following story, the same day Ira asked). I have to admit that I have attempted several times to gently "encourage" my daughter's fondness for XTC music! When she was 1 1/2 years old, I played Wasp Star over and over when it was first released. Natalie seemed to enjoy it, though she was not talking yet, so couldn't really verbalize any dislike. Once she started talking, we used to play "Supergirl" as I carried her aerodynamically postured body up the steps. When she started yelling "Supergirl", the light finally went on in my head. After her first listen, she was immediately spellbound by the song "That's Really Super Supergirl". And to this day, she continues to sing the chorus, as well as the "oooo oooo oooh" that follows that line! I think she considers it her personal theme song!! Finally, just this week, I was driving with Natalie, and because I had not grabbed one of her CD's, she was forced to listen to my music, which happened to be my recently purchased Japanese remaster of English Settlement. As "It's Nearly Africa" began playing, Natalie burst out laughing at the line "Shake your bag 'o bones". She asked me to play that song 3 times in a row, and then as we walked in the house, joyously sang her new favorite song to my wife (who was understandably stunned at the obscure lyrics she was hearing). So I'm now proud to say my 2 1/2 year old daughter calls Andy Partridge (and XTC) by name, and has two XTC songs in her repertoire. Now if I can just get her to sing "Complicated Game"!!!!! Regards, Matt *Hello, I Must Be Taboo* Kulak
------------------------------ Date: Thu, 24 Jan 2002 11:17:31 -0800 (PST) From: Jeff Eby <jeffaeb@yahoo.com> Subject: gilmore girls Message-ID: <20020124191731.47272.qmail@web11602.mail.yahoo.com> Dom, I don't think you've really given Gilmore Girls a chance. It can be a little soap operatic at times but I found it's one of the few really well written and well actred TV shows on. And these people do know their music. Grant Lee Phillips actually has an incidental role as the town troubador, walking around playing his music. The characters also demonstrate their good taste in music too. Once, Rory (the daughter) was asked the liklihood of something happening and she said something like "yeah, as soon The Pixies reunion tour is announced." Oh, and the dance they go to when "We're All Light" is played isn't the prom, it's just a rich kid's party. Considering a guy is hitting on Rory's best friend at the party I think it was appropriate. However you seemed to have missed the most prominent XTC song placement the show has done. During one episode the entire opening segment of the show was set to "Earn enough for us" editing out the parts about marriage. It was great. ===== "Y'all don't know what it's like being male, middle-class, and white" Ben Folds, Rockin' the Suburbs
------------------------------ Date: Thu, 24 Jan 2002 14:46:02 -0500 From: Bob.Muller@fluor.com Subject: Dear God Message-ID: <OFBE4ACD54.4A47F1CE-ON85256B4B.006BA5B2@fdnet.com> <<That "Dear God" is one helluva song, isn't it?>> It certainly is...back in the days when a new XTC 45 or EP came out every month, or so it seemed, there was always the anticipation of what the B-sides would be...something worthwhile, or some dub experimental "over rusty water" sorta thing. Fortunately, most of XTC's non-LP stuff were stronger than what their peers were leading with, and "Dear God" is definitely one of their strongest. I taught 11th-12th grade Sunday School for a number of years, and always used DG in discussions regarding faith and doubt, and about man's making God in his own image. For the record I also used "Paper & Iron (Notes & Coins)", "Funk Pop A Roll", and "Human Alchemy" in my class. May not have taught anything, but I DID at least expose some youth to XTC. Anyway, back to Dear God, this passage stands out in the post 9-11 world: We all need a big reduction in amount of tears and all the people that you made in your image, see them fighting in the street 'cause they can't make opinions meet about God Bob NP: Dishwalla, "Explode"
------------------------------ Date: Thu, 24 Jan 2002 14:50:32 -0500 From: Bob.Muller@fluor.com Subject: XTC for Toddlers Message-ID: <OFB62D94A0.5E47AC36-ON85256B4B.006CC05B@fdnet.com> Ira asked: <<It's been established that toddlers go for "Stupidly Happy" -- what other songs have people gotten thumbs up from the diaper set?>> My son always locked into "Senses Working Overtime", because of its bouncy melody and also the whole counting to five thing. I've always found that kids respond better to They Might Be Giants though... Bob
------------------------------ Date: Thu, 24 Jan 2002 12:39:48 -0800 (PST) From: Wes Long <optimismsflames@yahoo.com> Subject: Slave to Faves Message-ID: <20020124203948.79060.qmail@web14914.mail.yahoo.com> Kidz: Ultimately 2001 disappointed... but these two discs remained in my players the longest: Ron Sexsmith, "Blue Boy" Spoon, "Girls Can Tell" Only just now getting around to the Virgin remasters. Man, there's a lot more going on in Skylarking than I'd noticed. OH OH OH... and how good does "Don't Lose your Temper" sound? ===== wesLONG @ www.optimismsflames.com
------------------------------ Date: Thu, 24 Jan 2002 13:34:47 -0800 (PST) From: Todd Bernhardt <beat_town@yahoo.com> Subject: Coat of Many Cupboards Message-ID: <20020124213447.50968.qmail@web14608.mail.yahoo.com> Hi: Something tells me I won't be the first to post this, but what the hell ... the song listing and running order of the upcoming boxed set have been posted at: http://www.xtcidearecords.co.uk/news/news_stories.php?newsid=27 Also, rumour has it that Mr. Mole has found amazon.uk to be a suprisingly affordable source for the set, especially for Americans (because we save on VAT). Idea Records will, however, be offering autographed copies through its site, so rabid collectors might want to pay the extra cash for those. No doubt, one hapless goober among us will get an autographed copy gratis... -Todd "As he should!" Bernhardt
------------------------------ Date: Thu, 24 Jan 2002 21:58:47 +0000 From: "Roger Blass" <rogerblass@hotmail.com> Subject: Re: the dBs Message-ID: <F215C8nYnTdbhbpxPFS00005ccf@hotmail.com> Nice to see this flurry of dBs talk. A friend recently passed along a link to their new website. Looks like drummer Wil Rigby has a hand in it: http://www.thedbsonline.net. (If that's not the link, it's something much like that.) IMHO, the first two albums are on par with any of the offbeat pop from that time. Peter Holsapple put out a solo album called Out My Way which is pretty good and recalls some of the finer moments of the dBs. I also heard that Susan Cowsill is in the process of becoming his ex-wife. XTC content: to come. - Roger Blass
------------------------------ Date: Fri, 25 Jan 2002 08:23:12 -0500 From: James Michael Isaacs <jmisaa00@uky.edu> Subject: Kinks, Lips, and other musings Message-ID: <1011964992.b36967a0jmisaa00@uky.edu> Greetings to all Since Michael Versaci invoked my name and awoke me from my lurking slumber, I thought I would weigh in on a heretofore mentioned subject, Phil Collins... Wait, no... the Kinks again. I often wonder, when listening to anything they did after 1972, "What happened?" The period between "Face to Face" and "Lola" was on par with the Beatles, but it has gone largely unrecognized by the general mob. But fom Muswell Hillbillies (which was the "Jumping the Shark" album) on, it was as if Billy Shears replaced Ray Davies. Total dreck. Perhaps the Kinks should have hung it up at that point- much like the Stones should have after "Exile on Main St." Bring forth the dialogue! Since I last wrote, about 12 years ago, I picked up an M.A. degree, but I still can't draw a bath. Speaking of music, are there any Flaming Lips fans out there? Perhaps the weirdest band ever to come from Oklahoma. Their last album, "The Soft Bulletin", and AV1 make wonderful companions for a weary thirtysomething like myself, having been weaned on the milk of 80s new wave and psychedelia. And lastly, a not-yet mentioned great album of 2001 was "Listen to What the Man Said," an album of McCartney songs covered by several obscure-to-slightly-famous pop bands. Some songs are actually improved. A must listen. Finally- is there a singing drummer of a successful act that has had a solo career that is both critically and commmercially successful? If so, does everyone here despise that person? (Phil and Don are glaring sores of examples). Maybe there is a trend.... Insert end salutation here, James Isaacs
------------------------------ Date: Sat, 26 Jan 2002 10:25:14 -0800 (PST) From: nross <PhoenixYellowRose@rocketmail.com> Subject: Really? A Reply to: Jason's (?) Post 1/19/02 Message-ID: <20020126182514.93473.qmail@web13006.mail.yahoo.com> From: DanAbnrml9@aol.com Subject: Re: Too Much Andy Jason (?) Wrote: >>Actually, it took me months to get into almost any XTC after first hearing the Upsy Daisy because I found Andy (and even Colin's) voice to be difficult to listen to. << Listening to Upsy Daisy is what got me hooked! I bought it on a whim one day, not really knowing if I'd like it. Immediate favorable response, I tell you! I loved Andy's voice. I loved Colin's voice. I loved the lyrics. I loved the music. I loved it all immediately. Oh well, whatever... -Nicole
------------------------------ Date: Sat, 26 Jan 2002 13:02:10 -0800 (PST) From: Jon Rosenberger <wile1coyote@yahoo.com> Subject: Congrats! Message-ID: <20020126210210.75020.qmail@web13405.mail.yahoo.com> A quick note to say Congrats to Richard Pedretti-Allen whose letter appears in this months Tape-Op Magazine, 3 below Pete Townsend... Yes that Pete Townsend. Congrats Richard.. Now get back to work on "King For A Day" ;) Mole
------------------------------ End of Chalkhills Digest #8-9 *****************************
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