Chalkhills Digest, Volume 5, Number 311 Monday, 15 November 1999 Today's Topics: Re: Seagulls Screaming Everything Andy Doesn't Wanna Be Here AV2 (a short post with XTC content! whee!) I Don't Want To Be the Raspberries Suggestions please YOUR THANKSGIVING Re: TOTP2 Wednesday 10th November Colonel Bunt reporting for duty, sir rags and bones Dindon! A vow calling. Idiotic Diatribes-R-Us Re: If you enjoyed "THE DUKES"... Hissy Hissy(piss)Fits!!! ferry, boogers & the big express - again Simon said Wondermints an unfair advantage Administrivia: To UNSUBSCRIBE from the Chalkhills mailing list, send a message to <chalkhills-request@chalkhills.org> with the following command: unsubscribe For all other administrative issues, send a message to: <chalkhills-request@chalkhills.org> Please remember to send your Chalkhills postings to: <chalkhills@chalkhills.org> World Wide Web: <http://chalkhills.org/> The views expressed herein are those of the individual authors. Chalkhills is compiled with Digest 3.7 (John Relph <relph@sgi.com>). The world's gone mad but in miniature.
---------------------------------------------------------------------- Message-ID: <19991112162304.42714.qmail@hotmail.com> From: "Megan Heller" <hellerm@hotmail.com> Subject: Re: Seagulls Screaming Date: Fri, 12 Nov 1999 10:23:04 CST "John Boudreau" <aso1@mocha.ocn.ne.jp> advertises-- >Searching through live gig listings in Tokyo Classified and found this : > > >Seagull Screaming Kiss Her Kiss Her > >Shimokitazawa Shelter, 12/13-14, 7pm, JY2800. Info: Polystar 5721-3213. > >With a name like this they've gotta be worth checking out ... I've heard of them-- I believe they're a kind of shibuya-kei band, although I think they may have a certain amount of guitar?... I haven't heard them, although I'd like to. I remember I hadn't heard of them in 1997 when I bought the Momus album "Ping Pong", containing his reference-heavy "The Anthem of Shibuya", so I was quite surprised when the song opened with the words "Seagulls screaming kiss her..."! It's like a weird six-degrees games between my favorite musicians. m.
------------------------------ From: "Mark Strijbos" <mmello@knoware.nl> Date: Fri, 12 Nov 1999 17:31:25 +0100 Subject: Everything Message-Id: <19991112163001.BE09CA6CE2@mail.knoware.nl> Dear Chalkers, My phone line has been out for 72 hours - disaster! Boy, i'm i glad to be back online again. First of all a bit thank you to local farmgirl and Avon lady Belinda for alerting us all to the TOTP2 tranmission of Senses Working Overtime. It was great seeing this clip for the very first time. Yes, those were the days... I'd give my Science Friction single for just five minutes of XTC in that line-up: Andy, Colin, Dave and last but not least Terry. It's funny, but i usually don't think of Senses as a "drum song" but if you listen carefully the drums are terribly important throughout and IMHO this is one of the major "selling points" that made this single into a minor hit Two observations: Andy really can't mime his way out of his own songs and Dave looked very spiffy in his Young Accountant of the Year outfit. > While I'm here, a question.... Way back on "Play at Home", Mr P > visited a mural in Swindon which featured many of the town's > luminaries, including the band. Does anyone know if the mural is still > there and, if so, in which street ? no, it's not there any more. Bit of a pity, it was the only visual confirmation that you were in XTC Town. Now there's only the White Horse, but that is actually miles away from Swindon Swindon residents please correct me if i'm wrong but as far as i know this mural was destroyed when the house that carried it was demolished. I saw the mural on my first visit to Swindon in 1986. It wasn't really very pretty or impressive but i'm glad i saw it in it's full glory. What struck me most was the fact that the artist had later on moved Barry a bit to the side and "painted in" Dave's head on Bazza's old body. PS: i'm looking for a new job. Keywords: C, Delphi, OOP, Java, JavaScript, CGI, Perl, (D)HTML, CSS, Flash, PhotoShop, Fireworks, DreamWeaver, DOS, UNIX, Wintel etc... any offers? yours in xtc, Mark Strijbos at The Little Lighthouse http://www.knoware.nl/users/mmello/ or http://come.to/xtc
------------------------------ Message-ID: <382C4B7E.AB554DC8@yahoo.com> Date: Fri, 12 Nov 1999 12:16:46 -0500 From: Rob Hill <SquidRiver@yahoo.com> Subject: Andy Doesn't Wanna Be Here >From: Rich Bunnell <taostermanSPAMSUCKS@yahoo.com> >Subject: AV2: I Don't Want To Be Here >Sorry if this has been debated in full before, but exactly -why- is >Andy not including this song on AV2? It's got one of the best >melodies of any of his recent demoes (with "Stupidly Happy" passing >it up by a bit)-- what is there about this marvelous song which >makes Andy not willing to release it? Because Andy is a deft master of self-sabotage. He knows precisely what songs are liable to burst open the floodgates & make XTC a bigger commodity than he's fit to deal with -- & he deliberately steers clear of this. Thus we have his refusal to tour, his flimsy excuse for wanting to discard "Dear God," his not-quite-as-flimsy excuse for wanting to discard "Your Dictionary" -- & now anyone who's heard "I Don't Wanna Be Here" knows this one is a doozy. I can actually imagine it being (gasp) played on the radio. Well, either one of two things are likely to happen. Either Colin & the producer will bully Andy into putting it on, as has happened before, or it will wind up on Fuzzywarbles. Either way, the XTC fan will benefit, so there's not much cause for alarm. Rob
------------------------------ Message-ID: <19991112170807.75005.qmail@hotmail.com> From: "Megan Heller" <hellerm@hotmail.com> Subject: AV2 (a short post with XTC content! whee!) Date: Fri, 12 Nov 1999 11:08:06 CST just checked out the potential AV2 track listing on Bungalow-- I'm pretty happy overall (very glad to see "Church of Women", "My Brown Guitar", and "You and the Clouds" on there), although I do wish "Prince of Orange" were in the mix. How are other people who've looked feeling about it? m.
------------------------------ Message-ID: <19991112180732.26987.rocketmail@web2105.mail.yahoo.com> Date: Fri, 12 Nov 1999 10:07:32 -0800 (PST) From: Tyler Hewitt <tahewitt@yahoo.com> Subject: I Don't Want To Be the Raspberries RE: I Don't Want To Be Here: exactly -why- is Andy not including this song on AV2? It's got one of the best melodies of any of his recent demoes what is there about this marvelous song which makes Andy not willing to release it? ----------------- Well, to me, the chorus of I Don't Want to Be Here (the part that goes 'And I don't want to find myself this way again..." sounds an awful lot like "Never Gonna Fall in Love Again" by either Eric Carmen or his former band, the Raspberries (can't remember which). I am not accusing Andy of plagerism, just saying that the melodies seem similar to me. Read the notes to 'Knights in Shining Karma' in the Homespun booklet for Andy's take on borrowing from others. I do recall a recent interview or something with andy where he talks about having to play melodies for others to make sure he isn't copying. I believe the quote mentioned 'Hey Jude'- "do I hear some Hey Jude in that" or something along those lines. Has anyone else seen this? I can't remember where I saw it. A (very) quick spin through Song Stories and the Homespun booklet turned up nothing.
------------------------------ Message-ID: <382C54D5.D21D8329@which.net> Date: Fri, 12 Nov 1999 17:56:37 +0000 From: B Blanchard <b.blanchard@which.net> Subject: Suggestions please Part self advert so forgive me do. I have a play on in South London for one night only next Thursday 18th and need ideas about which XTC track I should have playing as the audience arrives and leaves. My director has said I can play one so who am I to ignore that opportunity? I just can't think what would be suitable. The play is about a 55 year old educated cultured strong woman character who befriends a complete mouse of a woman with the express intention of subverting the mouse's marriage to the strong woman's real and only love. But in the end the strong woman discovers she really likes the mouse for herself (platonically, as a true friend) and learns about life through the mouse's uneducated innocent inexperienced eyes. So it's about jealousy and female friendships. Any ideas? Somehow Pink Thing just doesn't seem appropriate. Oh - and would you guys leave Dom alone? He's MINE. Belinda
------------------------------ Message-ID: <003401bf2d1b$d9466760$0d2aa8c0@me.myoffice.com> From: "Steven Paul" <spaul@armstronglaw.com> Subject: YOUR THANKSGIVING Date: Fri, 12 Nov 1999 14:21:41 -0000 S-L-O-P Is that how you spell food in your dictionary H-U-R-L Pronounced as yum... S-H-I-T Is that how you spell feast in your dictionary Dead burnt bird A recipe for a meal Well, now that I can chew, my teeth won't eat Now that I can smell, my nose just leaks Now that I can taste all your food I'll heave I'm not so sure that Julia-Childs' a mercenary The way you cook a meal is extra-ordinary Stevenoh "not as your lawyer, but as your friend" Paul (not my real name)
------------------------------ From: JamieCFC1@aol.com Message-ID: <0.e4e559fe.255df14b@aol.com> Date: Fri, 12 Nov 1999 17:40:11 EST Subject: Re: TOTP2 Wednesday 10th November Just before XTC did "Senses Working Overtime" Steve Wright commented about how it was "very 80s" and how nervous Andy Partridge looked! I wouldnt personally have called the boys "very 80s", maybe he was confusing them with Kajagoogoo? Jamie
------------------------------ Message-ID: <130CB597E04ED211B2A400104B93AAC47DF73F@ESCORP1> From: "Wiencek, Dan" <dwiencek@crateandbarrel.com> Subject: Colonel Bunt reporting for duty, sir Date: Fri, 12 Nov 1999 16:52:39 -0600 Maggie went ahead and said: > Did I miss any discussion regarding Andy's statement that Greenman is > English folk music inspired and not Indian inspired? I was dumbfounded- > after hearing the warbling he does on "pleaeaese to bend down..." on > Homespun- c'mon- I didn't think that's how the guys in green tights in the > forest sing, is it? Call me the village idiot too, but I guess I don't > know enuf about English folk music... I'm seeing sari's and dots, too. > Amazing how we can *so* not understand him... makes me wonder what else I > have really misinterpretted. > I don't know a great deal about it [English folk] either, but I've heard some quote-unquote early music descended from traditional British Isles folk, and none of it sounds anything like Greenman. As you point out, his warbling on the outro sounds more Eastern than Celtic, and the same is true of his ululating rendering of "wall" in the middle section. I wouldn't berate myself for "misunderstanding" Andy; artists aren't always right about their own work, and just because Greenman reminded Andy of pagan rites (or whatever, exactly, it reminded him of) doesn't mean that's where the song actually comes from, formally speaking. > and Nicole said- > >Gary's open letter to Dom: > >the really ugly, > >bullying side of your personality rears to bludgeon.....it just looks > >pathetic, and a kind of cowardice. > > I have to agree, the Dom & Sherwoods posts are just a Cleverness Contest, > sorry. No one else minded being called a *unt....? > Can't say I minded being called a *unt ... but then again, I am kind of short. Dom, man, how'd you know? Do you have some weird, carny-like ability to guess people's height by their writing style? That's a joke--I'm actually rather tall--but I wanted to make the point that I enjoy Dom's posts, particularly his more acerbic ones, since there is far too much phony niceness in the world and so it's kind of a relief to run across phony misanthropy once in a while. Yes, both Dom and Sherwood lay the rhetorical icing on a bit thick at times; at times, I've found their posts precious and bothersome. Far more often, though, I find them funny, engaging, and stimulating. These two very different writers are able to approach nearly any topic from a perspective so unmistakably theirs that the topic itself almost becomes irrelevant; you don't read them so much for the information they contain as for the pleasure of immersing yourself in a particular view of the world, a view presented with enough confidence and mastery of craft that it has a palpable presence on the page, like the smell of a campfire. That's something all fine writing should do, and what I strive to do myself in my writing. (And it's also something which *a lot* of subscribers to this list are able to do to some extent, further confirming my opinion that Chalkhills is an exceptional list, and that I would find it so even if I weren't a loyal XTC fan.) Writing of that sort--i.e., writing imbued with personality, that strives to do more than simply present information--holds the inherent risk, when it fails, of appearing to be about the writer exlusively and not at all about the subject being written about. Dom and Harrison occasionally fall from that tightrope, as do we all, but that's a small price to pay for maintaining the health of this incredibly lively, erudite forum we all share. And I don't mean to make light of your discomfort at the word "cunt," but you should bear in mind that the word is less of a taboo in British slang than in American; it's not considered a nice word, by any means, but it isn't the doomsday weapon it is here in the States. I've noticed many Brits seem to use it the way we Americans use "asshole." Witness Andy Partridge's creation of the Colonel Cunt hat during the Oranges and Lemons sessions (described in Song Stories, if you're not familiar). To an American it's jaw-droppingly profane, but re-imagine it as the "Major Asshole" hat and it makes a kind of sense. Dan "What a silly bunt" Wiencek
------------------------------ From: dan@gge.com Message-ID: <382C99F4.E6EE66B5@gge.com> Date: Fri, 12 Nov 1999 14:51:59 -0800 Subject: rags and bones several postings have come up lately regarding 'fuzzy warbles', bootlegs, colin's demos, and sundry rags and bones. everyone has different ideas of how these items should be released, remastered, repackaged, etc. also, it seems to be generally acknowleged that these are 'fans only' items and that only fans want them and they want them bad! why doesn't idea records or tvt do an online pay-per-song compilation, ala bowie (btw: i love 'hours') or beastie boys, and you can order up a custom cd of only what you want or get the whole lot? would this be financially and logistically feasible? other people are doing it and there's buzz in the media that this is "the new way" for music (product) to reach fans (consumers). that way we get the officially sanctioned demos and rare cuts, they don't have to press x-number of copies on spec, people in the southern hemisphere don't have to wait and hope it shows up in stores, and everyone walks away happy. * ------------------------------------------- >When people on this list make fun of people and call them >nasty names, I like it and think it's funny. If you don't like it, >you're pants. yeah! pants! * --------------------------------------------- thanks to john hedges and company for the 'oranges & lemons' vector graphic http://www.alternatech.net/jh3/xtc/xtconl.htm nice work guys! i used it to make a 46x48" penplot and will be transfering it to the wall in my studio this winter, so i'll have a mural of the peter max-esque oranges & lemons cover art! * --------------------------------------------- on a personal note: today is my last day at my job. i hope i still have time enough to read chalkhills digests when i start at the new place next week! this is my last posting from this e-adress in loving memory of a name, dan "what are you gonna do, fire me" duncan
------------------------------ From: Saints3Den@aol.com Message-ID: <0.51b99454.255dfb6f@aol.com> Date: Fri, 12 Nov 1999 18:23:27 EST Subject: Dindon! A vow calling. Here it is,Mr Waybill... (I didn't want to be the first) RIVER OF COURSES Heyyy... I cooked the dandelion greens and piccalilly relish! I cooked the dandelion greens and piccalilly relish! Take a packet of Bell's Seasoning, Get yourself a big plate. Gonna cook a river of courses In the stove and microwave Push the carcass in the stove! Push the carcass in the stove! Just like a good chef , you're basting the tail with the juices! Just like a good chef , you're basting the tail with the juices! Sauces on the back burner, Potato peelings at your feet, Said the oven would be cleaner If you just went out to eat! Giblets from turkey, thrown away, Got a Thanksgiving luncheon in my hands today. River of courses, my gut overgrown, Gonna walk to the bathroom and sit upon the throne. yeah...i know i can "doo"it not the traditional menu for the most part,but it fits the song. possible future release of demo version eddie st.martin
------------------------------ Message-ID: <19991113012818.99292.qmail@hotmail.com> From: "Duncan Kimball" <dunks58@hotmail.com> Subject: Idiotic Diatribes-R-Us Date: Fri, 12 Nov 1999 17:28:16 PST Well excuse me for having an opinion, Gary. Sorry, but sport sucks. and it is sucking more and more ... more time and money and energy that is .... away from things that matter like education and health and childcare and the arts ... and squandering it on useless bullshit. We both live in Sydney, I see. Aren't we lucky? For our sins, we are about to visited by the 20th century equivalent of the Seven Plagues - i.e. the Olympic Games. Oh goody. How my national pride swells when I see our pollies cringing like curs at the feet of Samaranch, the henchman of the late Nazi dictator F. Franco. How heartwarming to see that old fascist treated like royalty. How reassuring to find my suspicions confirmed - that we, like every other bunch of suckers, bribed our way into getting the Games in the first place. What a heartwarming spectacle it is to know for sure (surprise, surprise) that Graham "Whatever It Takes" Richardson and Sandy Hollway all their fat, boozy, corrupt, bludging co-conspirators have been hoarding the premium tickets for their mates at the Big End of Town, just so they can rake in that little bit extra on the side. What a sweet experience it is to see millions being surreptitiously siphoned off from public enterprises like education, that actually do something useful, and redircted into the biggest money-shredding exercise since the South Sea Bubble. How delightful to watch prices spiral out of control, so that ordinary working people like me can barely afford to live, and my friends who don't yet own a house can kiss goodbye to any hope of ever owning their own home anywhere within 50km of the city. And finally, how thrilled I am that Sydney is painting a great big target on its collective back by playing host to the biggest terrorist magnet ever devised AND hosting it in the Year 2000 - thus minting for itself a gold-plated guarantee of attracting every other rabid religious nut and aplocalypse-fixated cult maddie who wants to "make a point" by blowing up a public building or releasing nerve gas on the undergound or poisoning our water supply. Gee thanks Juan - I can't wait.... ---- ON a lighter note ... Played "Homespun" this morning (Sat) while I was doing my email. My 5yo, Lucas demanded three replays of "Greenman" and danced around the living room like a dervish with his little sister. At the start of "Your Dictionary" he protested vehemently: "No Daddy, this isn't a dancing song - this is a standing-still song." When questioned about what the Greenman was, he cannily replied: " It's for crossing the road." Well, of course! I can hear him singing it to himself in the shower at this moment. Cute. Dunks
------------------------------ Date: Fri, 12 Nov 1999 20:14:48 -0800 (PST) Message-Id: <199911130414.UAA62326@mando.engr.sgi.com> From: John Relph <relph@cthulhu> Subject: Re: If you enjoyed "THE DUKES"... Rick Avard wrote: > >For all you "DUKES" fans out there who love the 60's-style rip-off, >please check out THE FRATERNAL ORDER OF THE ALL's CD called "Greetings >From Planet Love". It's incredible!!!! I finally procured a copy of this CD and I have to agree, it's an excellent pastiche of the music of the times, very much akin to The Dukes' two efforts. Well worth a listen, especially "Mr. Plastic Business Man" and "Tomorrow Drop Dead", lovely takes on The Beatles. John-Bob sez, "Check it out!". -- John http://www.cdnow.com/switch/from=sr-131222/target=buyweb_purchase/itemid=471931
------------------------------ Message-ID: <19991113051939.3404.qmail@nwcst268.netaddress.usa.net> Date: 12 Nov 99 21:19:39 PST From: vee tube <veetube@netscape.net> Subject: Hissy Hissy(piss)Fits!!! YO! What Spawn U UPS! Hissy: Gary Pooper Hissy: Dom? Hissy: Todd Hissy: Sherwood (if i could) Hissy: Wild1Coyote Lighten up guys, it's almost time to give thanx! I don't think this will impress anyone but, I have over 3'000 CDs. And I bet if you stop pissing all over one another and.. ..ENTER THE CONTEST! And if you win! You can choose any thing you want! (CDR) What CONTEST? (see CHALK Vol.5 #307) So far Megan H. is the winner. }---:)
------------------------------ Message-Id: <3.0.2.32.19991113020350.00711e90@mail.interlog.com> Date: Sat, 13 Nov 1999 02:03:50 -0500 From: David Oh <davidoh@interlog.com> Subject: ferry, boogers & the big express - again greetings kiddie-winkies, tonight (99-11-09), in toronto, our concert choices were either bryan ferry at massey hall, which is a beautiful 100 year-old concert hall with a seating capacity of 2300 or, the pick snot boys at the warehouse, a standing-room-only club with a capacity of about 1000. hmmm... 2 tickets to bryan ferry, please! it was a great show, very elegant and understated. ferry was backed by a 13 piece band; 4-piece horn & 4-piece string sections, guitar, bass, drums, piano and a harpist/percussionist (?). the musicianship was of the highest calibre and they were surprizingly versatile, too. they mostly played cuts from his latest album, iow, songs from the 30s, but there were a few surprizes with big band arrangements of roxy music and ferry solo songs. all in all, a good time was had by all. as for the pick snot boys, well, when i got home after the ferry concert, they had clips from both shows on the tv news and all i can say is neil tennant had a nice haircut... xtc content: i still haven't got a definitive answer on why my copy of 'the big express' is the way it is. again, this is what happens: it has the bonus tracks listed on the back, in the lyric booklet and on the disc itself, but as the disc plays, it goes from 'this world over' straight to 'the everyday story of smalltown', while the cd display shows track number 5 then 6 for the above songs and shows up to track 11, not 14 as indicated by the artwork. although i thank the people who have responded to my question privately, no one has explained to me if this is common or if it is a rarity. does anyone else have this disc with this artwork/tracklisting? again, the details are thus: virgin label, manufactured in the u.k., catalog # cdv 2325. it also has a bar-code sticker on the back with the following numbers: 77778 66892. is there a discographic expert out there who can tell me the whats and whys of this freak disc? as an aside; the same type of bar-code sticker that appears on my copy of mummer reads thus: murmer. go figure! anyroad, gotta run, but i would appreciate it if an expert would tell me why my copy of 'tbe' is the way it is... please?
------------------------------ Message-ID: <382D5D9E.FF55A163@erols.com> Date: Sat, 13 Nov 1999 07:46:23 -0500 From: Todd and Jennifer Bernhardt <toddjenn@erols.com> Subject: Simon said Hi: Veronica shared her dream, saying (among other things): > I dreamt that I > went to an outdoor music festival. Colin and Andy were > sitting on stools in the middle of a field... Cowpies, no doubt. How unfortunate for them. No wonder Andy played "I Felt Like Smashing My Face Through A Clear Glass Window." Talking about Space Ghost, the other Andy said: > I suppose that means that: a) the people that I talk to are lying to me and > that they actually thought Andy was a miserable guest. OR b) that being > talented, interesting, funny and all-around great doesn't mean that you're > gonna get on television before somebody less interesting but more > marketable. Well, from my limited experience in the entertainment "business," I'd say "B" is definitely true, with the distinct possibility of "A" also being true. But please don't listen to me... Oh, and to the people who have been concerned about Simon Deane's approach to "censoring" the list, here's a hint -- check out the subject line in Simon's original post on the topic, in #305: >Subject: Chain yanking <WUA-isosp> You'll notice that he's following his own guidelines. Read the post again for the definition of the "warning label." So much for subtle humor, Todd
------------------------------ Message-ID: <000e01bf2eaa$3e175de0$7ace2cc3@steel> From: "MARTIN STEEL" <steelm@cwcom.net> Date: Sun, 14 Nov 1999 14:11:19 -0000 Subject: Wondermints To all Digestors everywhere, Have you guys latched onto the Wondermints yet ? Their new CD ,called Bali, was hailed in the UK press as "celestial brilliance" and is simply XTC writ large in a west coast context. It sounds exactly like the Dukes . In the UK ,it can be ordered as an import from Minus Zero records on 0171 229 5424. Order and marvel Martin
------------------------------ Date: Sun, 14 Nov 1999 20:45:36 -0500 Message-Id: <199911150145.UAA31820@musone.chek.com> From: "Murgatroyd Llewellyn" <murgatroyd.llewellyn@scotland.com> Subject: an unfair advantage it is wholly unfair to the world war commonly referred to as the 2nd world war to refer to same as the 2nd world war. was the 1st world war so much better for it to be classified as the 1st world war? also, a friend of mine, who is a fine world war in her own right, has given up any hopes of claiming the title. this contest, for one, seems to be rigged indeed. quite disgusting, and i'm being polite. murgatroyd llewellyn
------------------------------ End of Chalkhills Digest #5-311 *******************************
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