(Partridge)
Senses Working Overtime single cover art |
Recordings XTCfans interview with Andy Partridge Art Annotated Lyrics Chords and Tablature |
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Album version, 4'45.
Released on English
Settlement.
andy - lead and backing vocals, acoustic guitar.
colin - fretless bass, backing vocals.
dave - electric 12-string guitar, percussion
terry - drums, drum synthesizer
Single edit, 4'30.
Released on 8 January 1982 as a single in the U.K.
Reached No. 10 on the U.K. singles chart.
Promotional video (uses the single edit), 4'30.
First broadcast date unknown.
Released in 1982 on the Look Look
video compilation.
Colin: “I think this was our highest chart entry.” Andy: “Made up from two songs. It's also the only song we've ever done with crows on.”
Acoustic medley version.
Recorded live on 22 February 1989 at WXRT, Chicago.
Performed as a medley: "Senses Working Overtime" / "Grass" / "Love on a Farmboy's
Wages".
Early work tape.
Recorded in the front upstairs room, 46 Kingshill Road, Swindon, in Summer
1981.
Released on 25 March 2002 on Coat of
Many Cupboards in the U.K.
Andy Partridge - Acoustic Guitar and Vocals
Andy: “You see the lorries had to rev up and put their foot down to haul themselves up Kingshill, while anything coming down, just went full throttle bananas fast. So that's why I've got such glorious stereo traffic on this cassette. I'm sat in the empty front room, upstairs in 46 Kingshill Road, Swindon. I say empty, well, not quite. There's a battered '40's sofa covered in scraps of black and white window display fabric, liberated from McIlroy's department store and about 3 to 4 thousand old American comics laid in piles on the floor. This, despite the traffic from Hell, was my writing room, and here I am trying to get through a new song I've just come up with. It's a couple of half songs Frankensteined together, but I think there's something in it. You won't hear all the correct chord changes, words or middle section, they're not thought up yet. But you will get a cassette quality ultra scan of the soon to be born. To the average English listener this song came to represent their concept of our high water mark in the English charts, i.e., If you're not on ‘Top of the Pops’, you don't exist. Although after the Senses single our fellow countrymen felt they should confine us to the ‘has been’ drawer, ironically our best sales, by far, were yet to come from the so far undented monolith of America and from a joyously appreciative and loyal Japanese following many years down the line.
“But at this point in the tale, all I knew was that I was a married man living in a couple of damp rooms, rent free, above an empty shop, and I had a new album to write. Was this one that would make it?”
[Thanks to R. Stevie Moore]
s e n s e s w o r k i n g o v e r t i m e HH H HHHH ey hey, the clouds are whey, there's straw for the donkeys H H and the innocents can all sleep safely all sleep H H safely. my, my sun is pie there's fodder for the HH cannons and the guilty ones can all sleep safely all sleep safely. and all the world is football shaped, it's just for me to kick in space and I can see, hear, smell, touch, taste - and I've got one, two, three, four, five senses working overtime trying to take this all in, I've got one, two, three, four, five senses working overtime trying to taste the difference 'tween the lemons and limes the pain and the pleasure and the church bells softly chime.. . . hey hey, night fights day, there's food for the thinkers and the innocents can all live slowly all live slowly my, my the sky will cry jewels for the thirsty and the guilty ones can all die slowly all die slowly. and all the world is biscuit - shaped, it's just for me to feed my face and I can see, hear, smell, touch, taste- and I've got one, two,three, four, five sense working overtime trying to take this all in, I've got one, two, three, four, five senses working overtime trying to taste the difference 'tween the lemons and limes the pain and the pleasure and the church bells softly chime.. . . and birds might fall from black skies and bullies might give you black eyes and busses might skid on black ice but to me it's very very beautiful (england's glory!) beautiful (a striking beauty!) and all the world is football - shaped, it's just for me to kick in space and I can see, hear, smell, touch, taste - and I've got one, two, three, four, five senses working overtime trying to take this all in,I've got one, two,three, four, five senses working overtime try to tell the difference 'tween the goods and crimes, dirt or treasure and there's one, two, three, four,five senses working overtime trying to take this all in, I've got one, two, three, four, five senses working overtime trying to taste the difference 'tween the lemons and limes the pain and the pleasure and the church bells softly chime. . . andy-lead and backing vocals, acoustic guitar. colin-fretless bass backing vocals. dave - electric 12-string guitar, percussion ---- terry - drums, drum synthesizer composed by a. partridge |
“England's Glory” is a brand of wooden matches. Their slogan was, at one time, “A striking beauty”.
© 1982 Virgin Music (Publishers) Ltd.
[Thanks to Gary Jedlicka]
Date: Thu, 15 Aug 2013 10:24:10 -0700 (PDT) From: Jay Glacy <jay (at) glacy dot net> Subject: Thought You Might Be Interested Message-ID: <1376587450.52401.YahooMailNeo (at) web164004 dot mail dot gq1 dot yahoo dot com>
I did arrangements of two XTC tunes that I thought you and the greater community might appreciate. Here are the links:
http://www.noteflight.com/scores/view/c552ccc3b77d7dd29c8637361a6330e788b3b07a
http://www.noteflight.com/scores/view/e6bc4601a8f3cd0f5b9a033e242aba8266630e82
Getting the drum parts right was a special challenge. Let me know what you think. Jay Glacy.
Date: July 26, 2005 From: guitar tab archive (author unknown) Subject: Senses Working Overtime intro tab 1----------------------------| 2------0-------0--0--0--0----| 3---8--8--8----6--6--6--6----| Repeat X 4 4---6-----6----8-----8-------| 5----------------------------| 6----------------------------| Song goes.. One two three four five! 1----0---0---0---0---0------------------------| 2----5---4---2---1---0------------------------| 3--------------------1------------------------| 4--------------------2------------------------| 5--------------------2------------------------| 6--------------------0------------------------| Main part goes.. Senses working o ver time...... 1----0---0---0---0-----------------------------| 2----5---4---2---1------2-----4----5-4---------| 3----------------------2-----4----4---4--------| 4---------------------2-----4----4-----4-------| 5--------------------0-----2----0--------------| 6----------------------------------------------|
Guitar & Bass (UK)
May 2005
Generally Major: Colin Moulding Workshop
by Gareth MorganEx. 7
BASSIST GROOVING OVERTIME
English Settlement is another must-have XTC album. Moulding's playing simply soars, and his fretless work is revelatory: it's as if he had a cupboard-full of killer ideas in waiting, and he lets them all out on one record. And yet it's in no way a chops-fest. Taste and musicality are the watchwords, and our snippet — based on the two-bar phrase at the end of the chorus in the sublime Senses Working Overtime — also features wonderful legato slides, solid grooving and high-register fills.
Date: Thu, 11 Apr 2002 17:37:44 -0400 From: Kristin Hall <kristin (at) media dot mit dot edu> Subject: Submitting: Senses Working Overtime - Lyrics & Chords Message-Id: <v04210100b8dbb200cfff@[146.115.121.128]> Hi- Okay, this song is a bear - especially, since it ends up a half-step higher than it starts. But after listening to it for the past couple of hours and referring to the variations at http://chalkhills.org/reelbyreal/s_Senses.html I think I've got it as close as I can. I also found the corrected lyrics. VIEW THIS IN COURIER FONT TO SEE IT CORRECTLY! First of all, don't be put off by the keys. The song is super easy if you play all these as barre chords. The fingerings flow together very well. Opening Am - G Guitar Riff: This is really easy. Finger the full barred Am(5) and G(3) chords, but only fingerpick the following: B:-5---5--3---3-----| G:---5------4---4---| D:-7---7--5---5-----| I haven't found an elegant way to do the Dm - Dm/C - Dm/E - Dm, yet, but here's one version: E:-1---1---1---1-| B:-3---3---3---3-| G:---------------| D:-0-0-2-------0-| A:---------4-----| Enjoy! Comments, questions, correction to radialnerve (at) rcn dot com, please. Cheers! Kristin ++++++++++++++++ SONG: Senses Working Overtime ARTIST: XTC Am(5) G(3) Am(5) G(3) Am G Am G Am G Hey, hey, the clouds are whey. There's straw for the donkeys Am G Dm Dm/E Dm/C Dm Dm Dm/E And the innocents can all sleep safely------------------------, Dm/C Dm Dm Dm/E Dm/C Dm Dm/E Dm/C Dm All--- sleep safely. My, my, sun is pie. There's fodder for the cannons And the guilty ones can all sleep safely, all sleep safely. Bb Ab Bb Ab C And all the world is football-shaped, it's just for me to kick in space C Bb C And I can see, hear, smell, touch, taste CHORUS: C F C F Bb F C And I've got one, two, three, four, five senses working o - ver - time. Bb C F Trying to take this all in. C F C F Bb F C I've got one, two, three, four, five senses working o - ver - time. Bb C Bb C Trying to taste the difference between a lemon and a lime Bb C F Pain and pleasure and the church bells softly chime. Hey, hey, night fights day. There's food for the thinkers And the innocents can all live slowly, all live slowly. My, my, the sky will cry. Jewels for the thirsty And the guilty one's can all die slowly, all die slowly. And all the world is biscuit-shaped, it's just for me to feed my face And I can see, hear, smell, touch, taste. CHORUS BRIDGE: Bb(7) Ab(4) Bb(7) Ab(4) Bb Ab Bb Ab Bb Ab Bb Ab And birds might fall from black skies----- Whoo! Whoo! And bullies might give you black eyes - Whoo! Whoo! And buses might skid on black ice - Whoo! Whoo! Bb Ab Bb Ab Bb Eb Bb Eb Bb B F# B F#7 But, to me, they're very, ve-ry- beau-ti-ful! (England's glory!) Eb Bb Eb Bb B F# B F#7 Beau---ti-ful----! (A striking beauty!) Eb Doo-doo-doo-doo! Doo-doo-doo-doo! Doo-doo-doo! B Doo-doo-doo-doo! Doo-doo-doo-doo! Doo-doo-doo! Eb Doo-doo-doo-doo! Doo-doo-doo-doo! Doo-doo-doo! B F# Doo-doo-doo-doo! Doo-doo-doo-doo! B A B A C# And all the world is football-shaped, it's just for me to kick in space C# B C# And I can see, hear, smell, touch, taste CHORUS: C# F# C# F# B F# C# And I've got one, two, three, four, five senses working o - ver - time. B C# F# Trying to take this all in. I've got one, two, three, four, five senses working o - ver - time. B C# B C# B C# Trying to taste the difference between the goods and crime, dirt or treasure. C# F# C# F# B F# C# And there's one, two, three, four, five senses working o - ver - time. B C# F# Trying to take this all in. C# F# C# F# B F# C# I've got one, two, three, four, five senses working o - ver - time. B C# B C# Trying to taste the difference between the lemon and lime. B C# F# Pain and pleasure and the church bells softly chime. -- Kristin Hall "Consider again. If that is ALL you have to complain about today...consider yourself lucky."
Date: October 31, 2001 From: guitar tab archive (author unknown) Subject: Senses Working Overtime Chords Intro is something like: B-4--2--4--2--0--2---- repeated over and over G-1------------------- And there's a bunch of lyrics that I can't quite make out.... A Asus4 A And all the world is football shaped A Asus4 B It's just for me to kick its face B Bsus4 B And I can see, hear, smell, touch, taste B E E B B E And I've got one, two, three, four, five A E B Senses working o - ver - time A B E E E B B E Trying to take this all in, I've got one, two, three, four, five A E B Senses working o - ver - time A B A B Trying to taste the difference between a lemon and a lime A B E Pain and pleasure and the truth will softly chime Chords: E - 779997 B - 799877 Bsus4 - 799977 A - 577655 Asus4 - 577755
Date: Fri, 25 May 2001 12:20:53 -0400 From: Jamie Kowalski <jamie (at) allhands dot com> Subject: chalkhills.org and tablature Message-Id: <3.0.32.20010525122028.006a2eb8 (at) www dot allhands dot com> To whomever manages the tablature pages at chalkhills.org (please forward if necessary), I have some comments on the guitar tabs you have, and would appreciate if you posted them. Senses Working Overtime: First off, get rid of that first post (from unknown), bad tab, wrong chords, even bad lyrics. I've been playing the opening like this: (muted) B:---0-------0---0---| G:-8---8---6---6-----| D:-6---6---8---------| and: D:-6-6-6---6---------| A:-4-4-6---7---------| E:-4-----------------| Easy to play, and sounds pretty accurate to me. Hope this helps! Jamie Kowalski http://www.allhands.com
Date: Tue, 23 Jul 1996 17:57:06 -0400 From: Kevin <KB305 (at) aol dot com> Subject: one more time Message-ID: <960723175703_244054811 (at) emout16 dot mail dot aol dot com> s e n s e s w o r k i n g o v e r t i m e G#m Hey hey, the clouds are whey, there's straw for the donkeys and the C#m innocents can all sleep safely all sleep safely. my, my sun is pie there's fodder for the cannons and the guilty ones can all sleep safely all sleep safely. A G/A A G/A B and all the world is football shaped, it's just for me to kick in space A/B B and I can see, hear, smell, touch, taste - and I've got E B E A E B one, two, three, four, five senses working o vertime A B E B trying to take this all in, I've got E B E A E B one, two, three, four, five senses working o vertime A B A B trying to taste the difference 'tween the lemons and limes A B E the pain and the pleasure and the church bells softly chime.. . . hey hey, night fights day, there's food for the thinkers and the innocents can all live slowly all live slowly my, my the sky will cry jewels for the thirsty and the guilty ones can all die slowly all die slowly. and all the world is biscuit - shaped, it's just for me to feed my face and I can see,hear, smell, touch, taste- and I've got one, two, three, four, five sense working overtime trying to take this all in, I've got one, two, three, four, five senses working overtime trying to taste the difference 'tween the lemons and limes the pain and the pleasure and the church bells softly chime.. . . A G/E A G/E A G/A A A13/G and birds might fall from black skies woooo! and bullies might give you black eyes and busses might skid on black ice A G/A A G/E D A7 D A7 Bb F7 Bb F7 but to me it's very very beautiful (england's glory!) D A7 D A7 Bb F7 Bb F7 beautiful (a striking beauty!) D A7 D A7 Bb F7 Bb F7 F7 doo doo doo doo (etc.) doo doo doo doo! Bb Ab/Bb Bb Ab/Bb C and all the world is football-shaped, it's just for me to kick in space Bb/C C and I can see, hear, smell, touch, taste - and I've got F C7 F Bb F C one, two, three, four, five senses working o vertime Bb C F C trying to take this all in,I've got F C7 F Bb F C one, two, three, four, five senses working o vertime Bb C Bb C try to tell the difference 'tween the goods and crimes, Bb C dirt or treasure and there's one, two, three, four,five senses working overtime trying to take this all in, I've got one, two, three, four, five senses working overtime trying to taste the difference 'tween the lemons and limes Bb C F the pain and the pleasure and the church bells softly chime.. .
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